An Invitation to Pillage
Witness Relocation's Heaven on Earth
Bibliographic Data
| ID | 14997869 |
|---|---|
| Authors | Sarah Kozinn (Sarah Kozinn is an actress, producer, playwright, and scholar who will be completing her doctorate in Performance Studies at New York University in May 2012. Her work engages questions about law and performance and the performativity of pop-cultural representations of the legal process. In addition to teaching in NYU/Tisch's Department of Drama and the HEOP program and at the New York Film Academy, she performs in theatre, film, and television and can be seen performing improv comedy in New York City., corresponding author) |
| Year | 2012 |
| Volume | 56 |
| Issue | 2 |
| Pages | 184-190 |
| Publication date | 2012-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00174 |
| OpenAlex | W2035412844 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
Playwright Charles Mee invites artists to pillage his texts, and in their production of Heaven on Earth Witness Relocation and Ildi! Eldi do just that. Under Dan Safer's direction, the companies bombard the audience with their exuberant encounter with the existential question, “What happens after the world ends?”
Art · Art history · Earth (classical element · Epistemology · Existentialism · Heaven · Linguistics · Literature · Relocation · Witness · Computer Science · History · Philosophy · Utopian, Dystopian, and Speculative Fiction
| Citations per year | 0.07 |
|---|---|
| Citation span | 2011 - 2011 (1) |
| Highly cited | No |