From Celtic Rock Heyday to “Extended Family”
Changing Legacies and Identities for Horslips and Their Fans
Bibliographic Data
| ID | 21836489 |
|---|---|
| Authors | John A O'Flynn (0000-0002-4661-8805, Dublin City University, corresponding author) |
| Year | 2025 |
| Volume | 12 |
| Issue | 1-2 |
| Pages | 1-17 |
| Publication date | 2025-05-04 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Rock Music Studies (JOURNAL) |
| Journal identifiers | ISSN: 1940-1159 • E-ISSN: 1940-1167 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19401159.2025.2492420 |
| OpenAlex | W4409814061 |
| Language | EN |
| References cited | 20 |
This article interprets the legacy of Horslips in a review of key periods of the Irish rock band’s activity and reception from the 1970s to the early 2020s. These comprise the band’s heyday in the 1970s, their relative obscurity in the 1980s and ’90s, two reunions as a live act in the early twenty-first century, and more recent fan-organized events. In tandem with an appraisal of the band’s career and broader artistic contribution, the article examines interrelated constructions of cultural memory and heritage on the part of musicians, cultural commentators, aficionados, and fans. It finds a range of associated identities and legacies that differ according to media-driven or community-oriented initiatives and to changing experiences and perspectives over time
Archaeology · Art · Art history · Celtic languages · Folklore, Mythology, and Literature Studies · History · Music History and Culture · Philippine History and Culture · Geology
The Irishness of Irish Music
In the Wake of the Tiger
Performing Glam Rock
Cultural Aging
‘On the programme tonight’
Horslips in Irish Musical and Literary Culture
Music and Identity in Ireland and Beyond
Popular Music and Retro Culture in the Digital Era
Unauthorising popular music heritage
Heritage rock
Hybridity and national musics
| Citation velocity | historical |
|---|---|
| Highly cited | No |