Paul Austerlitz
Biographic Data
| ID | 160499 |
|---|---|
| NAME | Paul Austerlitz |
| GIVEN NAMES | Paul |
| FAMILY NAME | Austerlitz |
| SIGNATURE | AUSTERLITZ P |
| AFFILIATIONS | Gettysburg College |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 19 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Digital Humanities at the Cuny Dominican Studies Institute
This Dialogues is a curated discussion of Latinx digital humanities emphasizing digital visual culture and the digital visualization of culture by scholars and artists with diverse backgrounds and projects. Envisioned as a foundational text in the growing Latinx visual digital humanities field, this Dialogues is not striving to be comprehensive. Instead, through its discussion, participants define Latinx digital humanities and visual culture broa…
Reimagining Latin Music in New York City
This article presents the first study of the life and works of a little-known but brilliant Dominican musician who worked in New York City in the mid-twentieth century. Pulling from archival materials held in the repository of the CUNY Dominican Studies Archives, the article offers an alternative to the conventional canon of Latin music in New York, which focuses on Cuban genres played primarily by Puerto Ricans, demonstrating the centrality of D…
Matizes do Jazz na música dominicana
Este artigo considera a influência do jazz sobre a música da República Dominicana. A dupla significação do jazz como, de um lado, uma forma genericamente estadunidense, e, de outro, uma forma especificamente afro-americana, promove contradições em sua assimilação dominicana. Embora o jazz tenha frequentemente permanecido fora da corrente dominante nos Estados Unidos, representa conexões com os EUA hegemônicos para alguns dominicanos, que o vêem c…
Merengue
Birch-Bark Horns and Jazz in the National Imagination
L'A. examine d'un point de vue historique la relation entre musicalite locale, esthetique transnationale, et representation de la nation et de l'identite nationale en Finlande. Comparant les traditions contemporaines inventees et les traditions du passe, il se propose de verifier la these d'A. Appadurai selon laquelle la communication de masse et la deterritorialisation, notamment des cultures musicales, augmentent l'importance de l'imagination d…
The Jazz Tinge in Dominican Music
its inception, jazz has developed in dialogue with Afro-Latin musics; as Jelly Roll Morton affirmed, were integral to early jazz in quintessentially Caribbean city of New Orleans (quoted in Lomax 1973, 63). The two world wars spread North American popular culture along with U.S. hegemony, and jazz was subsequently domesticated worldwide. Especially fertile fusions of jazz and local musics developed in African-influenced music cultures (see Averil…
Merengue
Foreword - Robert Farris Thompson Preface 1. Introduction Part I: The History of Merengue, 1854-1961 2. Nineteenth-Century Caribbean Merengue 3. Merengue Cibaeno, Cultural Nationalism, and Resistance 4. Music and the State: Merengue during the Era of Trujillo, 1930-1961 Part II: The Contemporary Era, 1961-1995 5. Merengue in the Transnational community 6. Innovation and Social Issues in Pop Merengue 7. Merengue on the Global Stage 8. Enduring Loc…
Merengue
Merengue
Foreword - Robert Farris Thompson Preface 1. Introduction Part I: The History of Merengue, 1854-1961 2. Nineteenth-Century Caribbean Merengue 3. Merengue Cibaeno, Cultural Nationalism, and Resistance 4. Music and the State: Merengue during the Era of Trujillo, 1930-1961 Part II: The Contemporary Era, 1961-1995 5. Merengue in the Transnational community 6. Innovation and Social Issues in Pop Merengue 7. Merengue on the Global Stage 8. Enduring Loc…
Birch-Bark Horns and Jazz in the National Imagination
L'A. examine d'un point de vue historique la relation entre musicalite locale, esthetique transnationale, et representation de la nation et de l'identite nationale en Finlande. Comparant les traditions contemporaines inventees et les traditions du passe, il se propose de verifier la these d'A. Appadurai selon laquelle la communication de masse et la deterritorialisation, notamment des cultures musicales, augmentent l'importance de l'imagination d…
The Jazz Tinge in Dominican Music
its inception, jazz has developed in dialogue with Afro-Latin musics; as Jelly Roll Morton affirmed, were integral to early jazz in quintessentially Caribbean city of New Orleans (quoted in Lomax 1973, 63). The two world wars spread North American popular culture along with U.S. hegemony, and jazz was subsequently domesticated worldwide. Especially fertile fusions of jazz and local musics developed in African-influenced music cultures (see Averil…
Merengue
Foreword - Robert Farris Thompson Preface 1. Introduction Part I: The History of Merengue, 1854-1961 2. Nineteenth-Century Caribbean Merengue 3. Merengue Cibaeno, Cultural Nationalism, and Resistance 4. Music and the State: Merengue during the Era of Trujillo, 1930-1961 Part II: The Contemporary Era, 1961-1995 5. Merengue in the Transnational community 6. Innovation and Social Issues in Pop Merengue 7. Merengue on the Global Stage 8. Enduring Loc…
Merengue
The Jazz Tinge in Dominican Music
its inception, jazz has developed in dialogue with Afro-Latin musics; as Jelly Roll Morton affirmed, were integral to early jazz in quintessentially Caribbean city of New Orleans (quoted in Lomax 1973, 63). The two world wars spread North American popular culture along with U.S. hegemony, and jazz was subsequently domesticated worldwide. Especially fertile fusions of jazz and local musics developed in African-influenced music cultures (see Averil…
Birch-Bark Horns and Jazz in the National Imagination
L'A. examine d'un point de vue historique la relation entre musicalite locale, esthetique transnationale, et representation de la nation et de l'identite nationale en Finlande. Comparant les traditions contemporaines inventees et les traditions du passe, il se propose de verifier la these d'A. Appadurai selon laquelle la communication de masse et la deterritorialisation, notamment des cultures musicales, augmentent l'importance de l'imagination d…
Merengue
Matizes do Jazz na música dominicana
Este artigo considera a influência do jazz sobre a música da República Dominicana. A dupla significação do jazz como, de um lado, uma forma genericamente estadunidense, e, de outro, uma forma especificamente afro-americana, promove contradições em sua assimilação dominicana. Embora o jazz tenha frequentemente permanecido fora da corrente dominante nos Estados Unidos, representa conexões com os EUA hegemônicos para alguns dominicanos, que o vêem c…
Reimagining Latin Music in New York City
This article presents the first study of the life and works of a little-known but brilliant Dominican musician who worked in New York City in the mid-twentieth century. Pulling from archival materials held in the repository of the CUNY Dominican Studies Archives, the article offers an alternative to the conventional canon of Latin music in New York, which focuses on Cuban genres played primarily by Puerto Ricans, demonstrating the centrality of D…
Digital Humanities at the Cuny Dominican Studies Institute
This Dialogues is a curated discussion of Latinx digital humanities emphasizing digital visual culture and the digital visualization of culture by scholars and artists with diverse backgrounds and projects. Envisioned as a foundational text in the growing Latinx visual digital humanities field, this Dialogues is not striving to be comprehensive. Instead, through its discussion, participants define Latinx digital humanities and visual culture broa…
Art (7 works) · Art history (4 works) · History (4 works) · Music History and Culture (4 works) · Aesthetics (3 works) · Caribbean and African Literature and Culture (3 works) · Caribbean history, culture, and politics (3 works) · Humanities (3 works) · Island Studies and Pacific Affairs (3 works) · Jazz (3 works)