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Cezanne and the End of Impressionism

A Study of the Theory, Technique, and Critical Evaluation of Modern Art

Bibliographic Data

ID4387397
AuthorsWendelin Guentner, Wendelin A Guentner, Richard Shiff
Year1986
Volume15
Issue3
Pages107
Publication date1986-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSubStance (JOURNAL)
Journal identifiersISSN: 0049-2426 • E-ISSN: 1527-2095
PublisherProject MUSE (PUBLISHER • US)
DOI10.2307/3684723
OpenAlexW2060650921
LanguageEN
Citations received8

Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cezanne's painting. He shows how Cezanne's style met the emerging criteria of a technique of originality and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cezanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well

Aesthetics · Art · Art history · Classicism · Creativity · Dialectic · Epistemology · Interpretation (philosophy) · Linguistics · Literature · Modern art · Modernism (music) · Originality · Painting · Performance art · Style (visual arts) · Art History and Market Analysis · Historical Art and Culture Studies · Philosophy · Psychology · Visual Culture and Art Theory

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Unique citing works8
Citations per year0,2
Citation span1986 - 2017 (32)
Citation velocityhistorical
Highly citedNo

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