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Mohammad Kowsar

Biographic Data

ID1708835
NAMEMohammad Kowsar
GIVEN NAMESMohammad
FAMILY NAMEKowsar
SIGNATUREKOWSAR M
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS3
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR1994
H-INDEX1
  • Lacan and Claudel

    Mohammad Kowsar•ARTICLE•Theatre Journal•1994

    Lacan and Claudel, a curious combination. Nothing in their respective authorial projects and reputations would suggest a body of common concerns and preoccupations. Claudel who died in 1955, still looms in the general literary imagination as the dramatist whose poetic and densely dialogued dramas represent chiefly the trials of faith, an whose Pascalian concerns depict solely Christian profiles captured in the states of moral epiphanies and spiri…

  • "Lacan's "Antigone

    Mohammad Kowsar•ARTICLE•Theatre Journal•1990

    The analysis of Sophocles' Antigone by Jacques Lacan' clearly professes a complex mission, to explore an ethical territory commensurate with the interests of psychoanalysis--a close scrutiny that entails scanning the entire field from a philosophical and ontological perspective and to show with conclusive evidence that the Freudian project, when put to a rigorous test, always will identify human action, in its relationship to desire, as something…

  • The Tale of Lear

    Mohammad Kowsar, Tadashi Suzuki•ARTICLE•Theatre Journal•1989

  • The Misanthrope

    Mohammad Kowsar, Moliere et al.•ARTICLE•Theatre Journal•1989

  • Fugitive Desire

    Mohammad Kowsar•ARTICLE•Theatre Journal•1988

    The Trojan War purports to have engaged the animosity of the warring nations for a full decade. Homer's Iliad covers roughly fifty days of that interminable war, albeit a period toward the end. The story of Penthesilea, the Amazon Queen who entered the foray on the side of the Trojans, is an episode which claims the temporal unity of a single twenty-four-hour day -a marginal notation, really, in the trajectory of a major epic. Nevertheless, from …

  • Cinema 1

    Mohammad Kowsar, Gilles Deleuze et al.•REVIEW•Theatre Journal•1987

  • Deleuze on Theatre

    Mohammad Kowsar•ARTICLE•Theatre Journal•1986•Cited by: 1

    Gilles Deleuze meets Carmelo Bene at the crossroads where theory and theatre practice converge. Who are they and what do they purport to offer us in terms of yet another aesthetic pronouncement? Deleuze's essay (a consideration of Bene's production and published text of Richard II1,1 based on Shakespeare) is entitled Un manifeste de moins,2 and claims to have a modest expository function. In fact his discussion of Bene's theatre serves as a prete…

  • Althusser on Theatre

    Mohammad Kowsar•ARTICLE•Theatre Journal•1983•Cited by: 2

    The student of political philosophy who reads Louis Althusser's For Marx with the intention of gaining insight into Marxist thought as it pertains to epistemological disquisitions is liable to be initially perplexed by a chapter entitled Piccolo Teatro': Bertolazzi and Brecht. Notes on a Materialist Althusser had originally prepared this essay (hereafter PT) in response to a cultural event (the presentation of Giorgio Strehler's production of Car…

  • Richard III

    Mohammad Kowsar, William Shakespeare•ARTICLE•Theatre Journal•1982

  • In Defense of Desire

    Mohammad Kowsar•ARTICLE•Theatre Journal•1982

  • Wielopole - Wielopole

    Mohammad Kowsar, Tadeusz Kantor•ARTICLE•Theatre Journal•1982

  • Althusser on Theatre

    Mohammad Kowsar•ARTICLE•Theatre Journal•1983•Cited by: 2

    The student of political philosophy who reads Louis Althusser's For Marx with the intention of gaining insight into Marxist thought as it pertains to epistemological disquisitions is liable to be initially perplexed by a chapter entitled Piccolo Teatro': Bertolazzi and Brecht. Notes on a Materialist Althusser had originally prepared this essay (hereafter PT) in response to a cultural event (the presentation of Giorgio Strehler's production of Car…

