Music Grooves
Essays and Dialogues
Bibliographic Data
| ID | 4816030 |
|---|---|
| Authors | Kyra D Gaunt |
| Year | 2000 |
| Volume | 32 |
| Pages | 178 |
| Publication date | 2000-01-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Music Grooves: Essays and Dialogues, Charles Keil, 1995 |
| Venue | Yearbook for Traditional Music (JOURNAL) |
| Journal identifiers | ISSN: 0740-1558 • E-ISSN: 2304-3857 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3185251 |
| OpenAlex | W2418687998 |
| Language | EN |
| Citations received | 1 |
This volume explores two themes: the groove of firsthand experience and participation in music and the groove of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns and reveal connections. This format signals the authors' desire for a more reflexive, experimental discourse on music and society and invites readers to join their conversations. Music Grooves ranges from jazz, blues, polka, soul, rock, world beat, rap, karaoke and other familiar genres to major scholarly debates in music theory, ethnomusicology and popular culture studies. The authors develop and create links between the fields of ethnomusicology and popular culture studies and relate the contents of musics from America, Greece, Cuba, Africa and Papua New Guinea to artists as diverse as James Brown, Aretha Franklin, L'il Wally Jagiello, Bo Diddley, Walt Solek, Madonna, Paul Simon, Miles Davis, Thelonious Monk and Billie Holiday. Keil and Feld offer a view of the shaping of central ideas and terms in ethnomusicology such as engendered feeling, interpretive moves, participatory discrepancies, iconicity of style, people's music, schizophonia and lift-up-over sounding. From Keil's critique of Leonard Meyer's musicological approach to Feld's recent work on world beat, this volume covers an array of vital issues in media studies, musicology and ethnomusicology, popular culture, anthropology and sociology. It should interest anyone concerned with the nature and meaning of music in the modern world
Blues · Call and response · Ethnomusicology · Philosophy of music · Music History and Culture
Singing it 'Local
Introduction-world music
On and On
The pulse of symmetry
Music on the timing grid
Sounds of Freedom
Drive-Ethno-Dance" and "Hutzul Punk
Collaborative Fieldwork, "Stance," and Ethnography
The Construction of Masculinity in African American Music and Sports
Playing for Change”
Ethio-groove on the World Stage
Paideia con Salsa
Sound Work
Groove
The Ins and Outs of Cultura : How Bands Voice Their Relationships to the State-Sponsored Music Scene in Recife, Brazil
The Cambridge Companion to Rhythm
Entries
Moving Beyond Motion
Improvisation and Value in Rock, 1966
En musikksjanger bygger sted
The Poetics of Pop Polyphony
Music in Worship
The Political Economy of Music and Sound
“For Those Who Are Not Afraid of the Future”
Ufology as Anthropology
The Concept of Community
Modernity's Trickster
Monde Créole
The Whole and the Sum of the Parts, or, How Cookie and the Cupcakes Told the Story of Apache History in San Carlos
Song of Transformation
Different affects? Intercepting orientalism through the affective encounters and ritualised mediations of a Shin Buddhist chanting tradition
The Maleny ‘Fire Event’
Pulsing bodies and embodying pulse
Community in Syntony
Son propre son
Tails out
Signs of Imagination, Identity, and Experience
Technology and the Production of Islamic Space
Reflections on football fandom and fake crowd noise during Chile's Covid-19 pandemic
"Lugares de ressonância" e a produção de uma diáspora musical senegalesa no sul do Brasil
Recursos performáticos da mobilidade senegalesa
Pop as Process
Dynamic Musicscapes in Northern Greece
Don't Organize, Mourn
Signifiers of indigeneity in Australian and New Zealand popular music
Chakide — The teller of secrets
Samba in Wales
I Did Not Wash My Hand for Days
Grooves and Waves
Ethnic and Village Unity
"Entertaining "Chineseness
Our songs were our stones’
Playing in the Posthuman Band
Music Alive! In the Yakima Valley
Two case examples using participatory music as a therapeutic metaphor in a community mental health setting in the United Kingdom
Race, Ethnicity, and Cultural Production
African music
It’s not about Candy’
Popular journalism and cultural change
Pop in(to) the Bedroom
Entangled dreams and twisted memories
True to the music
Burn me up this time fellas
Copyright, the Work and Phonographic Orality in Music
Critical Remarks on the Nature of Improvisation
Hi-Fi Heritage
Blues ghosts in the Black Mecca
Critiquing the “What Is Jazz” Puzzle in a Diasporic Setting
Black Musics, Technology, and Modernity
Reggae Rhythms in Dignity's Diaspora
Transcending Distinctions between Religious and Secular Musicianship
Alternative”; music and the politics of cultural autonomy
Interaction and Improvisation between Dancers and Drummers in Martinican Bele
Locating the Choreomusical
Tradition
Music and Citizenship
Music and identity
Ethnomusicology and Difference
Ethnomusicology and the Music Industries
Music and digital media across the lao diaspora
Social sonic practices. The urban audiosphere in the practices of D/deaf and hearing people
Transforming embodied experiences of academic conferences through creative practice
Violão-canção
Ecomusicology, Music Studies, and IASPM
Ecomusicology, Music Studies, and the IASPM
Louder and Faster
A Cross-Cultural Investigation of the Perception of Emotion in Music
Black or White? Michael Jackson and the Idea of Crossover
The subjective, human experience of groove
O brother, let's go down home
Classification as Culture
Environmentalists abide
Music and the Politics of Sound
The Art of Doing (Geographies of) Music
Shaping rhythm
American music writing
Global Popular Musics and Changing Awareness of Urban Tanzanian Youth
Shifting Landscapes
RefiningUranium
The Political Agency of Musical Beauty
| Highly cited | No |
|---|