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Peter Hesbacher

Biographic Data

ID1498359
NAMEPeter Hesbacher
GIVEN NAMESPeter
FAMILY NAMEHesbacher
SIGNATUREHESBACHER P
AFFILIATIONSUniversity of Pennsylvania
VERIFIEDNo
TOTAL WORKS28
TOTAL CITATIONS62
AUTHOR COUNT28
EDITOR COUNT0
FIRST PUBLICATION YEAR1964
LATEST PUBLICATION YEAR1982
H-INDEX4
  • Record world and billboard charts compared: Singles hits, 1970–1979∗

    Peter Hesbacher, Bruce Anderson et al.•ARTICLE•Popular Music & Society•1982•Cited by: 1•References: 6

  • War Recordings: Incidence and Change (1940–1980)∗

    Peter Hesbacher, Les Waffen•ARTICLE•Popular Music & Society•1982•Cited by: 3•References: 5

  • Hit Record Trends, 1940–1977

    Open Access•Bruce Anderson, Peter Hesbacher et al.•ARTICLE•Journal of Communication•1980

    Bruce Anderson, Peter Hesbacher, K. Peter Etzkorn, R. Serge Denisoff; Hit Record Trends, 1940–1977, Journal of Communication, Volume 30, Issue 2, 1 June 19

  • Hit singers’ careers since 1940: Have women advanced

    Peter Hesbacher, Bruce Anderson•ARTICLE•Popular Music & Society•1980•Cited by: 1•References: 3

  • Anthology albums: Do they promote or replace regular product

    Stephen S Treichel, Peter Hesbacher et al.•ARTICLE•Popular Music & Society•1980•Cited by: 1

  • Country and soul hits: Manufacturer strategies and crossover characteristics

    Bruce Anderson, Peter Hesbacher•ARTICLE•Popular Music & Society•1979•Cited by: 2•References: 6

    (1979). Country and soul hits: Manufacturer strategies and crossover characteristics. Popular Music and Society: Vol. 6, No. 4, pp. 284-292

  • Assessment of psychiatric illness severity by family physicians

    Open Access•Peter Hesbacher, Karl Rickels et al.•ARTICLE•Social Science & Medicine Medical…•1978

  • Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1978•Cited by: 2•References: 11

  • Radio programming: Relating ratings to revenues in a major market∗

    Peter Hesbacher, Robert Rosenow et al.•ARTICLE•Popular Music & Society•1978•References: 4

  • Substream” recordings: Some shifts in stature and alterations in song

    Peter Hesbacher, Eric Simon et al.•ARTICLE•Popular Music & Society•1978•Cited by: 3•References: 6

    “Substream” recordings (performances at variance with current commercial “mainstream” song types) disseminate essentially regional material to a mass audience. This paper details the fluctuations in popularity of substream musics relative to mainstream (traditional pop and rock) musics and examines artist type and lyric content for number one records to indicate that substream material is usually performed by solo male vocalists and includes prim…

  • Sound exposure in radio: The misleading nature of the station Playlist

    Peter Hesbacher•ARTICLE•Popular Music & Society•1978•References: 1

  • Music in American Society, 1776-1976: From Puritan Hymn to Synthesizer

    Peter Hesbacher, George S McCue et al.•ARTICLE•Contemporary Sociology A Journal…•1978

    1 Americanism in Music: A Composer's View, 2 Music with an American Accent, 3 Social and Moral Music: The Hymn, 4 Charles Ives's Optimism: or, The Program's Progress, 5 The Other Side of Black Music, 6 The Music of American Indians, 7 American Folksong: Some Comments on the History Collection and Archiving, 8 Popular Music: The Sounds of the Many, 9 Jazz as an Urban Music, 10 The Exhilarating Adventure of New Music in the U.S.A. since 1950, 11 Am…

  • Solo female vocalists: Some shifts in stature and alterations in song

    Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Popular Music & Society•1977•Cited by: 3•References: 9

    Although solo female vocalists do not have “hit” recordings with the same frequency that male vocalists do, they have, especially during certain periods, achieved considerable public acceptance. This paper presents the fluctations in popularity of solo female vocalists relative to other artist types and examines sound and lyric content of number one records to show that female vocalists “hit” with the same kind of material that other artist types…

