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Allison Perlman

Biographic Data

ID1468620
NAMEAllison Perlman
GIVEN NAMESAllison
FAMILY NAMEPerlman
SIGNATUREPERLMAN A
AFFILIATIONSUniversity of California, Irvine
ORCID0000-0003-3479-5094
VERIFIEDYes
TOTAL WORKS18
TOTAL CITATIONS20
WORKS AS AUTHOR17
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2026
H-INDEX3
  • Betraying the Dream (Machine)

    Open Access•Allison Perlman•ARTICLE•Television & New Media•2026•References: 3

    This article investigates the history of content regulation in the US public television sector. It analyzes the context and consequences of an October 1971 decision by the Public Broadcasting Service (PBS) to remove a segment from National Educational Television’s (NET) popular series The Great American Dream Machine that alleged the Federal Bureau of Investigation (FBI) had recruited young men to infiltrate student groups and engage in violent a…

  • Mal Goode Reporting

    Open Access•Allison Perlman•ARTICLE•Journal of American History•2026

  • Slavery before Roots

    Open Access•Allison Perlman•ARTICLE•Historical Journal Of Film Radio…•2025

    This article examines depictions of slavery on US television in the 1960s. Across the decade, episodes about the history of slavery surfaced as entries in anthology series on US history or in multi-episode specials dedicated to African American history. This article argues that television in the 1960s configured histories of slavery to address issues and questions raised by the Black Freedom Struggle. In this, the episodes directly engaged with t…

  • Black and White Together

    Open Access•Allison Perlman•ARTICLE•Journal of e-Media Studies•2024

  • Consumer's attitude, socio-demographic variables and willingness to purchase green housing in Israel

    Open Access•Yotam Rosner, Zohara Amitay et al.•ARTICLE•Environment Development and…•2022

  • "Telecasting an "Effective Weapon for Peace

    Allison Perlman•ARTICLE•Radical History Review•2021•References: 17

    This article investigates the history of the International Television Federation, or Intertel. A collaboration between telecasters from the United States, United Kingdom, Canada, and Australia, Intertel throughout the 1960s produced and distributed public affairs documentaries for an international audience. Intertel's members positioned public affairs programming in the 1960s as an "effective weapon for peace." By making the nations of the world …

  • The Future of Change

    Allison Perlman•ARTICLE•Technology and Culture•2021

    Reviewed by: The Future of Change: How Technology Shapes Social Revolutions by Ray Brescia Allison Perlman (bio) The Future of Change: How Technology Shapes Social Revolutions By Ray Brescia. Ithaca: Cornell University Press, 2020. Pp. 240. The Future of Change: How Technology Shapes Social Revolutions By Ray Brescia. Ithaca: Cornell University Press, 2020. Pp. 240. Ray Brescia's The Future of Change: How Technology Shapes Social Revolutions offe…

  • Rube Tube

    Open Access•Allison Perlman•ARTICLE•Journal of American History•2019

    U.S. prime time television in the 1960s has been categorized as the “‘Idiot Sitcom’ Era,” a period of mindless comedies featuring grotesque families, supernatural characters, fish-out-of-water scenarios, and juvenile humor (Tim Brooks and Earle Marsh, The Complete Directory to Prime Time Network and Cable Tv Shows, 1946–Present [1979; 2009]). In her new book, Rube Tube, Sara K. Eskridge interrogates the seemingly most idiotic of the idiot sitcoms…

  • Public Interests

    Allison Perlman•BOOK•Public Interests•2016•Cited by: 9

    Winner of the 2017 Outstanding Book Award from the Popular Communication Division of the International Communication Association (ICA) Nearly as soon as television began to enter American homes in the late 1940s, social activists recognized that it was a powerful tool for shaping the nation’s views. By targeting broadcast regulations and laws, both liberal and conservative activist groups have sought to influence what America sees on the small sc…

  • Injury Patterns Among Illegal Migrants from Africa in Israel

    Open Access•Allison Perlman, Irina Radomislensky et al.•ARTICLE•Journal of Immigrant and Minority…•2014

  • Equal time

    Allison Perlman•ARTICLE•The Sixties•2013

    Rev. Martin Luther King, Jr’s address at the August 1963 March on Washington, and his dream of a future America on which he ended it, is an iconic, for some even synecdochical, moment of the black

  • Owning a Voice

    Open Access•Allison Perlman, Hector Amaya•ARTICLE•Communication Culture and Critique•2013•Cited by: 3•References: 1

