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Martin Mcloone

Biographic Data

ID1602997
NAMEMartin Mcloone
GIVEN NAMESMartin
FAMILY NAMEMcloone
SIGNATUREMCLOONE M
AFFILIATIONSUniversity of Ulster
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS11
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2011
H-INDEX2
  • Why didn't Kevin Keegan play for Ireland? Contrasting narratives of the Irish in Britain

    Martin Mcloone•ARTICLE•Irish Studies Review•2011•Cited by: 1

    This article considers a range of contrasting narratives about the Irish in Britain that are sometimes overlapping and sometimes contradictory. These narratives reflect the complexity of the Irish immigrant experience itself, from integration to alienation, and help to explain the persistence of cultural stereotypes. The contradictory nature of this experience also helps to understand the ways in which the Irish have contributed to wider popular …

  • Punk music in Northern Ireland

    Martin Mcloone•ARTICLE•Irish Studies Review•2004•Cited by: 5

  • Music Hall Dope and British Propaganda? Cultural identity and early broadcasting in Ireland

    Martin Mcloone•ARTICLE•Historical Journal Of Film Radio…•2000•References: 4

    The article explores the history of early Irish radio, especially the political debate about the establishing of a radio station in Ireland in the years after the setting up of the state in 1922. Crucial to this debate was a concern about the power of the new medium to influence and change notions of national identity

  • Hybridity and national musics

    Open Access•Noel Mclaughlin, Martin Mcloone•ARTICLE•Popular Music•2000•Cited by: 5•References: 2

    Introduction: Irishness and the 'gift of song'A key element in the range of stereotypes characteristically assigned to the Irish has been their natural proclivity for music and song, a feature of colonial discourse that can be traced back even to the Norman invasions of the twelfth century. However, the powerful link between the Irish and musicality (along with a host of other, considerably less attractive traits) was finally consolidated in the …

  • Punk music in Northern Ireland

    Martin Mcloone•ARTICLE•Irish Studies Review•2004•Cited by: 5

  • Hybridity and national musics

    Open Access•Noel Mclaughlin, Martin Mcloone•ARTICLE•Popular Music•2000•Cited by: 5•References: 2

    Introduction: Irishness and the 'gift of song'A key element in the range of stereotypes characteristically assigned to the Irish has been their natural proclivity for music and song, a feature of colonial discourse that can be traced back even to the Norman invasions of the twelfth century. However, the powerful link between the Irish and musicality (along with a host of other, considerably less attractive traits) was finally consolidated in the …

  • Why didn't Kevin Keegan play for Ireland? Contrasting narratives of the Irish in Britain

    Martin Mcloone•ARTICLE•Irish Studies Review•2011•Cited by: 1

    This article considers a range of contrasting narratives about the Irish in Britain that are sometimes overlapping and sometimes contradictory. These narratives reflect the complexity of the Irish immigrant experience itself, from integration to alienation, and help to explain the persistence of cultural stereotypes. The contradictory nature of this experience also helps to understand the ways in which the Irish have contributed to wider popular …

  • Music Hall Dope and British Propaganda? Cultural identity and early broadcasting in Ireland

    Martin Mcloone•ARTICLE•Historical Journal Of Film Radio…•2000•References: 4

    The article explores the history of early Irish radio, especially the political debate about the establishing of a radio station in Ireland in the years after the setting up of the state in 1922. Crucial to this debate was a concern about the power of the new medium to influence and change notions of national identity

  • Hybridity and national musics

    Open Access•Noel Mclaughlin, Martin Mcloone•ARTICLE•Popular Music•2000•Cited by: 5•References: 2

    Introduction: Irishness and the 'gift of song'A key element in the range of stereotypes characteristically assigned to the Irish has been their natural proclivity for music and song, a feature of colonial discourse that can be traced back even to the Norman invasions of the twelfth century. However, the powerful link between the Irish and musicality (along with a host of other, considerably less attractive traits) was finally consolidated in the …

  • Punk music in Northern Ireland

    Martin Mcloone•ARTICLE•Irish Studies Review•2004•Cited by: 5

  • Why didn't Kevin Keegan play for Ireland? Contrasting narratives of the Irish in Britain

    Martin Mcloone•ARTICLE•Irish Studies Review•2011•Cited by: 1

    This article considers a range of contrasting narratives about the Irish in Britain that are sometimes overlapping and sometimes contradictory. These narratives reflect the complexity of the Irish immigrant experience itself, from integration to alienation, and help to explain the persistence of cultural stereotypes. The contradictory nature of this experience also helps to understand the ways in which the Irish have contributed to wider popular …

Art (4 works) · Aesthetics (3 works) · Irish (3 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Archaeology (2 works) · Gender Studies (2 works) · History (2 works) · History (2 works)

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