  • Pop Music in School

    Peter Hesbacher, Graham Vulliamy et al.•ARTICLE•Contemporary Sociology A Journal…•1977

  • Radio Format Strategies

    Open Access•Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Journal of Communication•1976

  • Solid Gold: The Popular Record Industry

    Peter Hesbacher, R Serge Denisoff•ARTICLE•Contemporary Sociology A Journal…•1976

  • Record Roulette: What Makes It Spin

    Open Access•Peter Hesbacher, Robert Downing et al.•ARTICLE•Journal of Communication•1975

    Peter Hesbacher, Robert Downing, David G. Berger; Record Roulette: What Makes It Spin?, Journal of Communication, Volume 25, Issue 3, 1 September 1975, Pag

  • Radio programming: Relating ratings to revenues in a major market∗

    Peter Hesbacher, Robert Rosenow et al.•ARTICLE•Popular Music & Society•1975•References: 7

    (1975). Radio programming: Relating ratings to revenues in a major market. Popular Music and Society: Vol. 4, No. 4, pp. 208-225

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 11•References: 8

    (1975). Sound recording popularity charts: A useful tool for music research. Popular Music and Society: Vol. 4, No. 2, pp. 86-99

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 6•References: 5

  • Music and Society: The Later Writings of Paul Honigsheim

    Peter Hesbacher, K Peter Etzkorn•ARTICLE•Contemporary Sociology A Journal…•1975

  • Social factors and neurotic symptoms in family practice

    Peter Hesbacher, P T Hesbacher et al.•ARTICLE•American Journal of Public Health•1975•Cited by: 4•References: 21

    Social factors and neurotic symptoms in family practice. P T Hesbacher, K Rickels, and D GoldbergCopyRight https://doi.org/10.2105/AJPH.65.2.148 Published Online: October 07, 2011

  • Psychiatric illness detection: A comparison of osteopaths and M.D.s in private family practice

    Open Access•Peter Hesbacher, Lawrence Schein et al.•ARTICLE•Social Science & Medicine (1967•1975•References: 8

  • Sound exposure in radio: The misleading nature of the station playlist

    Peter Hesbacher•ARTICLE•Popular Music & Society•1974•Cited by: 10•References: 2

    (1978). Sound exposure in radio: The misleading nature of the station Playlist. Popular Music and Society: Vol. 6, No. 2, pp. 105-117

  • Top Pop Records 1955-1970

    Peter Hesbacher, Joel Whitburn•ARTICLE•Contemporary Sociology A Journal…•1974

Next
  • Contemporary popular music: Directions for further research

    Peter Hesbacher•ARTICLE•Popular Music & Society•1973•Cited by: 12•References: 7

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 11•References: 8

    (1975). Sound recording popularity charts: A useful tool for music research. Popular Music and Society: Vol. 4, No. 2, pp. 86-99

  • Sound exposure in radio: The misleading nature of the station playlist

    Peter Hesbacher•ARTICLE•Popular Music & Society•1974•Cited by: 10•References: 2

    (1978). Sound exposure in radio: The misleading nature of the station Playlist. Popular Music and Society: Vol. 6, No. 2, pp. 105-117

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 6•References: 5

  • Social factors and neurotic symptoms in family practice

    Peter Hesbacher, P T Hesbacher et al.•ARTICLE•American Journal of Public Health•1975•Cited by: 4•References: 21

    Social factors and neurotic symptoms in family practice. P T Hesbacher, K Rickels, and D GoldbergCopyRight https://doi.org/10.2105/AJPH.65.2.148 Published Online: October 07, 2011

  • War Recordings: Incidence and Change (1940–1980)∗

    Peter Hesbacher, Les Waffen•ARTICLE•Popular Music & Society•1982•Cited by: 3•References: 5

  • Substream” recordings: Some shifts in stature and alterations in song

    Peter Hesbacher, Eric Simon et al.•ARTICLE•Popular Music & Society•1978•Cited by: 3•References: 6

    “Substream” recordings (performances at variance with current commercial “mainstream” song types) disseminate essentially regional material to a mass audience. This paper details the fluctuations in popularity of substream musics relative to mainstream (traditional pop and rock) musics and examines artist type and lyric content for number one records to indicate that substream material is usually performed by solo male vocalists and includes prim…