    Using the sale of Univision in 2007 to a consortium of private equity firms as our case study, this article demonstrates how the regulation of Spanish-language broadcasting has codified exclusionary definitions of media diversity and naturalized English-language citizens as the primary members of the televisual public sphere in the United States. We situate the regulation of Spanish-language broadcasting within the troubled history of media diver…

  • Rush Limbaugh and the Problem of the Color Line

    Allison Perlman•ARTICLE•Cinema Journal•2012

    Rush Limbaugh and the Problem of the Color Line Allison Perlman (bio) "What's next, folks," queried radio talk-show host Rush Limbaugh on his October 31, 2011, program. "A cartoon on MSNBC showing Herman Cain with huge lips eating a watermelon?"1 Limbaugh was incensed over a story published in Politico that recounted how Republican presidential candidate Herman Cain had been accused of sexual harassment in the 1990s when he was chair of the Natio…

  • Deadwood, Generic Transformation, and Televisual History

    Allison Perlman•ARTICLE•Journal of Popular Film and…•2011

    This article explores how Deadwood (HBO, 2004–2006) revises the relationship between televisual history and the television Western. It argues that Deadwood, in reinventing the Western as a “quality television” series, self-consciously undermines the generic conventions of the television Western and reconceptualizes the epistemological status of the Western genre. Keywords: DeadwoodhistoryparatextsWestern Notes 1. “Historiophoty” is HaydenWhite's …

  • Whitewashing Diversity

    Open Access•Allison Perlman•ARTICLE•Television & New Media•2011•Cited by: 3•References: 5

    This article examines the relationship between conservative discourse, racial politics, and broadcasting policy in the United States. It explores how conservative media personalities, pundits, and activists in 2009 claimed that efforts to increase broadcast diversity were, in actuality, attempts by liberals to reinstate the Fairness Doctrine—a policy that had required broadcasters to air both sides of controversial issues—through “the backdoor.” …

  • Flow TV

    Jack Bratich, Michael Kackman et al.•EDITOR•BOOK•Flow TV•2010

    Introduction Part I: The Convergent Experience: Viewing Practices Across Media Forms 1. Media Interfaces, Networked Media Spaces, and the Mass Customization of Everyday Space, Daniel Chamberlain 2. It's Just Like a Mini-Mall: Textuality and Participatory Culture on YouTube, David Gurney 3. TiVoing Childhood: Time-Shifting a Generation's Concept of Television, Jason Mittell 4. Affective Convergence in Reality A Case Study in Divergence Culture, Ja…

  • Television Up in the Air

    Allison Perlman•ARTICLE•Critical Studies in Mass…•2010•Cited by: 1•References: 11

    This paper examines the Midwest Program on Airborne Television Instruction (MPATI), an educational television program that used airplanes to broadcast instructional television to schools across a six-state area in the Midwestern United States. The MPATI formed in 1959, telecast from 1961–1968, and officially dissolved in 1971. As this article argues, the history of the MPATI both challenges core assumptions about the uses and spaces of television…

  • Feminists In The Wasteland

    Allison Perlman•ARTICLE•Feminist Media Studies•2007•Cited by: 4•References: 6

    This article investigates the television reform activism of the National Organization for Women (NOW) in the early 1970s in the United States. In particular, it focuses on NOW's petitions-to-deny license renewal of television stations. Like other social justice groups of the period, NOW drew on a recent court case, Office of Communication of United Church of Christ v. Federal Communications Commission (1966), which enabled the broadcasting public…

  • Public Interests

    Allison Perlman•BOOK•Public Interests•2016•Cited by: 9

    Winner of the 2017 Outstanding Book Award from the Popular Communication Division of the International Communication Association (ICA) Nearly as soon as television began to enter American homes in the late 1940s, social activists recognized that it was a powerful tool for shaping the nation’s views. By targeting broadcast regulations and laws, both liberal and conservative activist groups have sought to influence what America sees on the small sc…

  • Feminists In The Wasteland

    Allison Perlman•ARTICLE•Feminist Media Studies•2007•Cited by: 4•References: 6

    This article investigates the television reform activism of the National Organization for Women (NOW) in the early 1970s in the United States. In particular, it focuses on NOW's petitions-to-deny license renewal of television stations. Like other social justice groups of the period, NOW drew on a recent court case, Office of Communication of United Church of Christ v. Federal Communications Commission (1966), which enabled the broadcasting public…

  • Owning a Voice

    Open Access•Allison Perlman, Hector Amaya•ARTICLE•Communication Culture and Critique•2013•Cited by: 3•References: 1

