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James Tweedie

Biographic Data

ID177940
NAMEJames Tweedie
GIVEN NAMESJames
FAMILY NAMETweedie
SIGNATURETWEEDIE J
AFFILIATIONSJAMES TWEEDIE is Associate Professor of Comparative Literature, Cinema, and Media at the University of Washington. He is the author of The Age of New Waves: Art Cinema and the Staging of Globalization (Oxford, 2013), which won the Katherine Singer Kovács Award from the Society for Cinema and Media Studies.
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Serge Daney, Zapper

    James Tweedie•ARTICLE•October•2016

    The essay considers Serge Daney's transition from a film critic schooled in New Wave cinephilia to a television critic fascinated by the possibilities of the small screen and the status of cinema as an old medium. Looking in the "rear-view mirror," Daney challenges foundational film theory that situates cinema at the forefront of technological and cultural modernity, and he introduces the language of belatedness, aging, and delay into his writing…

  • The Event of Cinema

    James Tweedie, James Tweedie James Tweedie•ARTICLE•Cultural Critique•2012•References: 4

  • Cinema at the City's Edge

    Yomi Braester, James Tweedie•BOOK•Cinema at the City's Edge•2010

  • Delirious Cities and Their Cinema

    James Tweedie•ARTICLE•Public Culture•2010

    Using contemporary Chinese and Hong Kong cinema, the large body of writing on media emanating from Koolhaas and his atelier, and the headquarters for China Central Television as its primary touchstones, this essay examines the relationship between the current media environment in East Asia and the architectural practice and theory produced by Koolhaas. The paper argues that his virtuoso designs and enormously productive critical work reach an imp…

  • The Afterlife of Art and Objects

    James Tweedie•ARTICLE•SubStance•2004

    The Afterlife of Art and Objects:Alain Cavalier's Thérèse James Tweedie (bio) Cinematic Preface Four years before shooting began on Thérèse (1986), Alain Cavalier documented the earliest stages of the screenwriting process in a short 16mm film and accompanying diary. Produced for the magazine Cinéma-Cinémas and published with the diary excerpted alongside frame enlargements, this cinematic chronicle unfolds through a series of still lifes: first,…

  • The Afterlife of Art and Objects

    James Tweedie•ARTICLE•SubStance•2004

No prominent works on this page.

  • The Afterlife of Art and Objects

    James Tweedie•ARTICLE•SubStance•2004

    The Afterlife of Art and Objects:Alain Cavalier's Thérèse James Tweedie (bio) Cinematic Preface Four years before shooting began on Thérèse (1986), Alain Cavalier documented the earliest stages of the screenwriting process in a short 16mm film and accompanying diary. Produced for the magazine Cinéma-Cinémas and published with the diary excerpted alongside frame enlargements, this cinematic chronicle unfolds through a series of still lifes: first,…

  • The Afterlife of Art and Objects

    James Tweedie•ARTICLE•SubStance•2004

  • Cinema at the City's Edge

    Yomi Braester, James Tweedie•BOOK•Cinema at the City's Edge•2010

  • Delirious Cities and Their Cinema

    James Tweedie•ARTICLE•Public Culture•2010

    Using contemporary Chinese and Hong Kong cinema, the large body of writing on media emanating from Koolhaas and his atelier, and the headquarters for China Central Television as its primary touchstones, this essay examines the relationship between the current media environment in East Asia and the architectural practice and theory produced by Koolhaas. The paper argues that his virtuoso designs and enormously productive critical work reach an imp…

  • The Event of Cinema

    James Tweedie, James Tweedie James Tweedie•ARTICLE•Cultural Critique•2012•References: 4

  • Serge Daney, Zapper

    James Tweedie•ARTICLE•October•2016

    The essay considers Serge Daney's transition from a film critic schooled in New Wave cinephilia to a television critic fascinated by the possibilities of the small screen and the status of cinema as an old medium. Looking in the "rear-view mirror," Daney challenges foundational film theory that situates cinema at the forefront of technological and cultural modernity, and he introduces the language of belatedness, aging, and delay into his writing…

Art (6 works) · Movie theater (4 works) · Aesthetics (3 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Literature (3 works) · Sociology (3 works) · Visual arts (3 works) · Afterlife (2 works) · Art, Politics, and Modernism (2 works)

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