Magdalena Marija Meašić
Biographic Data
| ID | 1550099 |
|---|---|
| NAME | Magdalena Marija Meašić |
| GIVEN NAMES | Magdalena Marija |
| FAMILY NAME | Meašić |
| SIGNATURE | MEAŠIĆ M M |
| ORCID | 0009-0008-8713-3549 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Crtice o Muzičkom biennalu Zagreb i novoj glazbi u časopisu Sovetskaja muzyka (1961-1991)
Ovo istraživanje stremi rekonstruirati i kontekstualizirati stavove i mišljenja o Muzičkom biennaleu Zagreb prezentirane u časopisu Sovetskaja muzyka u razdoblju od začetka festivala 1961. do 1991. godine. Cilj je ovog rada omogućiti uvid u sovjetsku percepciju Muzičkog biennalea i ondje zatečenih glazbenih avangardnih kretanja ponajprije na temelju izvješća sovjetskih muzikologa i skladatelja, a zatim i izvedenoga sovjetskog repertoara. Iako usk…
How to Stage Soviet Operas in the 21st Century
In the midst of the Russo-Ukrainian war, the discussion on "Soviet" operas abroad acquired a new dimension. The parallel occurrences of boycotting Russian music and the resurgence of Soviet Russian music provoke questions about the power music embodies, while also challenging the notion of music as detached from the current political turmoil. This paper frames the complex persona of Sergey Prokofiev and his two "Soviet" operas within the context …
No prominent works on this page.
Crtice o Muzičkom biennalu Zagreb i novoj glazbi u časopisu Sovetskaja muzyka (1961-1991)
Ovo istraživanje stremi rekonstruirati i kontekstualizirati stavove i mišljenja o Muzičkom biennaleu Zagreb prezentirane u časopisu Sovetskaja muzyka u razdoblju od začetka festivala 1961. do 1991. godine. Cilj je ovog rada omogućiti uvid u sovjetsku percepciju Muzičkog biennalea i ondje zatečenih glazbenih avangardnih kretanja ponajprije na temelju izvješća sovjetskih muzikologa i skladatelja, a zatim i izvedenoga sovjetskog repertoara. Iako usk…
How to Stage Soviet Operas in the 21st Century
In the midst of the Russo-Ukrainian war, the discussion on "Soviet" operas abroad acquired a new dimension. The parallel occurrences of boycotting Russian music and the resurgence of Soviet Russian music provoke questions about the power music embodies, while also challenging the notion of music as detached from the current political turmoil. This paper frames the complex persona of Sergey Prokofiev and his two "Soviet" operas within the context …
Art (2 works) · Balkan and Eastern European Studies (1 works) · Boycott (1 works) · Diverse Musicological Studies (1 works) · Eastern European Communism and Reforms (1 works) · Historical Geopolitical and Social Dynamics (1 works) · History (1 works) · History (1 works) · Law (1 works) · Law (1 works)