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Kyra D Gaunt

Biographic Data

ID152704
NAMEKyra D Gaunt
GIVEN NAMESKyra D
FAMILY NAMEGaunt
SIGNATUREGAUNT K D
AFFILIATIONSBaruch College
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS27
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2015
H-INDEX2
  • YouTube, Twerking & You

    Open Access•Kyra D Gaunt•ARTICLE•Journal of Popular Music Studies•2015•Cited by: 24•References: 1

    We were being introduced to one of the most precious of American freedoms, which is our freedom to broaden our personal culture by absorbing the cultures of others. – Ralph Ellison (1986, 186

  • Girls’ Game-Songs and Hip-Hop

    Open Access•Kyra D Gaunt•ARTICLE•Parcours anthropologiques•2012

    This article explores connections between girls’ musical game-songs and commercial songs recorded by male artists over several decades in United States. Basing on analysis of game songs’ and interviews of African American women (collected during fieldworks conducted from 1994 to 2002), it describes how black girls, through their dance and singing games, experience a musical socialization and inhabit an African American musical aesthetics and a ge…

  • Roundtable

    Open Access•Kyra D Gaunt, Kyra Gaunt et al.•ARTICLE•Journal of Popular Music Studies•2008

  • Got Rhythm

    Open Access•Kyra D Gaunt•ARTICLE•City & Society•2002•Cited by: 2•References: 15

  • Music Grooves

    Kyra D Gaunt•REVIEW•Yearbook for Traditional Music•2000•Cited by: 1

    This volume explores two themes: the groove of firsthand experience and participation in music and the groove of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns and reveal connections. This format signals the authors' desire for a more reflexive, experimental dis…

  • Plenty of Good Women Dancers

    Kyra D Gaunt, Debora Kodish et al.•ARTICLE•Ethnomusicology•2000

  • Wade in the Water

    Kyra D Gaunt, National Public Radio•ARTICLE•Yearbook for Traditional Music•1998

  • YouTube, Twerking & You

    Open Access•Kyra D Gaunt•ARTICLE•Journal of Popular Music Studies•2015•Cited by: 24•References: 1

    We were being introduced to one of the most precious of American freedoms, which is our freedom to broaden our personal culture by absorbing the cultures of others. – Ralph Ellison (1986, 186

  • Got Rhythm

    Open Access•Kyra D Gaunt•ARTICLE•City & Society•2002•Cited by: 2•References: 15

  • Music Grooves

    Kyra D Gaunt•REVIEW•Yearbook for Traditional Music•2000•Cited by: 1

    This volume explores two themes: the groove of firsthand experience and participation in music and the groove of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns and reveal connections. This format signals the authors' desire for a more reflexive, experimental dis…

  • Wade in the Water

    Kyra D Gaunt, National Public Radio•ARTICLE•Yearbook for Traditional Music•1998

  • Music Grooves

    Kyra D Gaunt•REVIEW•Yearbook for Traditional Music•2000•Cited by: 1

    This volume explores two themes: the groove of firsthand experience and participation in music and the groove of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns and reveal connections. This format signals the authors' desire for a more reflexive, experimental dis…

  • Plenty of Good Women Dancers

    Kyra D Gaunt, Debora Kodish et al.•ARTICLE•Ethnomusicology•2000

  • Got Rhythm

    Open Access•Kyra D Gaunt•ARTICLE•City & Society•2002•Cited by: 2•References: 15

  • Roundtable

    Open Access•Kyra D Gaunt, Kyra Gaunt et al.•ARTICLE•Journal of Popular Music Studies•2008

  • Girls’ Game-Songs and Hip-Hop

    Open Access•Kyra D Gaunt•ARTICLE•Parcours anthropologiques•2012

    This article explores connections between girls’ musical game-songs and commercial songs recorded by male artists over several decades in United States. Basing on analysis of game songs’ and interviews of African American women (collected during fieldworks conducted from 1994 to 2002), it describes how black girls, through their dance and singing games, experience a musical socialization and inhabit an African American musical aesthetics and a ge…

  • YouTube, Twerking & You

    Open Access•Kyra D Gaunt•ARTICLE•Journal of Popular Music Studies•2015•Cited by: 24•References: 1

    We were being introduced to one of the most precious of American freedoms, which is our freedom to broaden our personal culture by absorbing the cultures of others. – Ralph Ellison (1986, 186

Music History and Culture (5 works) · Art (4 works) · Sociology (4 works) · History (3 works) · Blues (2 works) · Computer Science (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Media Studies and Communication (2 works) · Musical (2 works)

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