Wendelin A Guentner
Biographic Data
| ID | 1643767 |
|---|---|
| NAME | Wendelin A Guentner |
| GIVEN NAMES | Wendelin A |
| FAMILY NAME | Guentner |
| SIGNATURE | GUENTNER W A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 1993 |
| H-INDEX | 1 |
British Aesthetic Discourse. 1780–1830: The Sketch, the Non Finite , and the Imagination
In late eighteenth- and early nineteeth-century France the sketch was a frequent subject of aesthetic discourse. Diderot's critiques of sketches in his “Salons” of 1765 and 1767 come to mind, as do Watelet's extensive articles in the Encyclopédie (1779) and in the Dictionnaire des arts de peinture, de sculpture et de gravure (1792) that he co-edited. Often echoing his predecessors, Aubin Louis Millin dedicated several pages to explaining the valu…
Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cezanne's painting. He shows how Cezanne's style met the emerging criteria of a technique of originality and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cezanne and his critics, Shiff considers the problem of modern art in general. He locate…
British Aesthetic Discourse. 1780–1830: The Sketch, the Non Finite , and the Imagination
In late eighteenth- and early nineteeth-century France the sketch was a frequent subject of aesthetic discourse. Diderot's critiques of sketches in his “Salons” of 1765 and 1767 come to mind, as do Watelet's extensive articles in the Encyclopédie (1779) and in the Dictionnaire des arts de peinture, de sculpture et de gravure (1792) that he co-edited. Often echoing his predecessors, Aubin Louis Millin dedicated several pages to explaining the valu…
Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cezanne's painting. He shows how Cezanne's style met the emerging criteria of a technique of originality and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cezanne and his critics, Shiff considers the problem of modern art in general. He locate…
British Aesthetic Discourse. 1780–1830: The Sketch, the Non Finite , and the Imagination
In late eighteenth- and early nineteeth-century France the sketch was a frequent subject of aesthetic discourse. Diderot's critiques of sketches in his “Salons” of 1765 and 1767 come to mind, as do Watelet's extensive articles in the Encyclopédie (1779) and in the Dictionnaire des arts de peinture, de sculpture et de gravure (1792) that he co-edited. Often echoing his predecessors, Aubin Louis Millin dedicated several pages to explaining the valu…
Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Historical Art and Culture Studies (2 works) · Linguistics (2 works) · Literature (2 works) · Painting (2 works) · Philosophy (2 works) · Visual Culture and Art Theory (2 works) · Art History and Market Analysis (1 works)