  • Solo female vocalists: Some shifts in stature and alterations in song

    Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Popular Music & Society•1977•Cited by: 3•References: 9

    Although solo female vocalists do not have “hit” recordings with the same frequency that male vocalists do, they have, especially during certain periods, achieved considerable public acceptance. This paper presents the fluctations in popularity of solo female vocalists relative to other artist types and examines sound and lyric content of number one records to show that female vocalists “hit” with the same kind of material that other artist types…

  • Language loyalty: Its functions and concomitants in two bilingual communities

    Open Access•Peter Hesbacher, Joshua A Fishman•ARTICLE•Lingua•1964•Cited by: 3•References: 6

  • Country and soul hits: Manufacturer strategies and crossover characteristics

    Bruce Anderson, Peter Hesbacher•ARTICLE•Popular Music & Society•1979•Cited by: 2•References: 6

    (1979). Country and soul hits: Manufacturer strategies and crossover characteristics. Popular Music and Society: Vol. 6, No. 4, pp. 284-292

  • Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1978•Cited by: 2•References: 11

  • Record world and billboard charts compared: Singles hits, 1970–1979∗

    Peter Hesbacher, Bruce Anderson et al.•ARTICLE•Popular Music & Society•1982•Cited by: 1•References: 6

  • Hit singers’ careers since 1940: Have women advanced

    Peter Hesbacher, Bruce Anderson•ARTICLE•Popular Music & Society•1980•Cited by: 1•References: 3

  • Anthology albums: Do they promote or replace regular product

    Stephen S Treichel, Peter Hesbacher et al.•ARTICLE•Popular Music & Society•1980•Cited by: 1

  • Language loyalty: Its functions and concomitants in two bilingual communities

    Open Access•Peter Hesbacher, Joshua A Fishman•ARTICLE•Lingua•1964•Cited by: 3•References: 6

  • Contemporary popular music: Directions for further research

    Peter Hesbacher•ARTICLE•Popular Music & Society•1973•Cited by: 12•References: 7

  • Sound exposure in radio: The misleading nature of the station playlist

    Peter Hesbacher•ARTICLE•Popular Music & Society•1974•Cited by: 10•References: 2

    (1978). Sound exposure in radio: The misleading nature of the station Playlist. Popular Music and Society: Vol. 6, No. 2, pp. 105-117

  • Top Pop Records 1955-1970

    Peter Hesbacher, Joel Whitburn•ARTICLE•Contemporary Sociology A Journal…•1974

  • Are neurotic patients in psychotropic drug trials representative

    Open Access•Peter Hesbacher, Karl Rickels et al.•ARTICLE•Social Science & Medicine (1967•1974•References: 7

  • Record Roulette: What Makes It Spin

    Open Access•Peter Hesbacher, Robert Downing et al.•ARTICLE•Journal of Communication•1975

    Peter Hesbacher, Robert Downing, David G. Berger; Record Roulette: What Makes It Spin?, Journal of Communication, Volume 25, Issue 3, 1 September 1975, Pag

  • Radio programming: Relating ratings to revenues in a major market∗

    Peter Hesbacher, Robert Rosenow et al.•ARTICLE•Popular Music & Society•1975•References: 7

    (1975). Radio programming: Relating ratings to revenues in a major market. Popular Music and Society: Vol. 4, No. 4, pp. 208-225

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 11•References: 8

    (1975). Sound recording popularity charts: A useful tool for music research. Popular Music and Society: Vol. 4, No. 2, pp. 86-99

  • Sound recording popularity charts: A useful tool for music research

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1975•Cited by: 6•References: 5

  • Music and Society: The Later Writings of Paul Honigsheim

    Peter Hesbacher, K Peter Etzkorn•ARTICLE•Contemporary Sociology A Journal…•1975

  • Social factors and neurotic symptoms in family practice

    Peter Hesbacher, P T Hesbacher et al.•ARTICLE•American Journal of Public Health•1975•Cited by: 4•References: 21

    Social factors and neurotic symptoms in family practice. P T Hesbacher, K Rickels, and D GoldbergCopyRight https://doi.org/10.2105/AJPH.65.2.148 Published Online: October 07, 2011

