Kitty Hauser
Biographic Data
| ID | 164194 |
|---|---|
| NAME | Kitty Hauser |
| GIVEN NAMES | Kitty |
| FAMILY NAME | Hauser |
| SIGNATURE | HAUSER K |
| AFFILIATIONS | Clare Hall, University of Cambridge, UK |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 1 |
A Garment in the Dock; or, How the FBI Illuminated the Prehistory of A Pair of Denim Jeans (Winner of the Journal of Material Culture Alfred Gell essay competition 2004)
This article looks at research carried out at the FBI Laboratory's Special Photographic Unit in the identification of denim trousers from bank surveillance film. This research, which was published in 1998, showed that despite the ubiquity of jeans, each pair has individual identifying characteristics caused by the manufacturing process and by wear, and that these might be used as evidence in the identification of criminal suspects. What the FBI r…
Raiding the Dressing-Up Box
This month, at the Paris fashion shows, designer Alexander McQueen’s collection for the house of Givenchy featured an austere black Victorian crinoline, whose heavy satin folds and ruched white petticoats parted at the front to reveal leather biker trousers worn underneath. Very ‘now’, this Victorian-biker look; so postmodern
Sensation: Young British Artists from the Saatchi Collection
Children, it seems, find it hard to understand the ontological status of stuffed animals: ‘is it alive or is it dead?’ Mortality is of course one of art’s traditional Big Subjects, coolly invoked and illustrated in Damien Hirst’s famous work The Impossibility of Death in the Mind of
A Garment in the Dock; or, How the FBI Illuminated the Prehistory of A Pair of Denim Jeans (Winner of the Journal of Material Culture Alfred Gell essay competition 2004)
This article looks at research carried out at the FBI Laboratory's Special Photographic Unit in the identification of denim trousers from bank surveillance film. This research, which was published in 1998, showed that despite the ubiquity of jeans, each pair has individual identifying characteristics caused by the manufacturing process and by wear, and that these might be used as evidence in the identification of criminal suspects. What the FBI r…
Sensation: Young British Artists from the Saatchi Collection
Children, it seems, find it hard to understand the ontological status of stuffed animals: ‘is it alive or is it dead?’ Mortality is of course one of art’s traditional Big Subjects, coolly invoked and illustrated in Damien Hirst’s famous work The Impossibility of Death in the Mind of
Raiding the Dressing-Up Box
This month, at the Paris fashion shows, designer Alexander McQueen’s collection for the house of Givenchy featured an austere black Victorian crinoline, whose heavy satin folds and ruched white petticoats parted at the front to reveal leather biker trousers worn underneath. Very ‘now’, this Victorian-biker look; so postmodern
A Garment in the Dock; or, How the FBI Illuminated the Prehistory of A Pair of Denim Jeans (Winner of the Journal of Material Culture Alfred Gell essay competition 2004)
This article looks at research carried out at the FBI Laboratory's Special Photographic Unit in the identification of denim trousers from bank surveillance film. This research, which was published in 1998, showed that despite the ubiquity of jeans, each pair has individual identifying characteristics caused by the manufacturing process and by wear, and that these might be used as evidence in the identification of criminal suspects. What the FBI r…
Fashion and Cultural Textiles (2 works) · Accidental (1 works) · Aesthetics (1 works) · Afterlife (1 works) · Anthropology (1 works) · Archaeology (1 works) · Art (1 works) · Art History and Market Analysis (1 works) · Art, Politics, and Modernism (1 works) · Black women (1 works)