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The country and Irish problem

Bibliographic Data

ID4767745
AuthorsStan Erraught (0000-0003-1569-5063, Leeds College of Music, corresponding author)
Year2020
Volume39
Issue3-4
Pages568-584
Publication date2020-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143020000550
OpenAlexW3136027041
LanguageEN
Citations received1
References cited11

Country music has been popular in Ireland since the 1960s, most notably in the work of homegrown performers. Despite the durability of this appeal in the face of huge changes in Ireland and in the Irish music industry over a half-century, it remains curiously underexamined in the literature on Irish popular music. In this paper, I wish to argue the following: (1)Country music did not simply arise 'naturally' in Ireland as a reflection of musical or national characteristics: it was promoted as such.(2)Both popular and academic literature on the subject have tended to unreflectively echo the narrative that was introduced alongside the music in order to fix its audience.(3)In so doing, the literature reproduces a set of anxieties about modernity as it arrived in Ireland, about the postcolonial condition and about authenticity, even as it attempts to locate Irish popular music within these concerns

Acoustics · Aesthetics · Appeal · Art · Country · Face (sociological concept · Irish · Linguistics · Literature · Media studies · Modernity · Musical · Narrative · Political science · Popular music · Social science · Sociology · Subject (documents · Asian Culture and Media Studies · History · Law · Music History and Culture · Philosophy · Theater, Performance, and Music History

  • Negotiating Genre, Style, and Contemporality in an Intergenerational Irish Music Ensemble

    Open Access•Holly Riley, Holly Kristen Riley•IASPM Journal•2024

  • Ireland, 1912–1985

    Open Access•Joseph Lee, Joseph J Lee•Ireland, 1912-1985•1990

  • Who's the greenest of them all? Irishness and popular music

    Gerry Smyth•Irish Studies Review•1992

  • Music and identity in Ireland and beyond

    Catherine Bateson•Irish Studies Review•2016

  • Music and Identity in Ireland and Beyond

    Mark Fitzgerald, John A O'Flynn et al.•Music and Identity in Ireland and…•2016

  • Authenticity as authentication

    Open Access•Allan Moore•Popular Music•2002

  • Hybridity and national musics

    Open Access•Noel Mclaughlin, Martin Mcloone•Popular Music•2000

  • Bringing It All Back Home

    Meabh Ni Fhuartain, Nuala O Connor•Ethnomusicology•1994

  • Rock Aesthetics and Musics of the World

    Open Access•Motti Regev•Theory Culture & Society•1997

Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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