Marek Haltof
Biographic Data
| ID | 1555412 |
|---|---|
| NAME | Marek Haltof |
| GIVEN NAMES | Marek |
| FAMILY NAME | Haltof |
| SIGNATURE | HALTOF M |
| AFFILIATIONS | Northern Michigan University |
| ORCID | 0009-0009-9978-2404 |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 15 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
The Endurance of Authorship Theory
The article is a review of Elżbieta Ostrowska’s 2024 book ReFocus: The Films of Agnieszka Holland. It highlights the pioneering nature of this English-language publication and the methodological challenges of describing the rich and diverse output of a director who has been equally successful in European arthouse cinema, Hollywood, and global streaming platforms. The book explores the multifaceted, chameleon-like nature of Holland’s authorship, p…
Intimations
Skazane na zapomnienie
Book Review| April 01 2019 Skazane na zapomnienie: Polskie aktorki filmowe na emigracji [Doomed to Oblivion: Polish Film Actresses in Exile] Grzegorz Rogowski, Skazane na zapomnienie: Polskie aktorki filmowe na emigracji [Doomed to Oblivion: Polish Film Actresses in Exile], with an introductory chapter by Michał Pieńkowski (Warsaw: Wydawnictwo Muza, 2017), 512 pp., photographs. ISBN 978–83-287-0465-7 (hardcover). Marek Haltof Marek Haltof Norther…
Of Elephants and Toothaches
Book Review| October 01 2017 Of Elephants and Toothaches: Ethics, Politics, and Religion in Krzysztof Kieślowski’s Decalogue Eva Badowska and Francesca Parmeggiani, eds. Of Elephants and Toothaches: Ethics, Politics, and Religion in Krzysztof Kieślowski’s Decalogue, (New York: Fordham University Press, 2016), 243 pp. ISBN: 978-08232-6710-1 (hardcover), 978-0-8232-6927-3 (paperback). Marek Haltof Marek Haltof Northern Michigan University Search fo…
Concentrationary Cinema
Niepokój i tęsknota. Kino wobec wartości
Hollywood’s War with Poland 1939-1945
Book Review| October 01 2010 Hollywood’s War with Poland 1939-1945 Hollywood’s War with Poland 1939-1945, M.B.B. Biskupski. MAREK HALTOF MAREK HALTOF Search for other works by this author on: This Site Google The Polish Review (2010) 55 (3): 351–353. https://doi.org/10.2307/25779888 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation MAREK HALTOF; Hollywood’s War with Poland 1939-1945. The Polish Revi…
Return to Auschwitz
Research Article| April 01 2010 RETURN TO AUSCHWITZ: WANDA JAKUBOWSKA’S "THE LAST STAGE" (1948) MAREK HALTOF MAREK HALTOF Search for other works by this author on: This Site Google The Polish Review (2010) 55 (1): 7–34. https://doi.org/10.2307/25779859 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation MAREK HALTOF; RETURN TO AUSCHWITZ: WANDA JAKUBOWSKA’S "THE LAST STAGE" (1948). The Polish Review 1 …
Waszyński’s The Dybbuk
Book Review| October 01 2010 Waszyński’s The Dybbuk Waszyński’s The Dybbuk, Daria Mazur and Maciej Smoczyński. MAREK HALTOF MAREK HALTOF Search for other works by this author on: This Site Google The Polish Review (2010) 55 (3): 362–365. https://doi.org/10.2307/25779893 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation MAREK HALTOF; Waszyński’s The Dybbuk. The Polish Review 1 October 2010; 55 (3): 3…
The Cinema of Andrzej Wajda
Polish National Cinema
The Representation of Stalinism in Polish Cinema
Focusing on past has been almost natural in Polish cinema. Like Central European cinema in general, it has familiarized viewers with its political contexts and messages: presentation of Central Europeans as victims of history, and a dark vision of history. In novel political situation after 1989 in Central Europe one could expect the return of repressed in cinema and other art forms, return of history, and a certain boldness in a critical reappra…
Film Theory in Poland Before World War II
Polish cinema has a history essentially as long as those of cinemas elsewhere. The first screening in Polish territories took place in Cracow in 1896, and in that same year Kazimierz Pr6szyiski created his own camera, pleograph. In 1902, perfected pleograph was employed by Preszyfski to produce first Polish narrative film, Powr*t Birbanta (The Return of a Merry Fellow). Regular production in Poland started, however, some years later with adaptati…
Everything for Sale
ResumeCet article examine le cinéma polonais après 1989. La période “post-totalitaire” est caractérisée par une tentative de surpasser les manières de penser et les habitudes qui marquent la période précédente. Les “stratégies Esopiennes,” les métaphores et les symboles politiques qui prévalaient avant 1989 ne dominent plus l’industrie cinématographique polonais. La production de film n’est plus une mission nationale et sociale; elle est devenue …
In Quest of Self-Identity
(1993). In Quest of Self-Identity: Gallipoli, Mateship, and the Construction of Australian National Identity. Journal of Popular Film and Television: Vol. 21, No. 1, pp. 27-36
In Quest of Self-Identity
(1993). In Quest of Self-Identity: Gallipoli, Mateship, and the Construction of Australian National Identity. Journal of Popular Film and Television: Vol. 21, No. 1, pp. 27-36
Film Theory in Poland Before World War II
