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Hybridity and national musics

The case of Irish rock music

Bibliographic Data

ID4305077
AuthorsNoel Mclaughlin (0000-0002-2893-4169), Martin Mcloone
Year2000
Volume19
Issue2
Pages181-199
Publication date2000-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000000106
OpenAlexW2005362198
LanguageEN
Citations received8
References cited3

Introduction: Irishness and the 'gift of song'A key element in the range of stereotypes characteristically assigned to the Irish has been their natural proclivity for music and song, a feature of colonial discourse that can be traced back even to the Norman invasions of the twelfth century. However, the powerful link between the Irish and musicality (along with a host of other, considerably less attractive traits) was finally consolidated in the Victorian era at the height of the British imperial project (Curtis 1971; Busteed 1998). Irish music by this stage was constructed as a specific ethnic category based on the assumption that there was an identifiably Irish musical style that existed as an expression of the people, a reflection of their innate feelings and sensibilities. Music, therefore, became a feature of 'race', taking on properties for the coloniser that appeared to transcend the passage of time, that remained fixed and unchanging

Aesthetics · Archaeology · Art · Call and response · Colonialism · Epistemology · Expression (computer science · Feeling · Hybridity · Irish · Linguistics · Literature · Musical · Musical composition · Musicality · Style (visual arts · Traditional music · Violin musical styles · History · Irish and British Studies · Philosophy

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  • Music at the Margins

    Open Access•Julian Tanner, Deanna Campbell Robinson et al.•The Canadian Journal of Sociology•1992

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Unique citing works8
Citations per year0,33
Citation span2002 - 2025 (24)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 8

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