How to Stage Soviet Operas in the 21st Century
Navigating Russian Music Heritage amidst Revival and Boycott
Bibliographic Data
| ID | 4200636 |
|---|---|
| Authors | Magdalena Marija Meašić (0009-0008-8713-3549, corresponding author) |
| Year | 2025 |
| Volume | 54 |
| Issue | 1 |
| Publication date | 2025-03-28 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Traditiones (JOURNAL) |
| Journal identifiers | ISSN: 0352-0447 • E-ISSN: 1855-6396 |
| Publisher | The Research Center of the Slovenian Academy of Sciences and Arts (ZRC SAZU) (PUBLISHER) |
| DOI | 10.3986/traditio2025540107 |
| OpenAlex | W4408990866 |
| Language | EN |
| Citations received | 1 |
| References cited | 18 |
In the midst of the Russo-Ukrainian war, the discussion on "Soviet" operas abroad acquired a new dimension. The parallel occurrences of boycotting Russian music and the resurgence of Soviet Russian music provoke questions about the power music embodies, while also challenging the notion of music as detached from the current political turmoil. This paper frames the complex persona of Sergey Prokofiev and his two "Soviet" operas within the context of the recent resurgence of Soviet operatic productions in Russia
Art · Boycott · Political science · Politics · Stage (stratigraphy · Diverse Musicological Studies · History · Law · Musicology and Musical Analysis
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |