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Nettrice Gaskins

Biographic Data

ID168486
NAMENettrice Gaskins
GIVEN NAMESNettrice
FAMILY NAMEGaskins
SIGNATUREGASKINS N
AFFILIATIONSLesley University
ORCID0000-0002-7792-8697
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS4
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Mess and Making Matters in Feminist Teaching

    Open Access•Nassim Parvin, Rebecca Rouse et al.•ARTICLE•Catalyst Feminism Theory…•2022

    How do materials and making come to matter in the messy practices of feminist teaching? This Lab Meeting shares examples of interdisciplinary work in feminist making and teaching across a range of contexts (AI portraiture, printmaking, quilting, musical performance, game design, theater, storytelling, and more) to extend the discussion of materials in feminist thought, a topic of long-standing importance in the field. As a group of theorist-pract…

  • Interrogating Algorithmic Bias: From Speculative Fiction to Liberatory Design

    Open Access•Nettrice Gaskins•ARTICLE•TechTrends•2022•Cited by: 3•References: 4

  • Artist Statement

    Open Access•Nettrice Gaskins•ARTICLE•Frontiers A Journal of Women…•2018

    My artwork sits at the juncture between the physical and the artificial or digital, which includes the interplay between images, sounds, algorithms, and data. I use the Internet as a primary platform to exhibit my work, such as in virtual 3D environments where different ideas are expanded beyond what is possible in the physical world. Commissions and residencies have enabled me to create physical renderings of my digital art for public engagement…

  • The African Cosmogram Matrix in Contemporary Art and Culture

    Nettrice Gaskins, Nettrice R Gaskins•ARTICLE•Black Theology•2016•Cited by: 1•References: 3

    This article examines the ways in which scholars analyze and reconcile the symbols and the ideology of an ancient African (Kongo) symbol called a cosmogram. Ritualistic spaces that symbolically overlap with the Christian crucifix and Buddhist mandala, graphic imagery in the mapping, layering and cyclical rhythms of space and motion in visual art, as well as performance, sound and film all fall into this focus. For instance, this effort includes t…

  • Deep Sea Dwellers: Drexciya and the Sonic Third Space

    Open Access•Nettrice Gaskins•ARTICLE•Shima•2016

  • Interrogating Algorithmic Bias: From Speculative Fiction to Liberatory Design

    Open Access•Nettrice Gaskins•ARTICLE•TechTrends•2022•Cited by: 3•References: 4

  • The African Cosmogram Matrix in Contemporary Art and Culture

    Nettrice Gaskins, Nettrice R Gaskins•ARTICLE•Black Theology•2016•Cited by: 1•References: 3

    This article examines the ways in which scholars analyze and reconcile the symbols and the ideology of an ancient African (Kongo) symbol called a cosmogram. Ritualistic spaces that symbolically overlap with the Christian crucifix and Buddhist mandala, graphic imagery in the mapping, layering and cyclical rhythms of space and motion in visual art, as well as performance, sound and film all fall into this focus. For instance, this effort includes t…

  • The African Cosmogram Matrix in Contemporary Art and Culture

    Nettrice Gaskins, Nettrice R Gaskins•ARTICLE•Black Theology•2016•Cited by: 1•References: 3

    This article examines the ways in which scholars analyze and reconcile the symbols and the ideology of an ancient African (Kongo) symbol called a cosmogram. Ritualistic spaces that symbolically overlap with the Christian crucifix and Buddhist mandala, graphic imagery in the mapping, layering and cyclical rhythms of space and motion in visual art, as well as performance, sound and film all fall into this focus. For instance, this effort includes t…

  • Deep Sea Dwellers: Drexciya and the Sonic Third Space

    Open Access•Nettrice Gaskins•ARTICLE•Shima•2016

  • Artist Statement

    Open Access•Nettrice Gaskins•ARTICLE•Frontiers A Journal of Women…•2018

    My artwork sits at the juncture between the physical and the artificial or digital, which includes the interplay between images, sounds, algorithms, and data. I use the Internet as a primary platform to exhibit my work, such as in virtual 3D environments where different ideas are expanded beyond what is possible in the physical world. Commissions and residencies have enabled me to create physical renderings of my digital art for public engagement…

  • Mess and Making Matters in Feminist Teaching

    Open Access•Nassim Parvin, Rebecca Rouse et al.•ARTICLE•Catalyst Feminism Theory…•2022

    How do materials and making come to matter in the messy practices of feminist teaching? This Lab Meeting shares examples of interdisciplinary work in feminist making and teaching across a range of contexts (AI portraiture, printmaking, quilting, musical performance, game design, theater, storytelling, and more) to extend the discussion of materials in feminist thought, a topic of long-standing importance in the field. As a group of theorist-pract…

  • Interrogating Algorithmic Bias: From Speculative Fiction to Liberatory Design

    Open Access•Nettrice Gaskins•ARTICLE•TechTrends•2022•Cited by: 3•References: 4

Computer Science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Artificial Intelligence (2 works) · Epistemology (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 works) · Art Education and Development (1 works) · Art history (1 works)

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