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Nusrat Fateh Ali Khan

The strange destiny of a singing mystic. When music travels

Bibliographic Data

ID4473066
AuthorsStefano Jacoviello (0000-0003-4413-7386, University of Siena, corresponding author)
Year2011
Volume2011
Issue183
Publication date2011-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSemiotica (JOURNAL)
Journal identifiersISSN: 0037-1998 • E-ISSN: 1613-3692
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/semi.2011.016
OpenAlexW2001999267
LanguageEN
Citations received5
References cited6

Nusrat Fateh Ali Khan (Faisalabad, 1948 London, 1997) was a foremost singer of qawwali. This Muslim devotional music, which is prominent in South Asia, has been developed since the fourteenth century by the Sufi circles of the Chishti brotherhood in order to preach and communicate the teachings of the saints. Inspired by mystic spirituality, Nusrat's music travelled through the East and the West, absorbing some of the features of the musical cultures with which it came in contact. It also travelled through time, transforming the traditional style of the ancient chanted poetry into new forms of musical expression. Nusrat's life and his artistic vicissitudes show the postmodern destiny of qawwali as a religious kind of music that apparently went through a process of desacralization and profanation as a result of multiple interpretations by different audiences. In order to discern the conditions of significance, semiotics reconstructs the relation between text and context of interpretation on the ground of structural pertinences. In this way, semiotics offers an analytical standpoint alternative to the postmodernist approach to postmodern cultural phenomena. By surveying the forms of listening that are structurally provided by the textual discourse, semiotics investigates the destiny of the musical and religious meanings of qawwali in relation to the process of intercultural translation

Aesthetics · Art · Context (archaeology) · Destiny (ISS module) · Interpretation (philosophy) · Linguistics · Literature · Musical · Mysticism · Postmodernism · Relation (database) · Semiotics · Anthropological Studies and Insights · History · Jewish and Middle Eastern Studies · Music History and Culture · Philosophy

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    Open Access•Heather Maclachlan•Religions•2021

  • Punjabiyat and the music of Nusrat Fateh Ali Khan

    Virinder S Kalra•South Asian Diaspora•2014

  • Romance, piety, and fun

    Pavitra Sundar•South Asian Popular Culture•2017

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    Open Access•Ventura Salazar-García, Małgorzata Haładewicz-Grzelak•Sign Systems Studies•2022

  • Semiotic hybridization in Persian poetry and Iranian music

    Open Access•Amir Sedaghat•Semiotica•2021

  • The Dynamic Model of a Semiotic System

    Open Access•Ju M Lotman•Semiotica•1977

  • "The Challenge of "Bi-Musicality

    Mantle Hood•Ethnomusicology•1960

  • Confronting the Social

    Regula Burckhardt Qureshi•Ethnomusicology•2000

  • Musical sound and Contextual Input

    Regula Burckhardt Qureshi•Ethnomusicology•1987

Unique citing works5
Citations per year0,42
Citation span2014 - 2022 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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