Benoît Turquety
Dados Biográficos
| ID | 1625482 |
|---|---|
| NOME | Benoît Turquety |
| PRENOMES | Benoît |
| SOBRENOME | Turquety |
| ASSINATURA | TURQUETY B |
| AFILIAÇÕES | Université Paris 8 |
| ORCID | 0000-0002-0188-2477 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2014 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 0 |
Movement-colour
Color and movement present themselves as deeply different phenomena, yet an epistemological history of their concepts reveals how entangled they have been within the Western episteme. This appears not only in scientific or philosophical texts but also, and primarily, in the way specific devices, works of art, media and experimental protocols have been conceived and developed throughout history. This article proposes a deep time media epistemology…
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
Ici et ailleurs
Cet article s’intéresse aux conditions d’émergence et de diffusion, au début des années 1990, d’une réelle industrie de production de films de fiction au Nigéria marquant une rupture avec la production africaine. En utilisant la vidéo plutôt que la pellicule qui impliquait une forte dépendance vis-à-vis de l’Occident, le centre de production prolifère, mêle différentes cultures et formes et s’émancipe peu à peu
Tricks and effects
International audience
Orality and Objectification
Daniele Huillet and Jean-Marie Straub are filmmakers of principle. Since the beginning of the 1960s, they have been constructing a highly coherent body of work, based on a certain number of very precise, concrete laws. Some of those rules have changed with time and history; others have remained untouched, rigorously observed from the first until today. They are not an artificial set of constraints, designed to complicate a game that would otherwi…
Débat Sons et Images
simplement et particulirement le remercier lui, parce qu'il nous a t d'une aide prcieuse pour l'laboration de notre rtrospective et je lui laisse la parole ainsi qu' nos invits 2
Sem obras proeminentes nesta página.
Débat Sons et Images
simplement et particulirement le remercier lui, parce qu'il nous a t d'une aide prcieuse pour l'laboration de notre rtrospective et je lui laisse la parole ainsi qu' nos invits 2
Tricks and effects
International audience
Orality and Objectification
Daniele Huillet and Jean-Marie Straub are filmmakers of principle. Since the beginning of the 1960s, they have been constructing a highly coherent body of work, based on a certain number of very precise, concrete laws. Some of those rules have changed with time and history; others have remained untouched, rigorously observed from the first until today. They are not an artificial set of constraints, designed to complicate a game that would otherwi…
Ici et ailleurs
Cet article s’intéresse aux conditions d’émergence et de diffusion, au début des années 1990, d’une réelle industrie de production de films de fiction au Nigéria marquant une rupture avec la production africaine. En utilisant la vidéo plutôt que la pellicule qui impliquait une forte dépendance vis-à-vis de l’Occident, le centre de production prolifère, mêle différentes cultures et formes et s’émancipe peu à peu
Movement-colour
Color and movement present themselves as deeply different phenomena, yet an epistemological history of their concepts reveals how entangled they have been within the Western episteme. This appears not only in scientific or philosophical texts but also, and primarily, in the way specific devices, works of art, media and experimental protocols have been conceived and developed throughout history. This article proposes a deep time media epistemology…
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
Art (5 obras) · Art history (2 obras) · Computer Science (2 obras) · French Historical and Cultural Studies (2 obras) · Humanities (2 obras) · Philosophy (2 obras) · Psychology (2 obras) · Aesthetics (1 obras) · African history and culture studies (1 obras) · African Studies and Ethnography (1 obras)