Barbara Mittler
Biographic Data
| ID | 150916 |
|---|---|
| NAME | Barbara Mittler |
| GIVEN NAMES | Barbara |
| FAMILY NAME | Mittler |
| SIGNATURE | MITTLER B |
| AFFILIATIONS | Heidelberg University |
| ORCID | 0000-0002-7867-3120 |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Rudolf G. Wagner – A Man of Many Dreams
Lektüren
Why China did not have a Renaissance – and why that matters: An interdisciplinary Dialogue
Concepts of historical progress or decline and the idea of a cycle of historical movement have existed in many civilizations. In spite of claims that they be transnational or even universal, periodization schemes invariably reveal specific social and cultural predispositions. Our dialogue, which brings together a Sinologist and a scholar of early modern History in Europe, considers periodization as a historical phenomenon, studying the case of th…
Women and the Periodical Press in China's Long Twentieth Century: A Space of Their Own?
Why China Did Not Have a Renaissance - and Why That Matters: An Interdisciplinary Dialogue
Epochal changes in a global context – Toward a History-in-common
Asian punches: A transcultural affair
Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations . Marc L. Moskowitz
Gendered Advertising in China: What History Do Images Tell
Visual culture used to be seen as a 'distraction from the serious business of text and history' while images can in fact also be seen as a locus of cultural and historical change. This paper addresses the issue of using visual sources in the construction of a historical narrative in Chinese social history. Through a survey of gendered advertising images from one important Shanghai newspaper, the Shenbao, in 1931, presented in the form of 'visual …
Tänze der Geistermasken im Erdgottkult in Anhui (China) (Ghost-Mask Dances of the Earth God Sect of Anhui Province, China)
Book Review| October 01 2006 Tänze der Geistermasken im Erdgottkult in Anhui (China) (Ghost-Mask Dances of the Earth God Sect of Anhui Province, China) Tänze der Geistermasken im Erdgottkult in Anhui (China) (Ghost-Mask Dances of the Earth God Sect of Anhui Province, China), Rudolf Maria Brandl and Wang Zhaoqian. Barbara Mittler Barbara Mittler Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (3): 496–498. http…
A Newspaper for China?: Power, Identity, and Change in Shanghai’s News Media, 1872–1912
A Newspaper for China: Power, Identity, and Change in Shanghai’s News Media, 1872–1912
Man, Woman, and Body in Early and Imperial China: Recent German Scholarship
man, woman, and body in early and imperial china 115 © Brill, Leiden, 2003 NAN NÜ 5.1 Also available online – www.brill.nl Review Article MAN, WOMAN, AND BODY IN EARLY AND IMPERIAL CHINA: RECENT GERMAN SCHOLARSHIP BY BARBARA MITTLER (Marburg University) Gudula Linck. Leib und Körper: Zum Selbstverständnis im vormodernen China . Frankfurt am Main: Peter Lang, 2001. 277pp. Sfr 72. ISBN 3-631-34035-4. Dennis Schilling und Jianfei Kralle, eds.. Die F…
Women in the Chinese Enlightenment: Oral and Textual Histories
Centering on five life stories by Chinese women activists born just after the turn of this century, this first history of Chinese May Fourth feminism disrupts the Chinese Communist Party's master narrative of Chinese women's liberation, reconfigures the history of the Chinese Enlightenment from a gender perspective, and addresses the question of how feminism engendered social change cross-culturally. In this multilayered book, the first-person na…
Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949
Gendered Advertising in China: What History Do Images Tell
Visual culture used to be seen as a 'distraction from the serious business of text and history' while images can in fact also be seen as a locus of cultural and historical change. This paper addresses the issue of using visual sources in the construction of a historical narrative in Chinese social history. Through a survey of gendered advertising images from one important Shanghai newspaper, the Shenbao, in 1931, presented in the form of 'visual …
Women in the Chinese Enlightenment: Oral and Textual Histories
Centering on five life stories by Chinese women activists born just after the turn of this century, this first history of Chinese May Fourth feminism disrupts the Chinese Communist Party's master narrative of Chinese women's liberation, reconfigures the history of the Chinese Enlightenment from a gender perspective, and addresses the question of how feminism engendered social change cross-culturally. In this multilayered book, the first-person na…
Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949
Man, Woman, and Body in Early and Imperial China: Recent German Scholarship
man, woman, and body in early and imperial china 115 © Brill, Leiden, 2003 NAN NÜ 5.1 Also available online – www.brill.nl Review Article MAN, WOMAN, AND BODY IN EARLY AND IMPERIAL CHINA: RECENT GERMAN SCHOLARSHIP BY BARBARA MITTLER (Marburg University) Gudula Linck. Leib und Körper: Zum Selbstverständnis im vormodernen China . Frankfurt am Main: Peter Lang, 2001. 277pp. Sfr 72. ISBN 3-631-34035-4. Dennis Schilling und Jianfei Kralle, eds.. Die F…
A Newspaper for China?: Power, Identity, and Change in Shanghai’s News Media, 1872–1912
A Newspaper for China: Power, Identity, and Change in Shanghai’s News Media, 1872–1912
Tänze der Geistermasken im Erdgottkult in Anhui (China) (Ghost-Mask Dances of the Earth God Sect of Anhui Province, China)
Book Review| October 01 2006 Tänze der Geistermasken im Erdgottkult in Anhui (China) (Ghost-Mask Dances of the Earth God Sect of Anhui Province, China) Tänze der Geistermasken im Erdgottkult in Anhui (China) (Ghost-Mask Dances of the Earth God Sect of Anhui Province, China), Rudolf Maria Brandl and Wang Zhaoqian. Barbara Mittler Barbara Mittler Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (3): 496–498. http…
Gendered Advertising in China: What History Do Images Tell
Visual culture used to be seen as a 'distraction from the serious business of text and history' while images can in fact also be seen as a locus of cultural and historical change. This paper addresses the issue of using visual sources in the construction of a historical narrative in Chinese social history. Through a survey of gendered advertising images from one important Shanghai newspaper, the Shenbao, in 1931, presented in the form of 'visual …
Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations . Marc L. Moskowitz
Asian punches: A transcultural affair
Why China did not have a Renaissance – and why that matters: An interdisciplinary Dialogue
Concepts of historical progress or decline and the idea of a cycle of historical movement have existed in many civilizations. In spite of claims that they be transnational or even universal, periodization schemes invariably reveal specific social and cultural predispositions. Our dialogue, which brings together a Sinologist and a scholar of early modern History in Europe, considers periodization as a historical phenomenon, studying the case of th…
Women and the Periodical Press in China's Long Twentieth Century: A Space of Their Own?
Why China Did Not Have a Renaissance - and Why That Matters: An Interdisciplinary Dialogue
Epochal changes in a global context – Toward a History-in-common
Lektüren
Rudolf G. Wagner – A Man of Many Dreams
China (12 works) · History (11 works) · Archaeology (10 works) · Art (9 works) · Art history (7 works) · Chinese history and philosophy (5 works) · Law (5 works) · Political science (5 works) · Ancient history (4 works) · Japanese History and Culture (4 works)