Formens semantik – en teori om den kulturhistoriske udstilling
Bibliographic Data
| ID | 7339905 |
|---|---|
| Authors | Camilla Mordhorst, Kitte Wagner Nielsen |
| Year | 1970 |
| Issue | 1 |
| Pages | 3-3 |
| Publication date | 1970-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Nordisk Museologi (JOURNAL) |
| Journal identifiers | ISSN: 1103-8152 • E-ISSN: 2002-0503 |
| Publisher | University of Oslo Library (PUBLISHER • NO) |
| DOI | 10.5617/nm.3656 |
| OpenAlex | W2583128092 |
| Language | EN |
| Citations received | 1 |
The Semantics of Forms - an Exhibition Theory The article argues that a predominantly silent area of museology, that is to say the exhibition, can be described through an aesthetic theory about the semantics of form
Art · Art history · Epistemology · Exhibition · Linguistics · Programming language · Semantics (computer science · Sociology · Visual arts · Computer Science · Museology · Museums and Cultural Heritage · Philosophy · Visual Culture and Art Theory
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.08 |
| Citation span | 2013 - 2013 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |