Camilla Mordhorst
Biographic Data
| ID | 1505656 |
|---|---|
| NAME | Camilla Mordhorst |
| GIVEN NAMES | Camilla |
| FAMILY NAME | Mordhorst |
| SIGNATURE | MORDHORST C |
| AFFILIATIONS | Museum of Science |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
The Power of presence
The Living and Dying gallery opened at the British Museum five years ago. Praised by critics, this award-winning exhibition is one of the most well attended exhibitions at the Museum. A visit to the gallery makes it apparent that it is the contemporary art installation, Cradle to Grave, that is particularly attractive to the visitors. The aim of this article is to explore why this installation is so effective. However, rather than evaluating visi…
Between meaning culture and presence effects
Formens semantik – en teori om den kulturhistoriske udstilling
The Semantics of Forms - an Exhibition Theory The article argues that a predominantly silent area of museology, that is to say the exhibition, can be described through an aesthetic theory about the semantics of form
Museumsgenstanden som relikvie
Funen Relics Funen Relics is the tide of a coming exposition at Odense Bys Museer. While working on the exposition several discussions have arisen on the issue of the necessity - or lack of it - of the object. In many expositions the object is used to illustrate a text, which can be read on large plates. The objects are therefore in a certain sense superfluous, since the message is perfectly understandable without their use. On the other hand it …
Between meaning culture and presence effects
Formens semantik – en teori om den kulturhistoriske udstilling
The Semantics of Forms - an Exhibition Theory The article argues that a predominantly silent area of museology, that is to say the exhibition, can be described through an aesthetic theory about the semantics of form
Museumsgenstanden som relikvie
Funen Relics Funen Relics is the tide of a coming exposition at Odense Bys Museer. While working on the exposition several discussions have arisen on the issue of the necessity - or lack of it - of the object. In many expositions the object is used to illustrate a text, which can be read on large plates. The objects are therefore in a certain sense superfluous, since the message is perfectly understandable without their use. On the other hand it …
Formens semantik – en teori om den kulturhistoriske udstilling
The Semantics of Forms - an Exhibition Theory The article argues that a predominantly silent area of museology, that is to say the exhibition, can be described through an aesthetic theory about the semantics of form
Museumsgenstanden som relikvie
Funen Relics Funen Relics is the tide of a coming exposition at Odense Bys Museer. While working on the exposition several discussions have arisen on the issue of the necessity - or lack of it - of the object. In many expositions the object is used to illustrate a text, which can be read on large plates. The objects are therefore in a certain sense superfluous, since the message is perfectly understandable without their use. On the other hand it …
Between meaning culture and presence effects
The Power of presence
The Living and Dying gallery opened at the British Museum five years ago. Praised by critics, this award-winning exhibition is one of the most well attended exhibitions at the Museum. A visit to the gallery makes it apparent that it is the contemporary art installation, Cradle to Grave, that is particularly attractive to the visitors. The aim of this article is to explore why this installation is so effective. However, rather than evaluating visi…
Art (4 works) · Museums and Cultural Heritage (4 works) · History (3 works) · Philosophy (3 works) · Philosophy (3 works) · Computer Science (2 works) · Epistemology (2 works) · History (2 works) · Linguistics (2 works) · Museology (2 works)