    Using the sale of Univision in 2007 to a consortium of private equity firms as our case study, this article demonstrates how the regulation of Spanish-language broadcasting has codified exclusionary definitions of media diversity and naturalized English-language citizens as the primary members of the televisual public sphere in the United States. We situate the regulation of Spanish-language broadcasting within the troubled history of media diver…

  • Whitewashing Diversity

    Open Access•Allison Perlman•ARTICLE•Television & New Media•2011•Cited by: 3•References: 5

    This article examines the relationship between conservative discourse, racial politics, and broadcasting policy in the United States. It explores how conservative media personalities, pundits, and activists in 2009 claimed that efforts to increase broadcast diversity were, in actuality, attempts by liberals to reinstate the Fairness Doctrine—a policy that had required broadcasters to air both sides of controversial issues—through “the backdoor.” …

  • Television Up in the Air

    Allison Perlman•ARTICLE•Critical Studies in Mass…•2010•Cited by: 1•References: 11

    This paper examines the Midwest Program on Airborne Television Instruction (MPATI), an educational television program that used airplanes to broadcast instructional television to schools across a six-state area in the Midwestern United States. The MPATI formed in 1959, telecast from 1961–1968, and officially dissolved in 1971. As this article argues, the history of the MPATI both challenges core assumptions about the uses and spaces of television…

  • Feminists In The Wasteland

    Allison Perlman•ARTICLE•Feminist Media Studies•2007•Cited by: 4•References: 6

    This article investigates the television reform activism of the National Organization for Women (NOW) in the early 1970s in the United States. In particular, it focuses on NOW's petitions-to-deny license renewal of television stations. Like other social justice groups of the period, NOW drew on a recent court case, Office of Communication of United Church of Christ v. Federal Communications Commission (1966), which enabled the broadcasting public…

  • Flow TV

    Jack Bratich, Michael Kackman et al.•EDITOR•BOOK•Flow TV•2010

    Introduction Part I: The Convergent Experience: Viewing Practices Across Media Forms 1. Media Interfaces, Networked Media Spaces, and the Mass Customization of Everyday Space, Daniel Chamberlain 2. It's Just Like a Mini-Mall: Textuality and Participatory Culture on YouTube, David Gurney 3. TiVoing Childhood: Time-Shifting a Generation's Concept of Television, Jason Mittell 4. Affective Convergence in Reality A Case Study in Divergence Culture, Ja…

  • Television Up in the Air

    Allison Perlman•ARTICLE•Critical Studies in Mass…•2010•Cited by: 1•References: 11

    This paper examines the Midwest Program on Airborne Television Instruction (MPATI), an educational television program that used airplanes to broadcast instructional television to schools across a six-state area in the Midwestern United States. The MPATI formed in 1959, telecast from 1961–1968, and officially dissolved in 1971. As this article argues, the history of the MPATI both challenges core assumptions about the uses and spaces of television…

  • Deadwood, Generic Transformation, and Televisual History

    Allison Perlman•ARTICLE•Journal of Popular Film and…•2011

    This article explores how Deadwood (HBO, 2004–2006) revises the relationship between televisual history and the television Western. It argues that Deadwood, in reinventing the Western as a “quality television” series, self-consciously undermines the generic conventions of the television Western and reconceptualizes the epistemological status of the Western genre. Keywords: DeadwoodhistoryparatextsWestern Notes 1. “Historiophoty” is HaydenWhite's …

  • Whitewashing Diversity

    Open Access•Allison Perlman•ARTICLE•Television & New Media•2011•Cited by: 3•References: 5

    This article examines the relationship between conservative discourse, racial politics, and broadcasting policy in the United States. It explores how conservative media personalities, pundits, and activists in 2009 claimed that efforts to increase broadcast diversity were, in actuality, attempts by liberals to reinstate the Fairness Doctrine—a policy that had required broadcasters to air both sides of controversial issues—through “the backdoor.” …

  • Rush Limbaugh and the Problem of the Color Line

    Allison Perlman•ARTICLE•Cinema Journal•2012

    Rush Limbaugh and the Problem of the Color Line Allison Perlman (bio) "What's next, folks," queried radio talk-show host Rush Limbaugh on his October 31, 2011, program. "A cartoon on MSNBC showing Herman Cain with huge lips eating a watermelon?"1 Limbaugh was incensed over a story published in Politico that recounted how Republican presidential candidate Herman Cain had been accused of sexual harassment in the 1990s when he was chair of the Natio…

