Nathalie Bonnardel
Biographic Data
| ID | 1541370 |
|---|---|
| NAME | Nathalie Bonnardel |
| GIVEN NAMES | Nathalie |
| FAMILY NAME | Bonnardel |
| SIGNATURE | BONNARDEL N |
| AFFILIATIONS | Aix-Marseille Université |
| ORCID | 0000-0002-5876-990X |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Overlooking of Subtractive Changes: Replication and Extension to Stronger Cues and Social Norms
People systematically overlook subtractive changes and favor additive ones when reporting new ideas. In a first preregistered experiment conducted via the Prolific platform among French adults ( N = 477), we replicated experiments 2, 3, and 4 in Adams et al.'s study. We replicated the overlooking of subtraction, as participants reported 1155 additive ideas and only 297 subtractive ideas. Cueing participants (“Remember that you can add things or t…
Aiming at Creativity and Ending up with a Range from Low‐Hanging Fruits to Foolishness: A Reflective Model of Creativity
The term “creative” is commonly used in everyday language and in academic discourse to discuss the nature of artistic and innovative productions. This usage inherently implies the existence of a variable of creativity that allows different creative works to be compared. The standard definition of creativity asserts that a production must possess both value and novelty in order to be considered truly creative. However, previous psychometric studie…
Artificial Intelligence & Creativity: A Manifesto for Collaboration
With the advent of artificial intelligence (AI), the field of creativity faces new opportunities and challenges. This manifesto explores several scenarios of human–machine collaboration on creative tasks and proposes “fundamental laws of generative AI” to reinforce the responsible and ethical use of AI in the creativity field. Four scenarios are proposed and discussed: “Co‐Cre‐AI‐tion,” “Organic,” “Plagiarism 3.0,” and “Shut down,” each illustrat…
The Construct Validity of Creativity: Empirical Arguments in Favor of Novelty as the Basis for Creativity
In scientific research on creativity, there has been considerable debate concerning the criteria by which a production can be judged more or less creative, that is, about the definition of creativity. The most frequent definition – the standard definition – incorporates the criteria of novelty and value. However, other definitions, based on a single criterion or on more than two criteria, have also been proposed. Much of the discussion of this is…
From Explicit to Implicit Theories of Creativity and Back: The Relevance of Naive Criteria in Defining Creativity
The different definitions of creativity that have been proposed by researchers have developed out of what are called explicit theories of creativity, on the basis of logical and semantic arguments, independently of empirical data. The present paper focuses on two such definitions, the standard definition (M.A. Runco & G.J. Jaeger, 2012), which defines a creative product as one that is novel and valuable, and R.W. Weisberg’s (2015, 2018) intention…
The Normative Features of Creativity: Creative Individuals are Judged to be Warmer and More Competent
Many studies mention the social valorization of creative individuals. However, previous works show contrasting results concerning both this valorization and the links between creativity and the two dimensions of social judgment (individuals’ warmth and competence). Consequently, we implemented two paradigms classically used when examining the normative features of individuals' traits such as creativity. Study 1 ( N = 206), using a self‐presentati…
Innovations: À La Recherche d'Idées
L'architecte, l'ingenieur, le concepteur informatique, tous font appel a leur imagination pour concevoir des objets techniques qui doivent etre concus avant d'etre produits. Les recherches commencent a nous eclairer sur les arcanes de la conception
No prominent works on this page.
Innovations: À La Recherche d'Idées
L'architecte, l'ingenieur, le concepteur informatique, tous font appel a leur imagination pour concevoir des objets techniques qui doivent etre concus avant d'etre produits. Les recherches commencent a nous eclairer sur les arcanes de la conception
From Explicit to Implicit Theories of Creativity and Back: The Relevance of Naive Criteria in Defining Creativity
The different definitions of creativity that have been proposed by researchers have developed out of what are called explicit theories of creativity, on the basis of logical and semantic arguments, independently of empirical data. The present paper focuses on two such definitions, the standard definition (M.A. Runco & G.J. Jaeger, 2012), which defines a creative product as one that is novel and valuable, and R.W. Weisberg’s (2015, 2018) intention…
The Normative Features of Creativity: Creative Individuals are Judged to be Warmer and More Competent
Many studies mention the social valorization of creative individuals. However, previous works show contrasting results concerning both this valorization and the links between creativity and the two dimensions of social judgment (individuals’ warmth and competence). Consequently, we implemented two paradigms classically used when examining the normative features of individuals' traits such as creativity. Study 1 ( N = 206), using a self‐presentati…
The Construct Validity of Creativity: Empirical Arguments in Favor of Novelty as the Basis for Creativity
In scientific research on creativity, there has been considerable debate concerning the criteria by which a production can be judged more or less creative, that is, about the definition of creativity. The most frequent definition – the standard definition – incorporates the criteria of novelty and value. However, other definitions, based on a single criterion or on more than two criteria, have also been proposed. Much of the discussion of this is…
Artificial Intelligence & Creativity: A Manifesto for Collaboration
With the advent of artificial intelligence (AI), the field of creativity faces new opportunities and challenges. This manifesto explores several scenarios of human–machine collaboration on creative tasks and proposes “fundamental laws of generative AI” to reinforce the responsible and ethical use of AI in the creativity field. Four scenarios are proposed and discussed: “Co‐Cre‐AI‐tion,” “Organic,” “Plagiarism 3.0,” and “Shut down,” each illustrat…
Aiming at Creativity and Ending up with a Range from Low‐Hanging Fruits to Foolishness: A Reflective Model of Creativity
The term “creative” is commonly used in everyday language and in academic discourse to discuss the nature of artistic and innovative productions. This usage inherently implies the existence of a variable of creativity that allows different creative works to be compared. The standard definition of creativity asserts that a production must possess both value and novelty in order to be considered truly creative. However, previous psychometric studie…
The Overlooking of Subtractive Changes: Replication and Extension to Stronger Cues and Social Norms
People systematically overlook subtractive changes and favor additive ones when reporting new ideas. In a first preregistered experiment conducted via the Prolific platform among French adults ( N = 477), we replicated experiments 2, 3, and 4 in Adams et al.'s study. We replicated the overlooking of subtraction, as participants reported 1155 additive ideas and only 297 subtractive ideas. Cueing participants (“Remember that you can add things or t…
Computer Science (5 works) · Creativity (5 works) · Creativity in Education and Neuroscience (5 works) · Psychology (5 works) · Social Psychology (5 works) · Cognitive psychology (4 works) · Creativity technique (4 works) · Epistemology (4 works) · Mathematics (4 works) · Artificial Intelligence (3 works)