Lacan and Claudel
"Desire and "The Hostage
Bibliographic Data
| ID | 4552519 |
|---|---|
| Authors | Mohammad Kowsar (corresponding author) |
| Year | 1994 |
| Volume | 46 |
| Issue | 1 |
| Pages | 79 |
| Publication date | 1994-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3208956 |
| OpenAlex | W2329528593 |
| Language | EN |
Lacan and Claudel, a curious combination. Nothing in their respective authorial projects and reputations would suggest a body of common concerns and preoccupations. Claudel who died in 1955, still looms in the general literary imagination as the dramatist whose poetic and densely dialogued dramas represent chiefly the trials of faith, an whose Pascalian concerns depict solely Christian profiles captured in the states of moral epiphanies and spiritual ecstasies. Appositives, major author and writer of modern classics attached themselves to the name of Claudel almost
Aesthetics · Art · Visual arts · French Literature and Critical Theory · Psychology
| Highly cited | No |
|---|