Our films, their films
Postcolonial Critique of the Cinematic Apparatus
Bibliographic Data
| ID | 4465576 |
|---|---|
| Authors | Daniel L Selden (corresponding author) |
| Year | 2014 |
| Volume | 17 |
| Issue | 4 |
| Pages | 382-414 |
| Publication date | 2014-10-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Postcolonial Studies (JOURNAL) |
| Journal identifiers | ISSN: 1368-8790 • E-ISSN: 1466-1888 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13688790.2014.986020 |
| OpenAlex | W2024697655 |
| Language | EN |
The task I am trying to achieve is above all to make you see.1D W Griffith (1913) Postcolonial filmmaking, insofar as it seeks to make an intervention in dominant visual regimes tied to the economy
Aesthetics · Art · Economics · Filmmaking · Management · Media studies · Movie theater · Sociology · Visual arts · African history and culture studies · Cinema and Media Studies · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |