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From Third Worldism to Empire

Jean‐Luc Godard and the Palestine Question

Bibliographic Data

ID12225477
AuthorsIrmgard Emmelhainz (corresponding author)
Year2009
Volume23
Issue5
Pages649-656
Publication date2009-09-01
Open AccessNo
TypeARTICLE
VenueThird Text (JOURNAL)
Journal identifiersISSN: 0952-8822 • E-ISSN: 1475-5297
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/09528820903185051
OpenAlexW2001699780
LanguageEN
Citations received5

Through the lens of two films by the Swiss film‐maker Jean‐Luc Godard, Ici et ailleurs (1970–1974) and Notre musique (2004), in which he addresses the Palestine Question, the article sketches out the discursive shifts in geopolitical engagement from the French movement of Third Worldism to current cultural wars and interventionism. In the late 1960s and early 1970s artists, writers, journalists and film‐makers produced works speaking for and about revolutionary struggles in the Third World. When Third Worldism was dismissed as a sort of aberration of decadent Socialism that threatened people's rights, a new de‐ideologised form of emancipation of the people of the Third World called for the imperative to safeguard their human rights. This led to new figures of alterity in the 1980s and 1990s, the 'suffering other' that needs to be rescued and to the post‐colonial 'subaltern' demanding restitution, presupposing that visibility would follow emancipation. For Godard, contemporary righteous cultural (and actual) wars stand against a 'sky red with explosions and restored ruins, still in flames, purporting the false unity of a culturalised past as the condition of possibility of a present of 'coexistence

Aesthetics · Ancient history · Art · Art history · Colonialism · Emancipation · Empire · Geopolitics · Political science · Politics · Subaltern · African history and culture studies · Historical and Contemporary Political Dynamics · History · Jewish and Middle Eastern Studies · Law

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Citations per year0.42
Citation span2014 - 2026 (13)
Highly citedNo

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