Gillian Greenhill Hannum
Biographic Data
| ID | 1480957 |
|---|---|
| NAME | Gillian Greenhill Hannum |
| GIVEN NAMES | Gillian Greenhill |
| FAMILY NAME | Hannum |
| SIGNATURE | HANNUM G G |
| AFFILIATIONS | Manhattanville College USA Purchase, NY |
| ORCID | 0000-0002-3785-4937 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Keeping the Faith
In many cultures, women are the “keepers of the faith,” despite the fact that masculine pronouns are often used to identify deity or deities in most of the world’s major religions. In addition, many foundational leaders of these faiths were male—Abraham, Moses, Jesus, Muhammed, and Siddhartha Gautama (the Buddha). This double issue of Religion and the Arts seeks to explore the ways in which contemporary artists who identify as women or are non-bi…
Expanding the Parameters of Feminist Artivism
Photographic politics
From the time of its invention photography has been seeking its place among the fine arts. In both the 19th and 20th centuries, many sought to relegate photography to the realm of science and technology, thereby implying that a practitioner of photography was involved merely in a series of mechanical manipulations for which no artistic nor creative talent was required
Photographic Politics
From the time of its invention photography has been seeking its place among the fine arts. In both the 19th and 20th centuries, many sought to relegate photography to the realm of science and technology, thereby implying that a practitioner of photography was involved merely in a series of mechanical manipulations for which no artistic nor creative talent was required.
No prominent works on this page.
Photographic Politics
From the time of its invention photography has been seeking its place among the fine arts. In both the 19th and 20th centuries, many sought to relegate photography to the realm of science and technology, thereby implying that a practitioner of photography was involved merely in a series of mechanical manipulations for which no artistic nor creative talent was required.
Photographic politics
From the time of its invention photography has been seeking its place among the fine arts. In both the 19th and 20th centuries, many sought to relegate photography to the realm of science and technology, thereby implying that a practitioner of photography was involved merely in a series of mechanical manipulations for which no artistic nor creative talent was required
Expanding the Parameters of Feminist Artivism
Keeping the Faith
In many cultures, women are the “keepers of the faith,” despite the fact that masculine pronouns are often used to identify deity or deities in most of the world’s major religions. In addition, many foundational leaders of these faiths were male—Abraham, Moses, Jesus, Muhammed, and Siddhartha Gautama (the Buddha). This double issue of Religion and the Arts seeks to explore the ways in which contemporary artists who identify as women or are non-bi…
Art (3 works) · History (3 works) · The arts (3 works) · Visual arts (3 works) · Archaeology (2 works) · Art history (2 works) · Law (2 works) · Photographic and Visual Arts (2 works) · Photography (2 works) · Photography and Visual Culture (2 works)