  • Equal time

    Allison Perlman•ARTICLE•The Sixties•2013

    Rev. Martin Luther King, Jr’s address at the August 1963 March on Washington, and his dream of a future America on which he ended it, is an iconic, for some even synecdochical, moment of the black

  • Owning a Voice

    Open Access•Allison Perlman, Hector Amaya•ARTICLE•Communication Culture and Critique•2013•Cited by: 3•References: 1

    Using the sale of Univision in 2007 to a consortium of private equity firms as our case study, this article demonstrates how the regulation of Spanish-language broadcasting has codified exclusionary definitions of media diversity and naturalized English-language citizens as the primary members of the televisual public sphere in the United States. We situate the regulation of Spanish-language broadcasting within the troubled history of media diver…

  • Injury Patterns Among Illegal Migrants from Africa in Israel

    Open Access•Allison Perlman, Irina Radomislensky et al.•ARTICLE•Journal of Immigrant and Minority…•2014

  • Public Interests

    Allison Perlman•BOOK•Public Interests•2016•Cited by: 9

    Winner of the 2017 Outstanding Book Award from the Popular Communication Division of the International Communication Association (ICA) Nearly as soon as television began to enter American homes in the late 1940s, social activists recognized that it was a powerful tool for shaping the nation’s views. By targeting broadcast regulations and laws, both liberal and conservative activist groups have sought to influence what America sees on the small sc…

  • Rube Tube

    Open Access•Allison Perlman•ARTICLE•Journal of American History•2019

    U.S. prime time television in the 1960s has been categorized as the “‘Idiot Sitcom’ Era,” a period of mindless comedies featuring grotesque families, supernatural characters, fish-out-of-water scenarios, and juvenile humor (Tim Brooks and Earle Marsh, The Complete Directory to Prime Time Network and Cable Tv Shows, 1946–Present [1979; 2009]). In her new book, Rube Tube, Sara K. Eskridge interrogates the seemingly most idiotic of the idiot sitcoms…

  • "Telecasting an "Effective Weapon for Peace

    Allison Perlman•ARTICLE•Radical History Review•2021•References: 17

    This article investigates the history of the International Television Federation, or Intertel. A collaboration between telecasters from the United States, United Kingdom, Canada, and Australia, Intertel throughout the 1960s produced and distributed public affairs documentaries for an international audience. Intertel's members positioned public affairs programming in the 1960s as an "effective weapon for peace." By making the nations of the world …

  • The Future of Change

    Allison Perlman•ARTICLE•Technology and Culture•2021

    Reviewed by: The Future of Change: How Technology Shapes Social Revolutions by Ray Brescia Allison Perlman (bio) The Future of Change: How Technology Shapes Social Revolutions By Ray Brescia. Ithaca: Cornell University Press, 2020. Pp. 240. The Future of Change: How Technology Shapes Social Revolutions By Ray Brescia. Ithaca: Cornell University Press, 2020. Pp. 240. Ray Brescia's The Future of Change: How Technology Shapes Social Revolutions offe…

  • Consumer's attitude, socio-demographic variables and willingness to purchase green housing in Israel

    Open Access•Yotam Rosner, Zohara Amitay et al.•ARTICLE•Environment Development and…•2022

  • Black and White Together

    Open Access•Allison Perlman•ARTICLE•Journal of e-Media Studies•2024

  • Slavery before Roots

    Open Access•Allison Perlman•ARTICLE•Historical Journal Of Film Radio…•2025

    This article examines depictions of slavery on US television in the 1960s. Across the decade, episodes about the history of slavery surfaced as entries in anthology series on US history or in multi-episode specials dedicated to African American history. This article argues that television in the 1960s configured histories of slavery to address issues and questions raised by the Black Freedom Struggle. In this, the episodes directly engaged with t…

  • Betraying the Dream (Machine)

    Open Access•Allison Perlman•ARTICLE•Television & New Media•2026•References: 3

    This article investigates the history of content regulation in the US public television sector. It analyzes the context and consequences of an October 1971 decision by the Public Broadcasting Service (PBS) to remove a segment from National Educational Television’s (NET) popular series The Great American Dream Machine that alleged the Federal Bureau of Investigation (FBI) had recruited young men to infiltrate student groups and engage in violent a…

  • Mal Goode Reporting

    Open Access•Allison Perlman•ARTICLE•Journal of American History•2026

Political science (14 works) · Sociology (12 works) · Law (10 works) · Media studies (10 works) · Media Studies and Communication (8 works) · Law (7 works) · Politics (7 works) · History (6 works) · Art (5 works) · Broadcasting (networking (5 works)

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