Reimagining Latin Music in New York City
The Impact of Rafael Petitón Guzmán
Bibliographic Data
| ID | 3979989 |
|---|---|
| Authors | John Bimbiras (corresponding author), Paul Austerlitz |
| Year | 2023 |
| Volume | 44 |
| Issue | 1 |
| Pages | 1-30 |
| Publication date | 2023-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/lamr44101 |
| OpenAlex | W4384028769 |
| Language | EN |
This article presents the first study of the life and works of a little-known but brilliant Dominican musician who worked in New York City in the mid-twentieth century. Pulling from archival materials held in the repository of the CUNY Dominican Studies Archives, the article offers an alternative to the conventional canon of Latin music in New York, which focuses on Cuban genres played primarily by Puerto Ricans, demonstrating the centrality of Dominican and other influences to the richly diverse panorama of latinidad in the United States
Art · Art history · Canon · Centrality · Humanities · Latin Americans · Literature · Panorama · Performance art · Political science · Visual arts · Cuban History and Society · History · Latin American and Latino Studies · Law · Music History and Culture
| Highly cited | No |
|---|