Susan Elizabeth Gagliardi
Biographic Data
| ID | 164798 |
|---|---|
| NAME | Susan Elizabeth Gagliardi |
| GIVEN NAMES | Susan Elizabeth |
| FAMILY NAME | Gagliardi |
| SIGNATURE | GAGLIARDI S E |
| AFFILIATIONS | Emory University |
| ORCID | 0000-0001-5727-1416 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 27 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 4 |
Part I—Dedication to Professor Allen F. Roberts
Author(s): Brown, Degenhart; Milbourne, Karen E.; Gagliardi, Susan Elizabeth; Albrezzi, Francesca; Jeychandran, Neelima; Kirk, Johanna; Anderson, Samuel Mark; Edmondson, Scott M.; Sullivan, Elaine Ericksen; Hassnaoui, Amira; Peretz, Jeremy Jacob | Abstract
Mapping Senufo: Reframing Questions, Reevaluating Sources, and Reimagining a Digital Monograph
Mapping Senufo: Art, Evidence, and the Production of Knowledge – an in-progress, collaborative, born-digital publication – will offer a model for joining theories about the construction of identities and the politics of knowledge production with research and publication practice. In this article, we examine how computational methods have led us to reframe research questions, reevaluate sources, and reimagine the form of a digital monograph. We al…
So, What Do We Do Now
May 03 2021 So, What Do We Do Now? Susan Elizabeth Gagliardi, Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi, Associate Professor, Art History, Emory University Search for other works by this author on: This Site Google Scholar Yaëlle Biro Yaëlle Biro Yaëlle Biro, Associate Curator for the Arts of Africa, Metropolitan Museum of Art Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Elizabe…
Some Preliminary Responses to “Beyond Single Stories”
In the following responses to our Winter 2019 First Word essay, “Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa” (African Arts vol. 52, no. 4, pp. 1–6), Leslie Wilson, John Monroe, Salia Malé and Marguerite de Sabran, Maxime de Formanoir, and Joshua Cohen separately expand upon our thought that we must reimagine language for writing and presenting so-called historical arts of Africa to disparate audiences. T…
Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa
Seeing the unseeing audience: Women and West African power association masquerades
For more than a century, observers have noted that the West African power associations known as Komo and Kono prohibit women from seeing their performances and assemblages. Reportedly fearful of seeing something they are not permitted to see, women and children run for shelter and shut the doors. Yet, in western Burkina Faso today, certain Komo and Kono chapters authorize some women to view their arts, and women who are not authorized still inter…
Art and the individual in African masquerades Introduction
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the 'Save PDF' action button
Beyond the Surface: Where Cultural Contexts and Scientific Analyses Meet in Museum Conservation of West African Power Association Helmet Masks
How should museum conservators balance respect for objects created within secrecy contexts with concern for technical understanding and preservation? As described in this article, West African power association leaders draw on guarded knowledge to construct masks and other objects from a variety of animal, vegetal, and mineral matter. The works feature accumulations of diverse materials but often enter museum collections with scant or inaccurate …
Senufo Unbound: Dynamics of Art and Identity in West Africa
May 01 2015 Senufo Unbound: Dynamics of Art and Identity in West Africa Susan Elizabeth Gagliardi, Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi is assistant professor in the Art History Department at Emory University. She has conducted twenty-two months of field research in western Burkinabe communities of Senufo-and Mande-language speakers. [email protected] Search for other works by this author on: This Site Google Scholar Constantine…
Masquerades as the Public Face: Art of Contemporary Hunters' Associations in Western Burkina Faso
December 01 2013 Masquerades as the Public Face: Art of Contemporary Hunters' Associations in Western Burkina Faso Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi is assistant professor in the Department of Art History at Emory University. Her current research is based on twentyone months of fieldwork on the dynamic arts and performances of maledominated komo, kono, and hunters' associations in western Burkina Faso. …
Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa
Beyond the Surface: Where Cultural Contexts and Scientific Analyses Meet in Museum Conservation of West African Power Association Helmet Masks
How should museum conservators balance respect for objects created within secrecy contexts with concern for technical understanding and preservation? As described in this article, West African power association leaders draw on guarded knowledge to construct masks and other objects from a variety of animal, vegetal, and mineral matter. The works feature accumulations of diverse materials but often enter museum collections with scant or inaccurate …
Seeing the unseeing audience: Women and West African power association masquerades
For more than a century, observers have noted that the West African power associations known as Komo and Kono prohibit women from seeing their performances and assemblages. Reportedly fearful of seeing something they are not permitted to see, women and children run for shelter and shut the doors. Yet, in western Burkina Faso today, certain Komo and Kono chapters authorize some women to view their arts, and women who are not authorized still inter…
Senufo Unbound: Dynamics of Art and Identity in West Africa
May 01 2015 Senufo Unbound: Dynamics of Art and Identity in West Africa Susan Elizabeth Gagliardi, Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi is assistant professor in the Art History Department at Emory University. She has conducted twenty-two months of field research in western Burkinabe communities of Senufo-and Mande-language speakers. [email protected] Search for other works by this author on: This Site Google Scholar Constantine…
