Jane Koustas
Biographic Data
| ID | 1623915 |
|---|---|
| NAME | Jane Koustas |
| GIVEN NAMES | Jane |
| FAMILY NAME | Koustas |
| SIGNATURE | KOUSTAS J |
| AFFILIATIONS | Brock University |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Deirdre Kinahan’s Unmanageable Sisters
In spring 2018, Deirdre Kinahan’s The Unmanageable Sisters, an adaptation of Michel Tremblay’s landmark Les belles-sœurs (1968), was performed in the Abbey Theatre. A “smash hit” (Abbey programme) with the Irish audience, it was restaged in summer 2019. The Dublin version by a young and accomplished Irish playwright stages the comparability of the language register and of the socioeconomic and cultural circumstances that inspired the original thu…
Nolette, Nicole (2015)
Nolette, Nicole (2015) : Jouer la traduction : théâtre et hétérolinguisme au Canada francophone. Ottawa : Les Presses de l’Université d’Ottawa, 285 p.. An article from journal Meta (Volume 62, Number 2, August 2017, pp. 243-484), on Érudit
Brave New World
This study considers the First Nations presence in three very different productions by Robert Lepage. The first, La Tempête, a translation/adaptation, was staged in the Huron-Wendat First Nations community outside Québec City. Totem was a joint production with Cirque du Soleil and The Image Mill was a 50-minute sound and light projection presented in Québec City initially as part of the 400th anniversary. While the medium, performance style, perf…
Les Belles Étrangères
Staging the/an Other
Recent studies on the work of Robert Lepage underline the centrality of confrontation with the Other in the theatre of this internationally known and acclaimed Quebec dramaturge, cineaste, actor and producer. Characterized by the contact, collision and mixing of languages, Lepage's theatre challenges audiences around the world forcing them to experience the between zone, that liminal space between, or outside, comfortable linguistic, cultural and…
Vision-Division
Made in Quebec, Reviewed in Toronto
The author studies the reception of Quebec plays in Toronto between 1970 and 1982. She compares the response of different critiques, focussing on analyses of translations and translators. The author shows that critics are guilty of being "Toronto-centric" by ignoring the importance of translation or seeking more easily understandable translations for Toronto audiences
Quebec Literature in Translation
La traduction, comme toute forme de discours, se situe dans un espace socioculturel, temporel, geographique et historique qui la controle et la determine. La traduction des oeuvres litteraires quebecoises se fait de sorte que certains textes et auteurs soient selectionnes selon le systeme de valeurs de la culture d'arrivee et donc privilegies tandis que d'autres, d'une valeur egale ou superieure selon les normes de la culture de depart, sont lais…
Bibliographie d’histoire de l’Amérique française
les notices qui n'ont pas t releves car la Revue n'a pas publi de bibliographie de 1992 1994. Nous sommes encore en priode de rodage puisque notre bibliographie s'alimente maintenant diverses banques de donnes. D'ici quelques numros, elle devrait tre plus complte et ne comporter que des notices rcentes
La Valeur Chronotopique De "Québec-Octobre, 1970"
La Valeur Chronotopique De "Québec-Octobre, 1970"
Bibliographie d’histoire de l’Amérique française
les notices qui n'ont pas t releves car la Revue n'a pas publi de bibliographie de 1992 1994. Nous sommes encore en priode de rodage puisque notre bibliographie s'alimente maintenant diverses banques de donnes. D'ici quelques numros, elle devrait tre plus complte et ne comporter que des notices rcentes
Quebec Literature in Translation
La traduction, comme toute forme de discours, se situe dans un espace socioculturel, temporel, geographique et historique qui la controle et la determine. La traduction des oeuvres litteraires quebecoises se fait de sorte que certains textes et auteurs soient selectionnes selon le systeme de valeurs de la culture d'arrivee et donc privilegies tandis que d'autres, d'une valeur egale ou superieure selon les normes de la culture de depart, sont lais…
Made in Quebec, Reviewed in Toronto
The author studies the reception of Quebec plays in Toronto between 1970 and 1982. She compares the response of different critiques, focussing on analyses of translations and translators. The author shows that critics are guilty of being "Toronto-centric" by ignoring the importance of translation or seeking more easily understandable translations for Toronto audiences
Vision-Division
Staging the/an Other
Recent studies on the work of Robert Lepage underline the centrality of confrontation with the Other in the theatre of this internationally known and acclaimed Quebec dramaturge, cineaste, actor and producer. Characterized by the contact, collision and mixing of languages, Lepage's theatre challenges audiences around the world forcing them to experience the between zone, that liminal space between, or outside, comfortable linguistic, cultural and…
Les Belles Étrangères
Brave New World
This study considers the First Nations presence in three very different productions by Robert Lepage. The first, La Tempête, a translation/adaptation, was staged in the Huron-Wendat First Nations community outside Québec City. Totem was a joint production with Cirque du Soleil and The Image Mill was a 50-minute sound and light projection presented in Québec City initially as part of the 400th anniversary. While the medium, performance style, perf…
Nolette, Nicole (2015)
Nolette, Nicole (2015) : Jouer la traduction : théâtre et hétérolinguisme au Canada francophone. Ottawa : Les Presses de l’Université d’Ottawa, 285 p.. An article from journal Meta (Volume 62, Number 2, August 2017, pp. 243-484), on Érudit
Deirdre Kinahan’s Unmanageable Sisters
In spring 2018, Deirdre Kinahan’s The Unmanageable Sisters, an adaptation of Michel Tremblay’s landmark Les belles-sœurs (1968), was performed in the Abbey Theatre. A “smash hit” (Abbey programme) with the Irish audience, it was restaged in summer 2019. The Dublin version by a young and accomplished Irish playwright stages the comparability of the language register and of the socioeconomic and cultural circumstances that inspired the original thu…
Art (9 works) · Canadian Identity and History (5 works) · Humanities (5 works) · Political science (5 works) · Sociology (4 works) · Art history (3 works) · Historical and Literary Studies (3 works) · History (3 works) · Law (3 works) · Linguistics and Discourse Analysis (3 works)