Marion F Deshmukh

Biographic Data

ID1481245
NAMEMarion F Deshmukh
GIVEN NAMESMarion F
FAMILY NAMEDeshmukh
SIGNATUREDESHMUKH M F
AFFILIATIONSGeorge Mason University
VERIFIEDNo
TOTAL WORKS35
TOTAL CITATIONS1
AUTHOR COUNT35
EDITOR COUNT0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2014
H-INDEX1

  • The Aesthetics of Loss

    Marion F DeshmukhARTICLEGerman History2014

    With the approach of the hundreth anniversary of the outbreak of World War I, a veritable torrent of books and articles have been or are to be published. Siebrecht’s contribution, based on her PhD thesis at Trinity College Dublin, is a timely intervention. She carefully examines the graphic works of several women artists, the most famous of whom was Käthe Kollwitz. Kollwitz created one of her masterpieces during the Weimar Republic, her seven she…

  • Franz Radziwill and the Contradictions of German Art History, 1919-1945

    Marion F DeshmukhARTICLEGerman History2013

    In The Drowned and the Saved, Primo Levi observed that ‘the very structure of the totalitarian state, the concurrent guilt on the part of individual big and small collaborators is always difficult to evaluate . . . they are the vectors and instruments of the system’s guilt . . . ’ In recent years, scholars of the Third Reich and the Holocaust have complicated the view of Nazi culture by suggesting that the simplistic notion of artists employing v…

  • The Visual Arts and Cultural Migration in the 1930s and 1940s

    Open AccessMarion F DeshmukhARTICLECentral European History2008

    In 1932, the artist George Grosz offered an optimistic account of his arrival to the United States: It was really quite a change from Germany at that time, when you saw so few happy faces and heard so much complaining and quarreling. You had the impression that Americans of all races, classes, and occupations were satisfied with the world, and actually, in spite of the Depression, their American world was still much more colorful and richer than …

  • The Arts in Nazi Germany, Continuity, Conformity, Change

    Marion F DeshmukhARTICLEGerman History2008

    Books, journal articles and exhibitions describing the arts in Nazi Germany have proliferated over the past two decades. The title under review originated as a symposium to honour Raul Hilberg, one of the most renowned professors of the University of Vermont, where the Center for Holocaust Studies serves as a focal point for conferences relating to Holocaust education. It is in this sense the present volume should be evaluated. Experts on Nazi cu…

  • Paul Klee's Pictorial Writing

    Marion F Deshmukh, K Porter AicheleARTICLEGerman Studies Review2004

    1. The rhetoric of visual narrative 2. Ut pictura poesis revisited 3. Other models of word/image interaction 4. 'Abstract things such as letters' 5. 'A kind of pictorial writing

  • New Worlds

    Marion F Deshmukh, Marion Deshmukh et al.ARTICLEGerman Studies Review2003

    Book synopsis: This volume, the inaugural catalogue of the Neue Galerie New York, seeks to bring to light the history of the works of fine and decorative artists of Germany and Austria between 1890 and 1940. Focusing on 26 visual artists and 18 decorative artists whose work is represented in the Neue Galerie New York collection, the catalogue offers an overview of their works and situates them within the history of their reception in 20th-century…

  • Berlin Metropolis, Jews and the New Culture, 1890-1918

    Marion F Deshmukh, Emily BilskiARTICLEGerman Studies Review2002

    Between 1890 and 1918 the city of evolved into a commercial and industrial hub that also became an international center for radical new ideas in the visual, performing, and literary arts. Jews were key leaders in developing this unique cosmopolitan culture. Berlin Metropolis: Jews and the New Culture, 1890-1918 vividly documents the many ways that Jewish artists and entrepreneurs participated in this burst of artistic creativity and promoted the …

  • Tradition and Modernity in German Nineteenth and Twentieth-Century Art

    Open AccessMarion F DeshmukhARTICLECentral European History2002References: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Between Redemption and Doom