  • Deleuze on Theatre

    Mohammad Kowsar•ARTICLE•Theatre Journal•1986•Cited by: 1

    Gilles Deleuze meets Carmelo Bene at the crossroads where theory and theatre practice converge. Who are they and what do they purport to offer us in terms of yet another aesthetic pronouncement? Deleuze's essay (a consideration of Bene's production and published text of Richard II1,1 based on Shakespeare) is entitled Un manifeste de moins,2 and claims to have a modest expository function. In fact his discussion of Bene's theatre serves as a prete…

  • Richard III

    Mohammad Kowsar, William Shakespeare•ARTICLE•Theatre Journal•1982

  • In Defense of Desire

    Mohammad Kowsar•ARTICLE•Theatre Journal•1982

  • Wielopole - Wielopole

    Mohammad Kowsar, Tadeusz Kantor•ARTICLE•Theatre Journal•1982

  • Althusser on Theatre

    Mohammad Kowsar•ARTICLE•Theatre Journal•1983•Cited by: 2

    The student of political philosophy who reads Louis Althusser's For Marx with the intention of gaining insight into Marxist thought as it pertains to epistemological disquisitions is liable to be initially perplexed by a chapter entitled Piccolo Teatro': Bertolazzi and Brecht. Notes on a Materialist Althusser had originally prepared this essay (hereafter PT) in response to a cultural event (the presentation of Giorgio Strehler's production of Car…

  • Deleuze on Theatre

    Mohammad Kowsar•ARTICLE•Theatre Journal•1986•Cited by: 1

    Gilles Deleuze meets Carmelo Bene at the crossroads where theory and theatre practice converge. Who are they and what do they purport to offer us in terms of yet another aesthetic pronouncement? Deleuze's essay (a consideration of Bene's production and published text of Richard II1,1 based on Shakespeare) is entitled Un manifeste de moins,2 and claims to have a modest expository function. In fact his discussion of Bene's theatre serves as a prete…

  • Cinema 1

    Mohammad Kowsar, Gilles Deleuze et al.•REVIEW•Theatre Journal•1987

  • Fugitive Desire

    Mohammad Kowsar•ARTICLE•Theatre Journal•1988

    The Trojan War purports to have engaged the animosity of the warring nations for a full decade. Homer's Iliad covers roughly fifty days of that interminable war, albeit a period toward the end. The story of Penthesilea, the Amazon Queen who entered the foray on the side of the Trojans, is an episode which claims the temporal unity of a single twenty-four-hour day -a marginal notation, really, in the trajectory of a major epic. Nevertheless, from …

  • The Tale of Lear

    Mohammad Kowsar, Tadashi Suzuki•ARTICLE•Theatre Journal•1989

  • The Misanthrope

    Mohammad Kowsar, Moliere et al.•ARTICLE•Theatre Journal•1989

  • "Lacan's "Antigone

    Mohammad Kowsar•ARTICLE•Theatre Journal•1990

    The analysis of Sophocles' Antigone by Jacques Lacan' clearly professes a complex mission, to explore an ethical territory commensurate with the interests of psychoanalysis--a close scrutiny that entails scanning the entire field from a philosophical and ontological perspective and to show with conclusive evidence that the Freudian project, when put to a rigorous test, always will identify human action, in its relationship to desire, as something…

  • Lacan and Claudel

    Mohammad Kowsar•ARTICLE•Theatre Journal•1994

    Lacan and Claudel, a curious combination. Nothing in their respective authorial projects and reputations would suggest a body of common concerns and preoccupations. Claudel who died in 1955, still looms in the general literary imagination as the dramatist whose poetic and densely dialogued dramas represent chiefly the trials of faith, an whose Pascalian concerns depict solely Christian profiles captured in the states of moral epiphanies and spiri…

Art (7 works) · History (5 works) · History (5 works) · Aesthetics (3 works) · Psychology (3 works) · Literature (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Visual arts (2 works) · Ancient and Medieval Archaeology Studies (1 work) · Cinema and Media Studies (1 work)

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