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Daniel L Selden

Biographic Data

ID1677130
NAMEDaniel L Selden
GIVEN NAMESDaniel L
FAMILY NAMESelden
SIGNATURESELDEN D L
AFFILIATIONSUniversity of California, Santa Cruz
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS91
AUTHOR COUNT5
EDITOR COUNT2
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2017
H-INDEX1
  • The Anti-sophistic Novel

    Daniel L Selden, Daniel S Richter et al.•BOOK•The Oxford Handbook of the Second…•2017

    This chapter discusses the fraught relationship between Second Sophistic discourse and koinē fiction of the second and third centuries ce. Taking its point of departure from a comparison (synkrisis) of Dio of Prusa’s first oration On Kingship and the α-recension of the Greek Alexander Romance, the chapter goes on to argue that Second Sophistic discourse and koinē fiction are not just two different bodies of contemporaneous writings that happened …

  • The Oxford Handbook of the Literatures of the Roman Empire

    Daniel L Selden, Phiroze Vasunia•BOOK•The Oxford Handbook of the…•2015

    This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title w…

  • Apuleius and Afroasiatic Poetics

    Daniel L Selden•CHAPTER•Apuleius and Africa•2014

    In this world, no culture is ever totally homogeneous. All societies, insofar as they do not thrive in a closed vessel, come, at one moment or another in their history, to know diverse cultural infl uences, more or less numerous, according to the amplitude and the profundity of the contacts which they entertain with their neighbors. . . . Roman Africa, far from being an exception to this rule, was one of the regions most favorable to such mélange…

  • Targum

    Open Access•Daniel L Selden•ARTICLE•Ramus•2014•Cited by: 1•References: 32

    Hellenistic and Roman Imperial prose fiction sprang from the ashes of the Haxāmanišiyan Empire (c.550-330 BCE). The multicultural autonomy that Iranian regents afforded their subject peoples laid the groundwork for social policy under Alexandros, the Diadokhoi, and Roman governance of the Near East. As literary fiction developed over the course of the ‘long’ Hellenistic period, the diversity of languages and cultures not only shaped the kinds of …

  • Our films, their films

    Daniel L Selden•ARTICLE•Postcolonial Studies•2014

    The task I am trying to achieve is above all to make you see.1D W Griffith (1913) Postcolonial filmmaking, insofar as it seeks to make an intervention in dominant visual regimes tied to the economy

  • Innovations of Antiquity

    Daniel L Selden, Ralph Hexter•BOOK•Innovations of Antiquity•2013•Cited by: 89

    Preface: More Difficult Reading Editors Part I. Literariness Introduction 1. Lollianos and the Desperadoes John J. Winkler 2. Simonides Painter Anne Carson Part II. Figures Introduction 3. Augustine's Region of Unlikeness: the Crossing of Exile and Language Margaret Ferguson 4. Narrative in Plato's Symposium David Halperin Part III. Variance Introduction 5. Anodos Drama: Euripides' Alcestis and Helen Helene Foley 6. The First Roman Marriage and t…

  • On the Dialectic of Closing and Opening in Samuel Beckett's End-game

    Gabriele Schwab, Daniel L Selden•ARTICLE•Yale French Studies•1984•Cited by: 1

  • Innovations of Antiquity

    Daniel L Selden, Ralph Hexter•BOOK•Innovations of Antiquity•2013•Cited by: 89

    Preface: More Difficult Reading Editors Part I. Literariness Introduction 1. Lollianos and the Desperadoes John J. Winkler 2. Simonides Painter Anne Carson Part II. Figures Introduction 3. Augustine's Region of Unlikeness: the Crossing of Exile and Language Margaret Ferguson 4. Narrative in Plato's Symposium David Halperin Part III. Variance Introduction 5. Anodos Drama: Euripides' Alcestis and Helen Helene Foley 6. The First Roman Marriage and t…

  • Targum

    Open Access•Daniel L Selden•ARTICLE•Ramus•2014•Cited by: 1•References: 32

    Hellenistic and Roman Imperial prose fiction sprang from the ashes of the Haxāmanišiyan Empire (c.550-330 BCE). The multicultural autonomy that Iranian regents afforded their subject peoples laid the groundwork for social policy under Alexandros, the Diadokhoi, and Roman governance of the Near East. As literary fiction developed over the course of the ‘long’ Hellenistic period, the diversity of languages and cultures not only shaped the kinds of …

  • On the Dialectic of Closing and Opening in Samuel Beckett's End-game

    Gabriele Schwab, Daniel L Selden•ARTICLE•Yale French Studies•1984•Cited by: 1

  • On the Dialectic of Closing and Opening in Samuel Beckett's End-game

    Gabriele Schwab, Daniel L Selden•ARTICLE•Yale French Studies•1984•Cited by: 1

  • Innovations of Antiquity

    Daniel L Selden, Ralph Hexter•BOOK•Innovations of Antiquity•2013•Cited by: 89

    Preface: More Difficult Reading Editors Part I. Literariness Introduction 1. Lollianos and the Desperadoes John J. Winkler 2. Simonides Painter Anne Carson Part II. Figures Introduction 3. Augustine's Region of Unlikeness: the Crossing of Exile and Language Margaret Ferguson 4. Narrative in Plato's Symposium David Halperin Part III. Variance Introduction 5. Anodos Drama: Euripides' Alcestis and Helen Helene Foley 6. The First Roman Marriage and t…

  • Apuleius and Afroasiatic Poetics

    Daniel L Selden•CHAPTER•Apuleius and Africa•2014

    In this world, no culture is ever totally homogeneous. All societies, insofar as they do not thrive in a closed vessel, come, at one moment or another in their history, to know diverse cultural infl uences, more or less numerous, according to the amplitude and the profundity of the contacts which they entertain with their neighbors. . . . Roman Africa, far from being an exception to this rule, was one of the regions most favorable to such mélange…

  • Targum

    Open Access•Daniel L Selden•ARTICLE•Ramus•2014•Cited by: 1•References: 32

    Hellenistic and Roman Imperial prose fiction sprang from the ashes of the Haxāmanišiyan Empire (c.550-330 BCE). The multicultural autonomy that Iranian regents afforded their subject peoples laid the groundwork for social policy under Alexandros, the Diadokhoi, and Roman governance of the Near East. As literary fiction developed over the course of the ‘long’ Hellenistic period, the diversity of languages and cultures not only shaped the kinds of …

  • Our films, their films

    Daniel L Selden•ARTICLE•Postcolonial Studies•2014

    The task I am trying to achieve is above all to make you see.1D W Griffith (1913) Postcolonial filmmaking, insofar as it seeks to make an intervention in dominant visual regimes tied to the economy

  • The Oxford Handbook of the Literatures of the Roman Empire

    Daniel L Selden, Phiroze Vasunia•BOOK•The Oxford Handbook of the…•2015

    This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title w…

  • The Anti-sophistic Novel

    Daniel L Selden, Daniel S Richter et al.•BOOK•The Oxford Handbook of the Second…•2017

    This chapter discusses the fraught relationship between Second Sophistic discourse and koinē fiction of the second and third centuries ce. Taking its point of departure from a comparison (synkrisis) of Dio of Prusa’s first oration On Kingship and the α-recension of the Greek Alexander Romance, the chapter goes on to argue that Second Sophistic discourse and koinē fiction are not just two different bodies of contemporaneous writings that happened …

Art (6 works) · Classical Antiquity Studies (5 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · History (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Ancient history (2 works) · Classics (2 works)

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