Mapping Senufo: Reframing Questions, Reevaluating Sources, and Reimagining a Digital Monograph
Mapping Senufo: Art, Evidence, and the Production of Knowledge – an in-progress, collaborative, born-digital publication – will offer a model for joining theories about the construction of identities and the politics of knowledge production with research and publication practice. In this article, we examine how computational methods have led us to reframe research questions, reevaluate sources, and reimagine the form of a digital monograph. We al…
Some Preliminary Responses to “Beyond Single Stories”
In the following responses to our Winter 2019 First Word essay, “Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa” (African Arts vol. 52, no. 4, pp. 1–6), Leslie Wilson, John Monroe, Salia Malé and Marguerite de Sabran, Maxime de Formanoir, and Joshua Cohen separately expand upon our thought that we must reimagine language for writing and presenting so-called historical arts of Africa to disparate audiences. T…
Art and the individual in African masquerades Introduction
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the 'Save PDF' action button
Masquerades as the Public Face: Art of Contemporary Hunters' Associations in Western Burkina Faso
December 01 2013 Masquerades as the Public Face: Art of Contemporary Hunters' Associations in Western Burkina Faso Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi is assistant professor in the Department of Art History at Emory University. Her current research is based on twentyone months of fieldwork on the dynamic arts and performances of maledominated komo, kono, and hunters' associations in western Burkina Faso. …
Masquerades as the Public Face: Art of Contemporary Hunters' Associations in Western Burkina Faso
December 01 2013 Masquerades as the Public Face: Art of Contemporary Hunters' Associations in Western Burkina Faso Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi is assistant professor in the Department of Art History at Emory University. Her current research is based on twentyone months of fieldwork on the dynamic arts and performances of maledominated komo, kono, and hunters' associations in western Burkina Faso. …
Senufo Unbound: Dynamics of Art and Identity in West Africa
May 01 2015 Senufo Unbound: Dynamics of Art and Identity in West Africa Susan Elizabeth Gagliardi, Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi is assistant professor in the Art History Department at Emory University. She has conducted twenty-two months of field research in western Burkinabe communities of Senufo-and Mande-language speakers. [email protected] Search for other works by this author on: This Site Google Scholar Constantine…
Beyond the Surface: Where Cultural Contexts and Scientific Analyses Meet in Museum Conservation of West African Power Association Helmet Masks
How should museum conservators balance respect for objects created within secrecy contexts with concern for technical understanding and preservation? As described in this article, West African power association leaders draw on guarded knowledge to construct masks and other objects from a variety of animal, vegetal, and mineral matter. The works feature accumulations of diverse materials but often enter museum collections with scant or inaccurate …
Seeing the unseeing audience: Women and West African power association masquerades
For more than a century, observers have noted that the West African power associations known as Komo and Kono prohibit women from seeing their performances and assemblages. Reportedly fearful of seeing something they are not permitted to see, women and children run for shelter and shut the doors. Yet, in western Burkina Faso today, certain Komo and Kono chapters authorize some women to view their arts, and women who are not authorized still inter…
Art and the individual in African masquerades Introduction
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the 'Save PDF' action button
Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa
Some Preliminary Responses to “Beyond Single Stories”
In the following responses to our Winter 2019 First Word essay, “Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa” (African Arts vol. 52, no. 4, pp. 1–6), Leslie Wilson, John Monroe, Salia Malé and Marguerite de Sabran, Maxime de Formanoir, and Joshua Cohen separately expand upon our thought that we must reimagine language for writing and presenting so-called historical arts of Africa to disparate audiences. T…
Mapping Senufo: Reframing Questions, Reevaluating Sources, and Reimagining a Digital Monograph
Mapping Senufo: Art, Evidence, and the Production of Knowledge – an in-progress, collaborative, born-digital publication – will offer a model for joining theories about the construction of identities and the politics of knowledge production with research and publication practice. In this article, we examine how computational methods have led us to reframe research questions, reevaluate sources, and reimagine the form of a digital monograph. We al…
So, What Do We Do Now
May 03 2021 So, What Do We Do Now? Susan Elizabeth Gagliardi, Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi, Associate Professor, Art History, Emory University Search for other works by this author on: This Site Google Scholar Yaëlle Biro Yaëlle Biro Yaëlle Biro, Associate Curator for the Arts of Africa, Metropolitan Museum of Art Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Elizabe…
Part I—Dedication to Professor Allen F. Roberts
Author(s): Brown, Degenhart; Milbourne, Karen E.; Gagliardi, Susan Elizabeth; Albrezzi, Francesca; Jeychandran, Neelima; Kirk, Johanna; Anderson, Samuel Mark; Edmondson, Scott M.; Sullivan, Elaine Ericksen; Hassnaoui, Amira; Peretz, Jeremy Jacob | Abstract
Art (9 works) · The arts (6 works) · Visual arts (6 works) · African history and culture studies (5 works) · History (5 works) · Sociology (5 works) · Art history (4 works) · Aesthetics (3 works) · Archaeology and Rock Art Studies (3 works) · Computer Science (3 works)