Miguel Errazu
Biographic Data
| ID | 1457351 |
|---|---|
| NAME | Miguel Errazu |
| GIVEN NAMES | Miguel |
| FAMILY NAME | Errazu |
| SIGNATURE | ERRAZU M |
| AFFILIATIONS | Universidad Complutense de Madrid |
| ORCID | 0000-0002-8768-1456 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Abundance and Frustration
This article examines women’s participation in the Miners’ Film Workshop, a countereducation project developed in Bolivia in 1983 by the Trade Union Federation of Bolivian Mineworkers (FSTMB) and the French nongovernmental organization Association Varan. Drawing on feminist production studies, institutional ethnography, and critical fabulation, the article looks into the abundant archive of the Miners’ Film Workshop, preserved in the offices of w…
Súper 8 y tercer cine
This paper explores the ways in which Super 8 entered the discussion on Third Cinema at a global level, whether through individual or collective experiences of production, theoretical interventions in print media, training workshops or transnational federative organizations. Based on diverse documentary and hemerographic sources, as well as archives and personal interviews, I argue that, between the key years of 1968 and 1989, Super 8 played an i…
Súper 8 contra el grano
"El barro de la revolución". Entrevista a Paloma Polo
La práctica artística de Paloma Polo (1983) ha progresado a través de una inmersión continua en zonas de malestar, disturbios y lucha. Su propuesta es idear y poner en escena relatos e historias que capturen el surgimiento del pensamiento político en las personas, para explorar, así, configuraciones sociales particulares como condiciones previas o potencialidades para el cambio político. Esta aproximación exige, desde su perspectiva, prestar aten…
‘No podemos hablar ya sino a través de los restos’
This paper explores a series of contemporary audiovisual practices that take up the task of revisiting a visual legacy of the Mexican 68, made public in a recent curatorial project of reappropiation of rare filmic footage of the epoch, Hacer memoria - Por ahí del 68... (Festival Ambulante 2018). This task is structured around the intersection of three different genealogies of film practices: first, the legacy of militant film collectives of the s…
Sexualidad, Género y Cultura en los estudios de comunicación audiovisual en España
Audiovisual media constitute a field of cultural production that plays a crucial role in the construction of gender identities in contemporary societies. In order to gain insight into these processes and encourage cultural transformations that might favour gender equality and diversity, we started the Permanent Inter-University Research Seminar “Género, Estética y Cultura Audiovisual” (GECA), currently at the Department of Audiovisual Communicati…
No prominent works on this page.
Sexualidad, Género y Cultura en los estudios de comunicación audiovisual en España
Audiovisual media constitute a field of cultural production that plays a crucial role in the construction of gender identities in contemporary societies. In order to gain insight into these processes and encourage cultural transformations that might favour gender equality and diversity, we started the Permanent Inter-University Research Seminar “Género, Estética y Cultura Audiovisual” (GECA), currently at the Department of Audiovisual Communicati…
‘No podemos hablar ya sino a través de los restos’
This paper explores a series of contemporary audiovisual practices that take up the task of revisiting a visual legacy of the Mexican 68, made public in a recent curatorial project of reappropiation of rare filmic footage of the epoch, Hacer memoria - Por ahí del 68... (Festival Ambulante 2018). This task is structured around the intersection of three different genealogies of film practices: first, the legacy of militant film collectives of the s…
Súper 8 y tercer cine
This paper explores the ways in which Super 8 entered the discussion on Third Cinema at a global level, whether through individual or collective experiences of production, theoretical interventions in print media, training workshops or transnational federative organizations. Based on diverse documentary and hemerographic sources, as well as archives and personal interviews, I argue that, between the key years of 1968 and 1989, Super 8 played an i…
Súper 8 contra el grano
"El barro de la revolución". Entrevista a Paloma Polo
La práctica artística de Paloma Polo (1983) ha progresado a través de una inmersión continua en zonas de malestar, disturbios y lucha. Su propuesta es idear y poner en escena relatos e historias que capturen el surgimiento del pensamiento político en las personas, para explorar, así, configuraciones sociales particulares como condiciones previas o potencialidades para el cambio político. Esta aproximación exige, desde su perspectiva, prestar aten…
Abundance and Frustration
This article examines women’s participation in the Miners’ Film Workshop, a countereducation project developed in Bolivia in 1983 by the Trade Union Federation of Bolivian Mineworkers (FSTMB) and the French nongovernmental organization Association Varan. Drawing on feminist production studies, institutional ethnography, and critical fabulation, the article looks into the abundant archive of the Miners’ Film Workshop, preserved in the offices of w…
Art (4 works) · Humanities (4 works) · Political science (2 works) · Sociology (2 works) · Spanish Culture and Identity (2 works) · Abundance (ecology) (1 work) · Advertising and Communication Studies (1 work) · Anthropology (1 work) · Appropriation (1 work) · Art history (1 work)