Photographic politics
The first American photographic salon and the Stieglitz response
Bibliographic Data
| ID | 14693278 |
|---|---|
| Authors | Gillian Greenhill Hannum (0000-0002-3785-4937, corresponding author) |
| Year | 1991 |
| Volume | 15 |
| Issue | 1 |
| Pages | 61-71 |
| Publication date | 1991-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | History of Photography (JOURNAL) |
| Journal identifiers | ISSN: 0308-7298 • E-ISSN: 2150-7295 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/03087298.1991.10443133 |
| OpenAlex | W4232285357 |
| Language | EN |
| References cited | 1 |
From the time of its invention photography has been seeking its place among the fine arts. In both the 19th and 20th centuries, many sought to relegate photography to the realm of science and technology, thereby implying that a practitioner of photography was involved merely in a series of mechanical manipulations for which no artistic nor creative talent was required
Archaeology · Art · Art history · Fine art · Photography · Political science · Politics · Realm · Salon · The arts · Visual arts · History · Law · Photographic and Visual Arts · Photography and Visual Culture · Visual Culture and Art Theory
| Highly cited | No |
|---|