Dangerous Tunes
The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949
Bibliographic Data
| ID | 5159535 |
|---|---|
| Authors | Bell Yung (corresponding author), Barbara Mittler (0000-0002-7867-3120) |
| Year | 2000 |
| Volume | 32 |
| Issue | 1 |
| Pages | 192 |
| Publication date | 2000-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Music (JOURNAL) |
| Journal identifiers | ISSN: 0044-9202 • E-ISSN: 1553-5630 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/834336 |
| OpenAlex | W2327410557 |
| Language | EN |
| Citations received | 12 |
Ancient history · Archaeology · China · Chinese people · People's Republic · Political science · Politics · Sociology · Gender Studies · History · Hong Kong and Taiwan Politics · Law
Reconsidering cultural politics in the analysis of contemporary Chinese music
The political meaning of Hong Kong popular music
Revolutionary Echoes
Non-Western national music and empire in global history
Gender and everyday evasions
Positive women characters in the revolutionary model works of the chinese cultural revolution
The Sonic Dimensions of Nationalism in Modern China
Japanese Devils and American Wolves
Flowers on the Battlefield are More Fragrant
Performing "Chineseness" on the Western Concert Stage
East Meets West in the Concert Hall
The Voicing of the Voiceless in Tan Dun's The Map
| Unique citing works | 12 |
|---|---|
| Citations per year | 0,46 |
| Citation span | 2000 - 2020 (21) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 10 |