Polish cinema has a history essentially as long as those of cinemas elsewhere. The first screening in Polish territories took place in Cracow in 1896, and in that same year Kazimierz Pr6szyiski created his own camera, pleograph. In 1902, perfected pleograph was employed by Preszyfski to produce first Polish narrative film, Powr*t Birbanta (The Return of a Merry Fellow). Regular production in Poland started, however, some years later with adaptati…
In Quest of Self-Identity
(1993). In Quest of Self-Identity: Gallipoli, Mateship, and the Construction of Australian National Identity. Journal of Popular Film and Television: Vol. 21, No. 1, pp. 27-36
Everything for Sale
ResumeCet article examine le cinéma polonais après 1989. La période “post-totalitaire” est caractérisée par une tentative de surpasser les manières de penser et les habitudes qui marquent la période précédente. Les “stratégies Esopiennes,” les métaphores et les symboles politiques qui prévalaient avant 1989 ne dominent plus l’industrie cinématographique polonais. La production de film n’est plus une mission nationale et sociale; elle est devenue …
Film Theory in Poland Before World War II
Polish cinema has a history essentially as long as those of cinemas elsewhere. The first screening in Polish territories took place in Cracow in 1896, and in that same year Kazimierz Pr6szyiski created his own camera, pleograph. In 1902, perfected pleograph was employed by Preszyfski to produce first Polish narrative film, Powr*t Birbanta (The Return of a Merry Fellow). Regular production in Poland started, however, some years later with adaptati…
The Representation of Stalinism in Polish Cinema
Focusing on past has been almost natural in Polish cinema. Like Central European cinema in general, it has familiarized viewers with its political contexts and messages: presentation of Central Europeans as victims of history, and a dark vision of history. In novel political situation after 1989 in Central Europe one could expect the return of repressed in cinema and other art forms, return of history, and a certain boldness in a critical reappra…
Polish National Cinema
The Cinema of Andrzej Wajda
Hollywood’s War with Poland 1939-1945
Book Review| October 01 2010 Hollywood’s War with Poland 1939-1945 Hollywood’s War with Poland 1939-1945, M.B.B. Biskupski. MAREK HALTOF MAREK HALTOF Search for other works by this author on: This Site Google The Polish Review (2010) 55 (3): 351–353. https://doi.org/10.2307/25779888 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation MAREK HALTOF; Hollywood’s War with Poland 1939-1945. The Polish Revi…
Return to Auschwitz
Research Article| April 01 2010 RETURN TO AUSCHWITZ: WANDA JAKUBOWSKA’S "THE LAST STAGE" (1948) MAREK HALTOF MAREK HALTOF Search for other works by this author on: This Site Google The Polish Review (2010) 55 (1): 7–34. https://doi.org/10.2307/25779859 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation MAREK HALTOF; RETURN TO AUSCHWITZ: WANDA JAKUBOWSKA’S "THE LAST STAGE" (1948). The Polish Review 1 …
Waszyński’s The Dybbuk
Book Review| October 01 2010 Waszyński’s The Dybbuk Waszyński’s The Dybbuk, Daria Mazur and Maciej Smoczyński. MAREK HALTOF MAREK HALTOF Search for other works by this author on: This Site Google The Polish Review (2010) 55 (3): 362–365. https://doi.org/10.2307/25779893 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation MAREK HALTOF; Waszyński’s The Dybbuk. The Polish Review 1 October 2010; 55 (3): 3…
Niepokój i tęsknota. Kino wobec wartości
Concentrationary Cinema
Of Elephants and Toothaches
Book Review| October 01 2017 Of Elephants and Toothaches: Ethics, Politics, and Religion in Krzysztof Kieślowski’s Decalogue Eva Badowska and Francesca Parmeggiani, eds. Of Elephants and Toothaches: Ethics, Politics, and Religion in Krzysztof Kieślowski’s Decalogue, (New York: Fordham University Press, 2016), 243 pp. ISBN: 978-08232-6710-1 (hardcover), 978-0-8232-6927-3 (paperback). Marek Haltof Marek Haltof Northern Michigan University Search fo…
Skazane na zapomnienie
Book Review| April 01 2019 Skazane na zapomnienie: Polskie aktorki filmowe na emigracji [Doomed to Oblivion: Polish Film Actresses in Exile] Grzegorz Rogowski, Skazane na zapomnienie: Polskie aktorki filmowe na emigracji [Doomed to Oblivion: Polish Film Actresses in Exile], with an introductory chapter by Michał Pieńkowski (Warsaw: Wydawnictwo Muza, 2017), 512 pp., photographs. ISBN 978–83-287-0465-7 (hardcover). Marek Haltof Marek Haltof Norther…
Intimations
The Endurance of Authorship Theory
The article is a review of Elżbieta Ostrowska’s 2024 book ReFocus: The Films of Agnieszka Holland. It highlights the pioneering nature of this English-language publication and the methodological challenges of describing the rich and diverse output of a director who has been equally successful in European arthouse cinema, Hollywood, and global streaming platforms. The book explores the multifaceted, chameleon-like nature of Holland’s authorship, p…
Art (13 works) · Polish Historical and Cultural Studies (9 works) · Art history (8 works) · History (8 works) · Political science (7 works) · Movie theater (6 works) · Eastern European Communism and Reforms (5 works) · Aesthetics (4 works) · Central European Literary Studies (4 works) · History (4 works)