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Edurne Goñi-Alsúa

Biographic Data

ID1526164
NAMEEdurne Goñi-Alsúa
GIVEN NAMESEdurne
FAMILY NAMEGoñi-Alsúa
SIGNATUREGOÑI-ALSÚA E
AFFILIATIONSUniversidad Pública de Navarra (UPNA)
ORCID0000-0002-7488-2689
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Enter Ftatateeta: Name Symbolism in Bernard Shaw’s Caesar and Cleopatra

    Gustavo A Rodríguez Martín, Rodríguez Martín et al.•ARTICLE•ANQ A Quarterly Journal of Short…•2025

    This study explores the symbolism behind the name Ftatateeta, one of the characters in Bernard Shaw's Caesar and Cleopatra (1899). This character, one of Shaw's creations for the play, has a name that is both aurally salient and evocative of sartorial materials (i.e., tuftaffeta, taffeta). This symbolic name, in turn, goes hand in hand with the character's discourse and behaviour, as well as with her role as a stock character

  • Educational methodologies and didactic audiovisual translation: Results of an implementation of combined revoicing and subtitling in a class of primary education with the Montessori method

    Open Access•Edurne Goñi-Alsúa, Galder Rejas Vicente et al.•ARTICLE•Texto Livre Linguagem e Tecnologia•2025•Cited by: 1•References: 10

    Among the new methodologies developed to teach the L2, Didactic Audiovisual Translation (DAT) has proven to be highly successful as it deals with the four skills in a multimodal environment, which appears to increase motivation. This paper presents the results of a DAT implementation in an Elementary classroom (11-to12-year-old children) in a school which follows the Montessori Method. Twenty-four children, divided into groups of four, chose thei…

  • Translating Characters: Eliza Doolittle “Rendered” into Spanish

    Open Access•Edurne Goñi-Alsúa, Edurne Goñi Alsúa•ARTICLE•Estudios Irlandeses•2018

    Pygmalion, one of the best known of George Bernard Shaw's plays in Spain, was translated and performed in 1919 and published in 1920. Up to 2016, it has been rendered into Spanish five times. The main character in Pygmalion is Eliza, a Cockney woman who feels the need to change her life to accede to the middle class. Shaw characterized Eliza in two ways, her clothes and her speech, as she speaks the dialect of her socio-geographical background, C…

  • Educational methodologies and didactic audiovisual translation: Results of an implementation of combined revoicing and subtitling in a class of primary education with the Montessori method

    Open Access•Edurne Goñi-Alsúa, Galder Rejas Vicente et al.•ARTICLE•Texto Livre Linguagem e Tecnologia•2025•Cited by: 1•References: 10

    Among the new methodologies developed to teach the L2, Didactic Audiovisual Translation (DAT) has proven to be highly successful as it deals with the four skills in a multimodal environment, which appears to increase motivation. This paper presents the results of a DAT implementation in an Elementary classroom (11-to12-year-old children) in a school which follows the Montessori Method. Twenty-four children, divided into groups of four, chose thei…

  • Translating Characters: Eliza Doolittle “Rendered” into Spanish

    Open Access•Edurne Goñi-Alsúa, Edurne Goñi Alsúa•ARTICLE•Estudios Irlandeses•2018

    Pygmalion, one of the best known of George Bernard Shaw's plays in Spain, was translated and performed in 1919 and published in 1920. Up to 2016, it has been rendered into Spanish five times. The main character in Pygmalion is Eliza, a Cockney woman who feels the need to change her life to accede to the middle class. Shaw characterized Eliza in two ways, her clothes and her speech, as she speaks the dialect of her socio-geographical background, C…

  • Enter Ftatateeta: Name Symbolism in Bernard Shaw’s Caesar and Cleopatra

    Gustavo A Rodríguez Martín, Rodríguez Martín et al.•ARTICLE•ANQ A Quarterly Journal of Short…•2025

    This study explores the symbolism behind the name Ftatateeta, one of the characters in Bernard Shaw's Caesar and Cleopatra (1899). This character, one of Shaw's creations for the play, has a name that is both aurally salient and evocative of sartorial materials (i.e., tuftaffeta, taffeta). This symbolic name, in turn, goes hand in hand with the character's discourse and behaviour, as well as with her role as a stock character

  • Educational methodologies and didactic audiovisual translation: Results of an implementation of combined revoicing and subtitling in a class of primary education with the Montessori method

    Open Access•Edurne Goñi-Alsúa, Galder Rejas Vicente et al.•ARTICLE•Texto Livre Linguagem e Tecnologia•2025•Cited by: 1•References: 10

    Among the new methodologies developed to teach the L2, Didactic Audiovisual Translation (DAT) has proven to be highly successful as it deals with the four skills in a multimodal environment, which appears to increase motivation. This paper presents the results of a DAT implementation in an Elementary classroom (11-to12-year-old children) in a school which follows the Montessori Method. Twenty-four children, divided into groups of four, chose thei…

Art (3 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Literature Analysis and Criticism (2 works) · Philosophy (2 works) · Archaeology (1 works) · Art history (1 works) · Artificial Intelligence (1 works) · Biology (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae