‘No podemos hablar ya sino a través de los restos’
Fragmento y fantasma del 68 mexicano en el cine experimental contemporáneo
Bibliographic Data
| ID | 21223943 |
|---|---|
| Authors | Miguel Errazu (0000-0002-8768-1456, Universidad Nacional Autonoma de Mexico, corresponding author) |
| Year | 2018 |
| Volume | 17 |
| Publication date | 2018-07-10 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Fotocinema Revista científica de cine y fotografía (JOURNAL) |
| Journal identifiers | ISSN: 2172-0150 • E-ISSN: 2172-0150 |
| Publisher | Malaga University (PUBLISHER) |
| DOI | 10.24310/fotocinema.2018.v0i17.5132 |
| OpenAlex | W2890248507 |
| Language | ES |
| Citations received | 1 |
| References cited | 1 |
This paper explores a series of contemporary audiovisual practices that take up the task of revisiting a visual legacy of the Mexican 68, made public in a recent curatorial project of reappropiation of rare filmic footage of the epoch, Hacer memoria - Por ahí del 68... (Festival Ambulante 2018). This task is structured around the intersection of three different genealogies of film practices: first, the legacy of militant film collectives of the sixties and seventies, and the aim of making political interventions on the social sphere, as it is being revisited with a more or less self conscious affiliation; second, the experimental tradition, especially those practices making emphasis around the interplay of two axis: (re)appropriation and resignification of film footage, and the artisanal work with obsolescent film materials and formats, such as 8 mm, 16 mm or Super 8. Last, what has come to be known, at least for the last two decades, as “archive practices," that is, the task of rethinking historical narratives by way of “counter-archives” that help construct collective (post) memories seeking to undermine, and open up for a critical consideration, hegemonic narratives
Appropriation · Art · Art history · Hegemony · Humanities · Literature · Making-of · Media studies · Narrative · Political science · Politics · Public sphere · Sociology · Cinema History and Criticism · Law · Philosophy · Photographic and Visual Arts
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |