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Robert Gutierrez-Perez

Biographic Data

ID154152
NAMERobert Gutierrez-Perez
GIVEN NAMESRobert
FAMILY NAMEGutierrez-Perez
SIGNATUREGUTIERREZ-PEREZ R
AFFILIATIONSUniversity of Nevada, Reno
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS25
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2021
H-INDEX3
  • No pulse

    Robert Gutierrez-Perez•ARTICLE•Communication and Critical/Cultural…•2021

    To be queer in contemporary America means being aware and active at all times in order to push back on or to avoid violence. In this alternate history, the author offers an act of resistance rooted in the mundane and every day. To simply imagine a future/present world where queer folks can exist and love each other in safety is a beautiful act of agency. Drawing on the tragedy of Pulse nightclub in Orlando, Florida, this act of resistance reimagi…

  • Performance and Everyday Life, or a Latina/o/x in Intercultural Communication

    Robert Gutierrez-Perez•ARTICLE•Journal of Intercultural…•2020

    Utilizing “theories in the flesh” as a theoretical framework, the author challenges the reader to embrace the disorienting, fragmenting, and confusing space in/between performance and intercultural communication. By moving from the classroom and into Latina/o/x communication studies, the author names the intersectional exclusions and erasures that persists throughout academia and everyday life. Embracing theories in the flesh is a challenge to ac…

  • A Return to El Mundo Zurdo: Anzaldúan Approaches to Queer of Color Worldmaking and the Violence of Intersectional Heteronormativity

    Robert Gutierrez-Perez•ARTICLE•Women s Studies in Communication•2020•Cited by: 2•References: 29

    Utilizing the path of conocimiento as a theoretical lens, the author provides a discourse analysis of El Mundo Zurdo to offer understandings gained from the communicative processes of grieving and healing from the intersectional violence of heteronormativity. Specifically, the author analyzes the discourses found within three special issues/forums published on the Pulse nightclub massacre in Orlando, Florida, to flesh out the shared and unshared …

  • Coda: A Rupture in Time

    Kundai Chirindo, Robert Gutierrez-Perez et al.•ARTICLE•Women s Studies in Communication•2020•References: 3

    The COVID-19 pandemic marks a temporal rupture that, amid all the tragedies entailed therein, is deeply entangled with one of the largest uprisings in modern history. Not only has the virus disprop

  • Blacktino queer performance

    Robert Gutierrez-Perez•ARTICLE•Text and Performance Quarterly•2018

    How do you define blacktino? If fact, how do you endeavor to define the performance of and/or the potentiality for queer of color lives? In Blacktino Queer Performance, editors E. Patrick Johnson a

  • Queer of color worldmaking: In the rhetorical archive and the embodied repertoire

    Robert Gutierrez-Perez, Luis M Andrade et al.•ARTICLE•Text and Performance Quarterly•2018•Cited by: 7•References: 27

    In front of our peers, we methodologically marry ideographic analysis and queer of color worldmaking to map out the complex terrain of as it functions as an ideograph. However, we propose the embodied notion of the archive and the repertoire to offer “embodied ideographs” and extend analysis into the performative and bodily dimensions of . As an embodied ideograph, dances as it interacts between and betwixt dominant social institutions and the wa…

  • Theories in the Flesh and Flights of the Imagination: Embracing the Soul and Spirit of Critical Performative Writing in Communication Research

    Robert Gutierrez-Perez•ARTICLE•Women s Studies in Communication•2018•Cited by: 2•References: 11

    This critical essay describes and demonstrates the uses and unique contributions of performative writing as a form of inquiry into the materialities and mobilities of sociocultural communicative phenomena. Embracing an Anzaldúan approach, the author utilizes Mesoamerican Aztec and Chicanx history, iconography, and mythos to argue for an ontological reimaging of where research should begin and end. As a methodological intervention, this article ch…

  • Bridging Performances of Auto/ethnography and Queer Bodies of Color to Advocacy and Civic Engagement

    Robert Gutierrez-Perez•ARTICLE•QED A Journal in GLBTQ Worldmaking•2017•Cited by: 2•References: 2

    On June 12th, 2016 in Orlando, Florida, 49 people were shot and murdered and 53 people were hospitalized in the deadliest shooting in the United States since the Wounded Knee Massacre. President Barack Obama called the event: “An act of terror and an act of hate.” The gunman attacked Pulse, a LGBTQAI nightclub, during Pride Month around 2 A.M. on “Latin Night” while approximately 320 people were dancing, finishing drinks, and preparing to head ho…

  • A journey to El Mundo Zurdo: Queer temporality, queer of color cultural heritages

    Robert Gutierrez-Perez•ARTICLE•Communication and Critical/Cultural…•2017•Cited by: 1

  • Bailando Con Las Sombras: Spiritual Activism and Soul Healing in the War Years

    Open Access•Luis M Andrade, Robert Gutierrez-Perez•ARTICLE•Qualitative Inquiry•2017•Cited by: 5•References: 4

  • Navigating with the Stars: Critical Qualitative Methodological Constellations for Critical Intercultural Communication Research

    Kate Willink, Robert Gutierrez-Perez et al.•ARTICLE•Journal of International and…•2014•Cited by: 6•References: 18

    This collaborative essay seeks to chart new methodological pathways for intercultural scholars with a specific focus on Critical Race Theory and Decolonizing and Indigenous Research Methodologies; Activist/Engaged Methodologies; and Performative Methodologies. Each section begins from our own researcher subjectivity, then outlines the constellation within the development of Critical Intercultural Communication (CIC); identifies the constellation'…

  • Queer of color worldmaking: In the rhetorical archive and the embodied repertoire

    Robert Gutierrez-Perez, Luis M Andrade et al.•ARTICLE•Text and Performance Quarterly•2018•Cited by: 7•References: 27

    In front of our peers, we methodologically marry ideographic analysis and queer of color worldmaking to map out the complex terrain of as it functions as an ideograph. However, we propose the embodied notion of the archive and the repertoire to offer “embodied ideographs” and extend analysis into the performative and bodily dimensions of . As an embodied ideograph, dances as it interacts between and betwixt dominant social institutions and the wa…

  • Navigating with the Stars: Critical Qualitative Methodological Constellations for Critical Intercultural Communication Research

    Kate Willink, Robert Gutierrez-Perez et al.•ARTICLE•Journal of International and…•2014•Cited by: 6•References: 18

    This collaborative essay seeks to chart new methodological pathways for intercultural scholars with a specific focus on Critical Race Theory and Decolonizing and Indigenous Research Methodologies; Activist/Engaged Methodologies; and Performative Methodologies. Each section begins from our own researcher subjectivity, then outlines the constellation within the development of Critical Intercultural Communication (CIC); identifies the constellation'…

  • Bailando Con Las Sombras: Spiritual Activism and Soul Healing in the War Years

    Open Access•Luis M Andrade, Robert Gutierrez-Perez•ARTICLE•Qualitative Inquiry•2017•Cited by: 5•References: 4

  • A Return to El Mundo Zurdo: Anzaldúan Approaches to Queer of Color Worldmaking and the Violence of Intersectional Heteronormativity

    Robert Gutierrez-Perez•ARTICLE•Women s Studies in Communication•2020•Cited by: 2•References: 29

    Utilizing the path of conocimiento as a theoretical lens, the author provides a discourse analysis of El Mundo Zurdo to offer understandings gained from the communicative processes of grieving and healing from the intersectional violence of heteronormativity. Specifically, the author analyzes the discourses found within three special issues/forums published on the Pulse nightclub massacre in Orlando, Florida, to flesh out the shared and unshared …

  • Theories in the Flesh and Flights of the Imagination: Embracing the Soul and Spirit of Critical Performative Writing in Communication Research

    Robert Gutierrez-Perez•ARTICLE•Women s Studies in Communication•2018•Cited by: 2•References: 11

    This critical essay describes and demonstrates the uses and unique contributions of performative writing as a form of inquiry into the materialities and mobilities of sociocultural communicative phenomena. Embracing an Anzaldúan approach, the author utilizes Mesoamerican Aztec and Chicanx history, iconography, and mythos to argue for an ontological reimaging of where research should begin and end. As a methodological intervention, this article ch…

  • Bridging Performances of Auto/ethnography and Queer Bodies of Color to Advocacy and Civic Engagement

    Robert Gutierrez-Perez•ARTICLE•QED A Journal in GLBTQ Worldmaking•2017•Cited by: 2•References: 2

    On June 12th, 2016 in Orlando, Florida, 49 people were shot and murdered and 53 people were hospitalized in the deadliest shooting in the United States since the Wounded Knee Massacre. President Barack Obama called the event: “An act of terror and an act of hate.” The gunman attacked Pulse, a LGBTQAI nightclub, during Pride Month around 2 A.M. on “Latin Night” while approximately 320 people were dancing, finishing drinks, and preparing to head ho…

  • A journey to El Mundo Zurdo: Queer temporality, queer of color cultural heritages

    Robert Gutierrez-Perez•ARTICLE•Communication and Critical/Cultural…•2017•Cited by: 1

  • Navigating with the Stars: Critical Qualitative Methodological Constellations for Critical Intercultural Communication Research

    Kate Willink, Robert Gutierrez-Perez et al.•ARTICLE•Journal of International and…•2014•Cited by: 6•References: 18

    This collaborative essay seeks to chart new methodological pathways for intercultural scholars with a specific focus on Critical Race Theory and Decolonizing and Indigenous Research Methodologies; Activist/Engaged Methodologies; and Performative Methodologies. Each section begins from our own researcher subjectivity, then outlines the constellation within the development of Critical Intercultural Communication (CIC); identifies the constellation'…

  • Bridging Performances of Auto/ethnography and Queer Bodies of Color to Advocacy and Civic Engagement

    Robert Gutierrez-Perez•ARTICLE•QED A Journal in GLBTQ Worldmaking•2017•Cited by: 2•References: 2

    On June 12th, 2016 in Orlando, Florida, 49 people were shot and murdered and 53 people were hospitalized in the deadliest shooting in the United States since the Wounded Knee Massacre. President Barack Obama called the event: “An act of terror and an act of hate.” The gunman attacked Pulse, a LGBTQAI nightclub, during Pride Month around 2 A.M. on “Latin Night” while approximately 320 people were dancing, finishing drinks, and preparing to head ho…

  • A journey to El Mundo Zurdo: Queer temporality, queer of color cultural heritages

    Robert Gutierrez-Perez•ARTICLE•Communication and Critical/Cultural…•2017•Cited by: 1

  • Bailando Con Las Sombras: Spiritual Activism and Soul Healing in the War Years

    Open Access•Luis M Andrade, Robert Gutierrez-Perez•ARTICLE•Qualitative Inquiry•2017•Cited by: 5•References: 4

  • Blacktino queer performance

    Robert Gutierrez-Perez•ARTICLE•Text and Performance Quarterly•2018

    How do you define blacktino? If fact, how do you endeavor to define the performance of and/or the potentiality for queer of color lives? In Blacktino Queer Performance, editors E. Patrick Johnson a

  • Queer of color worldmaking: In the rhetorical archive and the embodied repertoire

    Robert Gutierrez-Perez, Luis M Andrade et al.•ARTICLE•Text and Performance Quarterly•2018•Cited by: 7•References: 27

    In front of our peers, we methodologically marry ideographic analysis and queer of color worldmaking to map out the complex terrain of as it functions as an ideograph. However, we propose the embodied notion of the archive and the repertoire to offer “embodied ideographs” and extend analysis into the performative and bodily dimensions of . As an embodied ideograph, dances as it interacts between and betwixt dominant social institutions and the wa…

  • Theories in the Flesh and Flights of the Imagination: Embracing the Soul and Spirit of Critical Performative Writing in Communication Research

    Robert Gutierrez-Perez•ARTICLE•Women s Studies in Communication•2018•Cited by: 2•References: 11

    This critical essay describes and demonstrates the uses and unique contributions of performative writing as a form of inquiry into the materialities and mobilities of sociocultural communicative phenomena. Embracing an Anzaldúan approach, the author utilizes Mesoamerican Aztec and Chicanx history, iconography, and mythos to argue for an ontological reimaging of where research should begin and end. As a methodological intervention, this article ch…

  • Performance and Everyday Life, or a Latina/o/x in Intercultural Communication

    Robert Gutierrez-Perez•ARTICLE•Journal of Intercultural…•2020

    Utilizing “theories in the flesh” as a theoretical framework, the author challenges the reader to embrace the disorienting, fragmenting, and confusing space in/between performance and intercultural communication. By moving from the classroom and into Latina/o/x communication studies, the author names the intersectional exclusions and erasures that persists throughout academia and everyday life. Embracing theories in the flesh is a challenge to ac…

  • A Return to El Mundo Zurdo: Anzaldúan Approaches to Queer of Color Worldmaking and the Violence of Intersectional Heteronormativity

    Robert Gutierrez-Perez•ARTICLE•Women s Studies in Communication•2020•Cited by: 2•References: 29

    Utilizing the path of conocimiento as a theoretical lens, the author provides a discourse analysis of El Mundo Zurdo to offer understandings gained from the communicative processes of grieving and healing from the intersectional violence of heteronormativity. Specifically, the author analyzes the discourses found within three special issues/forums published on the Pulse nightclub massacre in Orlando, Florida, to flesh out the shared and unshared …

  • Coda: A Rupture in Time

    Kundai Chirindo, Robert Gutierrez-Perez et al.•ARTICLE•Women s Studies in Communication•2020•References: 3

    The COVID-19 pandemic marks a temporal rupture that, amid all the tragedies entailed therein, is deeply entangled with one of the largest uprisings in modern history. Not only has the virus disprop

  • No pulse

    Robert Gutierrez-Perez•ARTICLE•Communication and Critical/Cultural…•2021

    To be queer in contemporary America means being aware and active at all times in order to push back on or to avoid violence. In this alternate history, the author offers an act of resistance rooted in the mundane and every day. To simply imagine a future/present world where queer folks can exist and love each other in safety is a beautiful act of agency. Drawing on the tragedy of Pulse nightclub in Orlando, Florida, this act of resistance reimagi…

Art (8 works) · Sociology (8 works) · Aesthetics (7 works) · Gender Studies (7 works) · Gender Studies (7 works) · Latin American and Latino Studies (6 works) · Queer (6 works) · Performative utterance (5 works) · Philosophy (5 works) · Rhetoric and Communication Studies (5 works)

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