Kaia L Magnusen
Biographic Data
| ID | 1485930 |
|---|---|
| NAME | Kaia L Magnusen |
| GIVEN NAMES | Kaia L |
| FAMILY NAME | Magnusen |
| SIGNATURE | MAGNUSEN K L |
| AFFILIATIONS | The University of Texas at Tyler |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Visualizing Disease and ‘Depravity’ in the Weimar Republic
During Germany’s Weimar Republic (1918–33), women who did not conform to conventional expectations for “proper” female behaviour were met with suspicion and criticism. Due to their embrace of sexual liberation and economic independence, interwar New Women were often unfairly associated with prostitutes and cultural degeneration. Anita Berber, a drug-addicted nude dancer and actress in multiple Aufklärungsfilme, was regarded as the embodiment of d…
The Great Imitator
During the Weimar Republic the categories of "good," traditional women and "deviant," modern women became imprecise as widows' veils and garb were often adopted by prostitutes to deter arrest. Widows were linked with death and Germany's postwar shame and were often unfairly associated with prostitutes. Otto Dix, a Neue Sachlichkeit artist, was aware of the postwar ambiguity between "respectable" and "fallen" women. In a watercolor of a veiled wid…
No prominent works on this page.
The Great Imitator
During the Weimar Republic the categories of "good," traditional women and "deviant," modern women became imprecise as widows' veils and garb were often adopted by prostitutes to deter arrest. Widows were linked with death and Germany's postwar shame and were often unfairly associated with prostitutes. Otto Dix, a Neue Sachlichkeit artist, was aware of the postwar ambiguity between "respectable" and "fallen" women. In a watercolor of a veiled wid…
Visualizing Disease and ‘Depravity’ in the Weimar Republic
During Germany’s Weimar Republic (1918–33), women who did not conform to conventional expectations for “proper” female behaviour were met with suspicion and criticism. Due to their embrace of sexual liberation and economic independence, interwar New Women were often unfairly associated with prostitutes and cultural degeneration. Anita Berber, a drug-addicted nude dancer and actress in multiple Aufklärungsfilme, was regarded as the embodiment of d…
European history and politics (2 works) · Gender Studies (2 works) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Ambiguity (1 work) · Art (1 work) · Art history (1 work) · Bourgeoisie (1 work)