The Endurance of Authorship Theory
Bibliographic Data
| ID | 21548957 |
|---|---|
| Authors | Marek Haltof (0009-0009-9978-2404, corresponding author) |
| Year | 2025 |
| Issue | 130 |
| Pages | 236-241 |
| Publication date | 2025-07-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Kwartalnik Filmowy (JOURNAL) |
| Journal identifiers | ISSN: 0452-9502 • E-ISSN: 2719-2725 |
| Publisher | Instytut Sztuki Polskiej Akademii Nauk (PUBLISHER) |
| DOI | 10.36744/kf.4336 |
| OpenAlex | W4411928425 |
| Language | EN |
| References cited | 1 |
The article is a review of Elżbieta Ostrowska’s 2024 book ReFocus: The Films of Agnieszka Holland. It highlights the pioneering nature of this English-language publication and the methodological challenges of describing the rich and diverse output of a director who has been equally successful in European arthouse cinema, Hollywood, and global streaming platforms. The book explores the multifaceted, chameleon-like nature of Holland’s authorship, paying particular attention to the context of transnational women’s cinema, Holland’s artistic biography, and her political activism
Copyright and Intellectual Property · Freedom of Expression and Defamation · Law, AI, and Intellectual Property · Psychology
| Highly cited | No |
|---|