The Visual Arts and Cultural Migration in the 1930s and 1940s
A Literature Review
Bibliographic Data
| ID | 14080656 |
|---|---|
| Authors | Marion F Deshmukh (George Mason University, corresponding author) |
| Year | 2008 |
| Volume | 41 |
| Issue | 4 |
| Pages | 569-604 |
| Publication date | 2008-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Central European History (JOURNAL) |
| Journal identifiers | ISSN: 0008-9389 • E-ISSN: 1569-1616 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s000893890800085x |
| OpenAlex | W2126564546 |
| Language | EN |
| Citations received | 1 |
| References cited | 41 |
In 1932, the artist George Grosz offered an optimistic account of his arrival to the United States: It was really quite a change from Germany at that time, when you saw so few happy faces and heard so much complaining and quarreling. You had the impression that Americans of all races, classes, and occupations were satisfied with the world, and actually, in spite of the Depression, their American world was still much more colorful and richer than the German
Aesthetics · Archaeology · Art · Art history · Art world · Depression (economics) · Economics · George (robot) · German · Great Depression · Keynesian economics · Performance art · Sociology · The arts · Visual arts · Art, Politics, and Modernism · History · Visual Culture and Art Theory · Walter Benjamin Studies Compilation
Refugee scholars in America
Biographisches Handbuch deutschsprachiger Kunsthistoriker im Exil
The Weimar Republic Sourcebook
Weimar on the PacificGerman Exile Culture in Los Angeles and the Crisis of Modernism
Jewish Identity in Modern Art history
Exiled in Paradise
The Reluctant Patron
Driven into Paradise
George Grosz
Exiled in Paradise
New Worlds
Art, Ideology, and Economics in Nazi Germany
Exil
The 1951 Convention relating to the Status of Refugees
Refugees in America
The Refugee Intellectual
Exiled in Paradise
The Arts at Black Mountain College
Cultural Relations as an Instrument of U.S. Foreign Policy
Antifascism in American Art
Paradise Transformed
The European Emigrant Experience in the U.S.A
Hollywood Haven
The Arts at Black Mountain College
The Diplomacy of Ideas
Eyewitnessing
German Antifascist Refugees in America and the Public Debate on “What Should be Done with Germany after Hitler,” 1941–1945
Illustrious Immigrants. The Intellectual Migration from Europe 1930-1941
Cultural Exchange in Early Modern Europe
Paradise Transformed
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,11 |
| Citation span | 2017 - 2017 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |