Wendelin Guentner
Biographic Data
| ID | 767791 |
|---|---|
| NAME | Wendelin Guentner |
| GIVEN NAMES | Wendelin |
| FAMILY NAME | Guentner |
| SIGNATURE | GUENTNER W |
| AFFILIATIONS | University of Iowa |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Women Art Critics in Nineteenth-Century France: Vanishing Acts
The Sketch in Nineteenth-Century French Dictionaries, Encyclopaedias and Treatises
Painting and the "Journal" of Eugene Delacroix
The Journal of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once private and public, it is also one of the richest and most fascinating documents of the 19th century, as Delacroix reflects throughout on the relations betweeb the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of a painter who wrote extensively and theorized h…
Aspects génériques du récit de voyage français: L' utile dulci
British Aesthetic Discourse. 1780–1830: The Sketch, the Non Finite , and the Imagination
In late eighteenth- and early nineteeth-century France the sketch was a frequent subject of aesthetic discourse. Diderot's critiques of sketches in his “Salons” of 1765 and 1767 come to mind, as do Watelet's extensive articles in the Encyclopédie (1779) and in the Dictionnaire des arts de peinture, de sculpture et de gravure (1792) that he co-edited. Often echoing his predecessors, Aubin Louis Millin dedicated several pages to explaining the valu…
Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cezanne's painting. He shows how Cezanne's style met the emerging criteria of a technique of originality and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cezanne and his critics, Shiff considers the problem of modern art in general. He locate…
British Aesthetic Discourse. 1780–1830: The Sketch, the Non Finite , and the Imagination
In late eighteenth- and early nineteeth-century France the sketch was a frequent subject of aesthetic discourse. Diderot's critiques of sketches in his “Salons” of 1765 and 1767 come to mind, as do Watelet's extensive articles in the Encyclopédie (1779) and in the Dictionnaire des arts de peinture, de sculpture et de gravure (1792) that he co-edited. Often echoing his predecessors, Aubin Louis Millin dedicated several pages to explaining the valu…
Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cezanne's painting. He shows how Cezanne's style met the emerging criteria of a technique of originality and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cezanne and his critics, Shiff considers the problem of modern art in general. He locate…
British Aesthetic Discourse. 1780–1830: The Sketch, the Non Finite , and the Imagination
In late eighteenth- and early nineteeth-century France the sketch was a frequent subject of aesthetic discourse. Diderot's critiques of sketches in his “Salons” of 1765 and 1767 come to mind, as do Watelet's extensive articles in the Encyclopédie (1779) and in the Dictionnaire des arts de peinture, de sculpture et de gravure (1792) that he co-edited. Often echoing his predecessors, Aubin Louis Millin dedicated several pages to explaining the valu…
Aspects génériques du récit de voyage français: L' utile dulci
Painting and the "Journal" of Eugene Delacroix
The Journal of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once private and public, it is also one of the richest and most fascinating documents of the 19th century, as Delacroix reflects throughout on the relations betweeb the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of a painter who wrote extensively and theorized h…
The Sketch in Nineteenth-Century French Dictionaries, Encyclopaedias and Treatises
Women Art Critics in Nineteenth-Century France: Vanishing Acts
Art (6 works) · Art history (4 works) · Historical Art and Culture Studies (4 works) · History (3 works) · Literature (3 works) · Painting (3 works) · Visual Culture and Art Theory (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Historical and Literary Analyses (2 works)