Andrew Vorder Bruegge
Biographic Data
| ID | 1710508 |
|---|---|
| NAME | Andrew Vorder Bruegge |
| GIVEN NAMES | Andrew Vorder |
| FAMILY NAME | Bruegge |
| SIGNATURE | BRUEGGE A V |
| AFFILIATIONS | Winthrop University |
| VERIFIED | No |
| TOTAL WORKS | 37 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 37 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Staging Harmony
Culinary Shakespeare
“If Then the World a Theatre Present …”
Staging England in the Elizabethan History Play
Reading What’s There
Heralds and Heraldry in Shakespeare’s England
French Reflections in the Shakespearean Tragic
The Bible in Shakespeare
Shakespeare's Common Prayers
Replaying the Renaissance
Carrying the Word
Locating the Queen's Men, 1583-1603
Ben Jonson and the Politics of Genre
Placing the Plays of Christopher Marlowe
The Shakespearean International Yearbook. Vol. 6, Shakespeare and Montaigne Revisited
Solon and Thespis
In this attractively titled collection of essays on law and theater in the English Renaissance, Dennis Kezar has assembled an impressive array of talent to focus on the productive and yet vexed relationship of theater and the state. Plays 'tell lies' to their audiences: so argued Solon in his riposte to Thespis, to be followed in due course by Plato's attack on poetry in the Republic and all that Jonas Barish has studied under the rubric of Antit…
Approaches to Teaching Early Modern Spanish Drama
At the start of the twenty-first century, performances of early modern Spanish drama experienced resurgent popularity--not only in Spain but also on stages across Europe, Latin America, and the United States. In the academy the comedia, which includes comic, tragicomic, and tragic works, is widely taught in a range of contexts to a variety of students, in Spanish and in translation. Given the steady increase of Spanish as the language of choice i…
Shakespeare at the Huntington
Humanist Comedies
Eternal Bonds, True Contracts
The Eloquent Body
Neo-Baroque Aesthetics and Contemporary Entertainment
The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment, she situates today's film, computer games, comic books, and theme-park attractions within an aesthetic-historical context and uses the baroque as a framework to e…
Performance and Literature in the Commedia dell'Arte
Lorenzaccio (review)
Shakespeare and Violence
No prominent works on this page.
Alfred de Musset
Prospero's Staff
Painted Faces on the Renaissance Stage
On the Practice or Art of Dancing
Some Necessary Questions of the Play
Shakespeare
Teaching Shakespeare in the Twenty-First Century
Language and Stage in Medieval and Renaissance England
The Essex House Masque of 1621
The Theatrical Baroque
The late 16th and 17th centuries are frequently labelled the age of theatre. Throughout western Europe, the dramatic arts attained new heights of cultural prestige, political importance and commercial success. This series of essays investigates the dialogue between the newly invigorated theatre and the plastic arts. Discussed are the interactions between spectator and spectacle, social performance and the staging of the individual, the shaping of…
Shakespeare on Love and Friendship
No-one can make us love love as much as Shakespeare, and no-one can make us despair of it as effectively as he does. William Shakespeare is the only classical author to remain widely popular - not only in America but throughout the world - and Allan Bloom argues that this is because no other writer holds up a truer mirror to human nature. Unlike the Romantics and other moderns, Shakespeare has no project for the betterment or salvation of mankind…
Autobiography in Shakespeare's Plays
Shakespeare and Violence
Neo-Baroque Aesthetics and Contemporary Entertainment
The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment, she situates today's film, computer games, comic books, and theme-park attractions within an aesthetic-historical context and uses the baroque as a framework to e…
Performance and Literature in the Commedia dell'Arte
Lorenzaccio (review)
Humanist Comedies
Eternal Bonds, True Contracts
The Eloquent Body
Shakespeare at the Huntington
Solon and Thespis
In this attractively titled collection of essays on law and theater in the English Renaissance, Dennis Kezar has assembled an impressive array of talent to focus on the productive and yet vexed relationship of theater and the state. Plays 'tell lies' to their audiences: so argued Solon in his riposte to Thespis, to be followed in due course by Plato's attack on poetry in the Republic and all that Jonas Barish has studied under the rubric of Antit…
Approaches to Teaching Early Modern Spanish Drama
At the start of the twenty-first century, performances of early modern Spanish drama experienced resurgent popularity--not only in Spain but also on stages across Europe, Latin America, and the United States. In the academy the comedia, which includes comic, tragicomic, and tragic works, is widely taught in a range of contexts to a variety of students, in Spanish and in translation. Given the steady increase of Spanish as the language of choice i…
The Shakespearean International Yearbook. Vol. 6, Shakespeare and Montaigne Revisited
Ben Jonson and the Politics of Genre
Placing the Plays of Christopher Marlowe
Art (32 works) · History (15 works) · History (15 works) · Shakespeare, Adaptation, and Literary Criticism (13 works) · Literature (12 works) · Philosophy (12 works) · Philosophy (11 works) · Visual arts (11 works) · Political science (9 works) · Classics (7 works)