  • Psychiatric illness detection: A comparison of osteopaths and M.D.s in private family practice

    Open Access•Peter Hesbacher, Lawrence Schein et al.•ARTICLE•Social Science & Medicine (1967•1975•References: 8

  • Radio Format Strategies

    Open Access•Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Journal of Communication•1976

  • Solid Gold: The Popular Record Industry

    Peter Hesbacher, R Serge Denisoff•ARTICLE•Contemporary Sociology A Journal…•1976

  • Solo female vocalists: Some shifts in stature and alterations in song

    Peter Hesbacher, Nancy Clasby et al.•ARTICLE•Popular Music & Society•1977•Cited by: 3•References: 9

    Although solo female vocalists do not have “hit” recordings with the same frequency that male vocalists do, they have, especially during certain periods, achieved considerable public acceptance. This paper presents the fluctations in popularity of solo female vocalists relative to other artist types and examines sound and lyric content of number one records to show that female vocalists “hit” with the same kind of material that other artist types…

  • Pop Music in School

    Peter Hesbacher, Graham Vulliamy et al.•ARTICLE•Contemporary Sociology A Journal…•1977

  • Assessment of psychiatric illness severity by family physicians

    Open Access•Peter Hesbacher, Karl Rickels et al.•ARTICLE•Social Science & Medicine Medical…•1978

  • Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗

    Peter Hesbacher, Robert Downing et al.•ARTICLE•Popular Music & Society•1978•Cited by: 2•References: 11

  • Radio programming: Relating ratings to revenues in a major market∗

    Peter Hesbacher, Robert Rosenow et al.•ARTICLE•Popular Music & Society•1978•References: 4

  • Substream” recordings: Some shifts in stature and alterations in song

    Peter Hesbacher, Eric Simon et al.•ARTICLE•Popular Music & Society•1978•Cited by: 3•References: 6

    “Substream” recordings (performances at variance with current commercial “mainstream” song types) disseminate essentially regional material to a mass audience. This paper details the fluctuations in popularity of substream musics relative to mainstream (traditional pop and rock) musics and examines artist type and lyric content for number one records to indicate that substream material is usually performed by solo male vocalists and includes prim…

  • Sound exposure in radio: The misleading nature of the station Playlist

    Peter Hesbacher•ARTICLE•Popular Music & Society•1978•References: 1

  • Music in American Society, 1776-1976: From Puritan Hymn to Synthesizer

    Peter Hesbacher, George S McCue et al.•ARTICLE•Contemporary Sociology A Journal…•1978

    1 Americanism in Music: A Composer's View, 2 Music with an American Accent, 3 Social and Moral Music: The Hymn, 4 Charles Ives's Optimism: or, The Program's Progress, 5 The Other Side of Black Music, 6 The Music of American Indians, 7 American Folksong: Some Comments on the History Collection and Archiving, 8 Popular Music: The Sounds of the Many, 9 Jazz as an Urban Music, 10 The Exhilarating Adventure of New Music in the U.S.A. since 1950, 11 Am…

  • Country and soul hits: Manufacturer strategies and crossover characteristics

    Bruce Anderson, Peter Hesbacher•ARTICLE•Popular Music & Society•1979•Cited by: 2•References: 6

    (1979). Country and soul hits: Manufacturer strategies and crossover characteristics. Popular Music and Society: Vol. 6, No. 4, pp. 284-292

  • Hit Record Trends, 1940–1977

    Open Access•Bruce Anderson, Peter Hesbacher et al.•ARTICLE•Journal of Communication•1980

    Bruce Anderson, Peter Hesbacher, K. Peter Etzkorn, R. Serge Denisoff; Hit Record Trends, 1940–1977, Journal of Communication, Volume 30, Issue 2, 1 June 19

  • Hit singers’ careers since 1940: Have women advanced

    Peter Hesbacher, Bruce Anderson•ARTICLE•Popular Music & Society•1980•Cited by: 1•References: 3

Psychology (15 works) · Computer Science (13 works) · Art (12 works) · Music History and Culture (11 works) · Business (9 works) · Sociology (8 works) · Visual arts (8 works) · Advertising (7 works) · Acoustics (6 works) · History (6 works)

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