    Marion F Deshmukh, Marion Deshmukh et al.ARTICLEGerman Studies Review2000

  • Cultures in Conflict

    Marilyn Rueschemeyer, Marion F DeshmukhARTICLEGerman Studies Review2000

  • The Spoils of War. World War II and Its Aftermath

    Marion F Deshmukh, Marion Deshmukh et al.ARTICLEGerman Studies Review1999

    Based on the international symposium held in 1995, the Spoils of war explores the ongoing debate over the vast amounts of art and cultural property displaced as a result of World War II. -- CCI=IC

  • From the Berlin Museum to the Berlin Wall

    Marion F Deshmukh, David WetzelARTICLEGerman Studies Review1998

    Introduction Aesthetic Theory and Architectural Practice: Schinkel's Museum in Berlin by James J. Sheehan The Cost of Culture: On Liebermann, Lichtwark, and Others by Peter Gay Bismarck, South Germany, and the Problem of 1870 by David Wetzel The Old Prussian and the People's William: Some Centennial Reflections on Otto von Bismarck and William E. Gladstone by Francis L. Loewenheim Walther Rathenau and the Vision of Modernity by Fritz Stern Hitler…

  • Reading Berlin, 1990

    Marion F Deshmukh, Peter FritzscheARTICLEGerman Studies Review1998

  • Adolph Menzel, 1815-1905

    Marion F Deshmukh, Claude Keisch et al.ARTICLEGerman Studies Review1997

    Providing a retrospective of Adolph Menzel, one of the most influential German painters of the 19th century, this work includes photographs of the artist and contemporary Berlin, reproductions of hundreds of his paintings, and chapters on his life and art, including his critical reception

  • Visions of the Neue Frau

    Marion F Deshmukh, Marsha Meskimmon et al.ARTICLEGerman Studies Review1996

    The emergence of the Neue Frau (New Woman) in Germany after the first World War was symptomatic of the social, political, economic, and cultural upheavals of the Weimar Republic; new opportunities for women were pitted against entrenched traditional gender roles. Nine contributions representing a wi

  • Egon Schiele

    Marion F Deshmukh, Patrick WerknerARTICLEGerman Studies Review1995

  • Kathe Kollwitz

    Marion F Deshmukh, Marion Deshmukh et al.ARTICLEGerman Studies Review1994

  • The Politics of Culture in Soviet-Occupied Germany, 1945-1949

    Marion F Deshmukh, David Pike et al.ARTICLEGerman Studies Review1994

  • Berlin, Culture & Metropolis

    Marion F Deshmukh, Charles W Haxthausen et al.ARTICLEGerman Studies Review1993

  • Lovis Corinth

    Marion F Deshmukh, Horst UhrARTICLEGerman Studies Review1992

  • Cassirer, Panofsky, and Warburg

    Marion F Deshmukh, Silvia Ferretti et al.ARTICLEGerman Studies Review1991

  • The Munich Secession, Art and Artists in Turn-of-the-Century Munich

    Marion F Deshmukh, Maarit Mäkelä et al.ARTICLEGerman Studies Review1991

    In April 1892 the first art Secession in the German-speaking countries came into being in Munich, Central Europe's undisputed capital of the visual arts. Featuring the work of German painters, sculptors, and designers, as well as that of vanguard artists from around the world, the Munich Secession was a progressive force in the German art world for nearly a decade, its exhibitions regularly attended and praised by Paul Klee, Wassily Kandinsky, an…

  • The Berlin secession, modernism and its enemies in imperial Germany

    Marion F DeshmukhARTICLEHistory of European Ideas1991

  • Cubism and Its Enemies

    Marion F Deshmukh, Christopher GreenARTICLEThe American Historical Review1989

  • George Grosz

    Marion F Deshmukh, M Kay FlavellARTICLEGerman Studies Review1989

    Traces the life of the German painter and caricaturist, explains why he left Nazi Germany, and describes his years in the United States