Sarah Kozinn
Biographic Data
| ID | 1710262 |
|---|---|
| NAME | Sarah Kozinn |
| GIVEN NAMES | Sarah |
| FAMILY NAME | Kozinn |
| SIGNATURE | KOZINN S |
| AFFILIATIONS | Sarah Kozinn is a Mellon Postdoctoral Fellow in the Theater Department at Occidental College and an actor working in film, theatre, and television. She received her PhD in Performance Studies from New York University's Tisch School of the Arts, and her dissertation on judge TV shows won the Brooks McNamara Memorial Award. She was also the recipient of the NYU Performance Studies Award and the Paula Goddard Award in performance scholarship. |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Theatre’s On-Screen Persona
Highland Park Is Here , staged online and centering on community and community engagement, worked to build vital connections between participants and overcome the restrictions of Zoom boxes. The process revealed that when the integrity of a show’s theatre-ness is challenged by moving it online, the piece becomes a placeholder for the live event
The Cold Record by Kirk Lynn
Reviewed by: The Cold Record by Kirk Lynn Sarah Kozinn THE COLD RECORD. By Kirk Lynn. Directed by Alexandra Bassiakou Shaw. Under the Radar Festival, Public Theater, New York City. January 9, 2019. On January 9, 2019, I attended The Cold Record, one of the plays in the Public Theater’s annual Under the Radar Festival. The Cold Record was written and performed by Kirk Lynn, a member of Austin, Texas’s ensemble-based theatre collective Rude Mechs a…
The Room by Harold Pinter
Reviewed by: The Room by Harold Pinter Sarah Kozinn The Room. By Harold Pinter. Directed by Elizabeth LeCompte. The Wooster Group, REDCAT, Los Angeles. February 11, 2016. An epigraph excerpted from Paul Schmidt’s introduction to Meyerhold at Work opens the program to The Wooster Group’s The Room. The quote reads: “The author fixes the text in his own time, the director in his staging inscribes it in his, and in that inscription reveals history to…
Making Theatre Art
David Levine's 2012 production of Habit is a theatrical installation of Jason Grote's The Children of Kings. Performed on repeat for eight hours a day and staged inside an enclosed set built to look like the interior of a suburban ranch house, it challenges the boundaries of what viewers perceive to be theatre
An Invitation to Pillage
Playwright Charles Mee invites artists to pillage his texts, and in their production of Heaven on Earth Witness Relocation and Ildi! Eldi do just that. Under Dan Safer's direction, the companies bombard the audience with their exuberant encounter with the existential question, “What happens after the world ends?”
Discovering What We Don't Know
Since 2001 the Civilians, a small but prolific New York-based company best known for its investigative theatre, has been creating shows on an array of topics such as the culture of the evangelical church, divorce, the porn industry, and ecological disaster. Under the artistic direction of Steve Cosson, the Civilians challenge what audiences have come to know as documentary theatre
No prominent works on this page.
Discovering What We Don't Know
Since 2001 the Civilians, a small but prolific New York-based company best known for its investigative theatre, has been creating shows on an array of topics such as the culture of the evangelical church, divorce, the porn industry, and ecological disaster. Under the artistic direction of Steve Cosson, the Civilians challenge what audiences have come to know as documentary theatre
An Invitation to Pillage
Playwright Charles Mee invites artists to pillage his texts, and in their production of Heaven on Earth Witness Relocation and Ildi! Eldi do just that. Under Dan Safer's direction, the companies bombard the audience with their exuberant encounter with the existential question, “What happens after the world ends?”
Making Theatre Art
David Levine's 2012 production of Habit is a theatrical installation of Jason Grote's The Children of Kings. Performed on repeat for eight hours a day and staged inside an enclosed set built to look like the interior of a suburban ranch house, it challenges the boundaries of what viewers perceive to be theatre
The Room by Harold Pinter
Reviewed by: The Room by Harold Pinter Sarah Kozinn The Room. By Harold Pinter. Directed by Elizabeth LeCompte. The Wooster Group, REDCAT, Los Angeles. February 11, 2016. An epigraph excerpted from Paul Schmidt’s introduction to Meyerhold at Work opens the program to The Wooster Group’s The Room. The quote reads: “The author fixes the text in his own time, the director in his staging inscribes it in his, and in that inscription reveals history to…
The Cold Record by Kirk Lynn
Reviewed by: The Cold Record by Kirk Lynn Sarah Kozinn THE COLD RECORD. By Kirk Lynn. Directed by Alexandra Bassiakou Shaw. Under the Radar Festival, Public Theater, New York City. January 9, 2019. On January 9, 2019, I attended The Cold Record, one of the plays in the Public Theater’s annual Under the Radar Festival. The Cold Record was written and performed by Kirk Lynn, a member of Austin, Texas’s ensemble-based theatre collective Rude Mechs a…
Theatre’s On-Screen Persona
Highland Park Is Here , staged online and centering on community and community engagement, worked to build vital connections between participants and overcome the restrictions of Zoom boxes. The process revealed that when the integrity of a show’s theatre-ness is challenged by moving it online, the piece becomes a placeholder for the live event
Art (6 works) · History (5 works) · History (5 works) · Theatre and Performance Studies (5 works) · Art history (4 works) · Visual arts (4 works) · Computer Science (2 works) · Literature (2 works) · Media studies (2 works) · Performance art (2 works)