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Stefano Jacoviello

Biographic Data

ID1679719
NAMEStefano Jacoviello
GIVEN NAMESStefano
FAMILY NAMEJacoviello
SIGNATUREJACOVIELLO S
AFFILIATIONSUniversity of Siena
ORCID0000-0003-4413-7386
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Conceptions and reworkings of baroque and neobaroque in recent years

    Open Access•Claire Farago, Helen Hill et al.•ARTICLE•Perspective•2015•References: 1

    Baroque needs to be thought across chronological and geographical divides to connect architecture and dance, painting and natural science, philosophy, sculpture and music (and not in the sense of representations of music) and, above all, in relation to encounters with difference - heavenly, earthly, social, political, religious, geographical. What possibilities in baroque are open now in relation to present dilemmas in art history and world event…

  • La marque de Caine - Les impertinences d'un pianiste américain

    Open Access•Stefano Jacoviello•ARTICLE•Actes Sémiotiques•2013

    Le piano à queue occupe le centre de la scène. Les pupitres d'un orchestre de chambre, vides, entourent sa masse noire. Les faibles bavardages du public ne cessent qu'à l'entrée soudaine de Uri Caine. Habillé sobrement, en noir, il prend place au piano, pose rapidement ses mains sur le clavier, et les notes cristallines de la sonate K545 de Mozart quittent le ventre de bois et de fonte du piano découvert pour s'insinuer dans l'espace de la salle.…

  • Nusrat Fateh Ali Khan

    Open Access•Stefano Jacoviello•ARTICLE•Semiotica•2011•Cited by: 1•References: 6

    Nusrat Fateh Ali Khan (Faisalabad, 1948 London, 1997) was a foremost singer of qawwali. This Muslim devotional music, which is prominent in South Asia, has been developed since the fourteenth century by the Sufi circles of the Chishti brotherhood in order to preach and communicate the teachings of the saints. Inspired by mystic spirituality, Nusrat's music travelled through the East and the West, absorbing some of the features of the musical cult…

  • Nusrat Fateh Ali Khan

    Open Access•Stefano Jacoviello•ARTICLE•Semiotica•2011•Cited by: 1•References: 6

    Nusrat Fateh Ali Khan (Faisalabad, 1948 London, 1997) was a foremost singer of qawwali. This Muslim devotional music, which is prominent in South Asia, has been developed since the fourteenth century by the Sufi circles of the Chishti brotherhood in order to preach and communicate the teachings of the saints. Inspired by mystic spirituality, Nusrat's music travelled through the East and the West, absorbing some of the features of the musical cult…

  • Nusrat Fateh Ali Khan

    Open Access•Stefano Jacoviello•ARTICLE•Semiotica•2011•Cited by: 1•References: 6

    Nusrat Fateh Ali Khan (Faisalabad, 1948 London, 1997) was a foremost singer of qawwali. This Muslim devotional music, which is prominent in South Asia, has been developed since the fourteenth century by the Sufi circles of the Chishti brotherhood in order to preach and communicate the teachings of the saints. Inspired by mystic spirituality, Nusrat's music travelled through the East and the West, absorbing some of the features of the musical cult…

  • La marque de Caine - Les impertinences d'un pianiste américain

    Open Access•Stefano Jacoviello•ARTICLE•Actes Sémiotiques•2013

    Le piano à queue occupe le centre de la scène. Les pupitres d'un orchestre de chambre, vides, entourent sa masse noire. Les faibles bavardages du public ne cessent qu'à l'entrée soudaine de Uri Caine. Habillé sobrement, en noir, il prend place au piano, pose rapidement ses mains sur le clavier, et les notes cristallines de la sonate K545 de Mozart quittent le ventre de bois et de fonte du piano découvert pour s'insinuer dans l'espace de la salle.…

  • Conceptions and reworkings of baroque and neobaroque in recent years

    Open Access•Claire Farago, Helen Hill et al.•ARTICLE•Perspective•2015•References: 1

    Baroque needs to be thought across chronological and geographical divides to connect architecture and dance, painting and natural science, philosophy, sculpture and music (and not in the sense of representations of music) and, above all, in relation to encounters with difference - heavenly, earthly, social, political, religious, geographical. What possibilities in baroque are open now in relation to present dilemmas in art history and world event…

Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Art (1 works) · Baroque (1 works) · Context (archaeology) (1 works) · Cultural Insights and Digital Impacts (1 works) · Destiny (ISS module) (1 works) · Early Modern Spanish Literature (1 works) · History (1 works) · Interpretation (philosophy) (1 works)

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