Gordon J Fyfe
Biographic Data
| ID | 187628 |
|---|---|
| NAME | Gordon J Fyfe |
| GIVEN NAMES | Gordon J |
| FAMILY NAME | Fyfe |
| SIGNATURE | FYFE G J |
| AFFILIATIONS | Keele University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
Art and reproduction
On the Relevance of Basil Bernstein's Theory of Codes To the Sociology of Art Museums
It is argued that art museums are neither reflexes of social structures nor sealed textual spaces. In the case of art-museum research there is a need to build on the insights of discourse analysis whilst keeping faith with classical sociological emphases on social power, inequality and change. Basil Bernstein's theory of cultural codes and his concepts of classification and framing provide a basis for such an analysis. Classification and framing …
Art and reproduction
Structure, Knowledge and Practice
This paper concerns the relationship between nineteenth century art exhibitions and the social construction of the artist. Attention is focused on the institutional conditions which endorsed the fine artist in the role of an individuated creator within the context of the changing social relations of artistic production. In this way art exhibitions are considered as sites of cultural production and it is argued that matters of their organization r…
Art and reproduction
On the Relevance of Basil Bernstein's Theory of Codes To the Sociology of Art Museums
It is argued that art museums are neither reflexes of social structures nor sealed textual spaces. In the case of art-museum research there is a need to build on the insights of discourse analysis whilst keeping faith with classical sociological emphases on social power, inequality and change. Basil Bernstein's theory of cultural codes and his concepts of classification and framing provide a basis for such an analysis. Classification and framing …
Structure, Knowledge and Practice
This paper concerns the relationship between nineteenth century art exhibitions and the social construction of the artist. Attention is focused on the institutional conditions which endorsed the fine artist in the role of an individuated creator within the context of the changing social relations of artistic production. In this way art exhibitions are considered as sites of cultural production and it is argued that matters of their organization r…
Art and reproduction
On the Relevance of Basil Bernstein's Theory of Codes To the Sociology of Art Museums
It is argued that art museums are neither reflexes of social structures nor sealed textual spaces. In the case of art-museum research there is a need to build on the insights of discourse analysis whilst keeping faith with classical sociological emphases on social power, inequality and change. Basil Bernstein's theory of cultural codes and his concepts of classification and framing provide a basis for such an analysis. Classification and framing …
Art and reproduction
Sociology (3 works) · Art (2 works) · Biology (2 works) · Educational Theory and Curriculum Studies (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Reproduction (2 works) · Social and Cultural Dynamics (2 works) · Social science (2 works)