Esther M K Cheung
Biographic Data
| ID | 190338 |
|---|---|
| NAME | Esther M K Cheung |
| GIVEN NAMES | Esther M K |
| FAMILY NAME | Cheung |
| SIGNATURE | CHEUNG E M K |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
L'itérabilité de la poésie topographique à Hong Kong
La démolition par un gouvernement technocratique et développementaliste de deux embarcadères historiques à Hong Kong en 2006-2007 a déclenché, parmi d'autres réactions, la production d'un nouveau type de poésie inscrit dans l'espace urbain. Définissant une poétique oppositionnelle axée sur la prise de conscience et sur l'action, souvent récités ou mis en espace sur les lieux concernés, les poèmes de Uncle Hung et de Liu Wai-tong ont pour ambition…
A Companion to Hong Kong Cinema
The notion of “pan‐Asian cinema” crystallized in the aftermath of the 1997 Asian financial crisis and the downturn experienced by the film industries of Hong Kong, China, Taiwan, and Japan. Its inception thus coincides with a broader tendency towards “market‐led” regionalization in Northeast and Southeast Asia, which saw an increasingly “integrative market for culture.” This essay grapples with an apparent contradiction: Going Home (dir. Peter Ho…
Hong Kong Screenscapes
Global connections and screen innovations converge in Hong Kong cinema. This volume focuses on the film clubs of the 1950s, 1960s, and 1970s, as well as new waves since, that have both refreshed and ruptured Hong Kong screenscapes. Energized by transnational image and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultura…
Hong Kong Screenscapes: From the New Wave to the Digital Frontier
This volume focuses on film clubs of the 1950s, 60s, and 70s, as well as new waves since that have both refreshed and ruptured Hong Kong screenscapes. Energized by transnational image and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood
Le réalisme face à un dilemme. L’attrait de l’«accent Jia Zhangke»
En cherchant à construire une mémoire individuelle et collective des transformations sans précédent de la Chine postsocialiste, Jia Zhangke a produit un ensemble de films réalistes à l’attrait personnel et authentique remarquable. Cet article étudie la diversité d’accents, les images de l’authenticité, les ambiances quotidiennes et la nouvelle approche des objets matériels dans ses films, au croisement du local et du global. Situés dans les trois…
Fruit Chan's Made in Hong Kong
The books takes an interdisciplinary approach to analyze Fruit Chan's Made in Hong Kong, using perspectives ranging from sociology, history, film studies, cultural and critical theories, and globalization studies.
The Hi/Stories of Hong Kong
This paper examines the formation of modernity in three colonialist epics of Hong Kong and the recent historical and fictional works that aim to rewrite the history of the 'local'. Adopting a challenge-response structure, the paper argues that the colonialist epics construct a monolithic discourse of modernity-as-progress via the amnesia of conflicts, tensions, and processes of domination and negotiation in the rural and everyday space of colonia…
The Hi/Stories of Hong Kong
This paper examines the formation of modernity in three colonialist epics of Hong Kong and the recent historical and fictional works that aim to rewrite the history of the 'local'. Adopting a challenge-response structure, the paper argues that the colonialist epics construct a monolithic discourse of modernity-as-progress via the amnesia of conflicts, tensions, and processes of domination and negotiation in the rural and everyday space of colonia…
The Hi/Stories of Hong Kong
This paper examines the formation of modernity in three colonialist epics of Hong Kong and the recent historical and fictional works that aim to rewrite the history of the 'local'. Adopting a challenge-response structure, the paper argues that the colonialist epics construct a monolithic discourse of modernity-as-progress via the amnesia of conflicts, tensions, and processes of domination and negotiation in the rural and everyday space of colonia…
Fruit Chan's Made in Hong Kong
The books takes an interdisciplinary approach to analyze Fruit Chan's Made in Hong Kong, using perspectives ranging from sociology, history, film studies, cultural and critical theories, and globalization studies.
Hong Kong Screenscapes
Global connections and screen innovations converge in Hong Kong cinema. This volume focuses on the film clubs of the 1950s, 1960s, and 1970s, as well as new waves since, that have both refreshed and ruptured Hong Kong screenscapes. Energized by transnational image and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultura…
Hong Kong Screenscapes: From the New Wave to the Digital Frontier
This volume focuses on film clubs of the 1950s, 60s, and 70s, as well as new waves since that have both refreshed and ruptured Hong Kong screenscapes. Energized by transnational image and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood
Le réalisme face à un dilemme. L’attrait de l’«accent Jia Zhangke»
En cherchant à construire une mémoire individuelle et collective des transformations sans précédent de la Chine postsocialiste, Jia Zhangke a produit un ensemble de films réalistes à l’attrait personnel et authentique remarquable. Cet article étudie la diversité d’accents, les images de l’authenticité, les ambiances quotidiennes et la nouvelle approche des objets matériels dans ses films, au croisement du local et du global. Situés dans les trois…
A Companion to Hong Kong Cinema
The notion of “pan‐Asian cinema” crystallized in the aftermath of the 1997 Asian financial crisis and the downturn experienced by the film industries of Hong Kong, China, Taiwan, and Japan. Its inception thus coincides with a broader tendency towards “market‐led” regionalization in Northeast and Southeast Asia, which saw an increasingly “integrative market for culture.” This essay grapples with an apparent contradiction: Going Home (dir. Peter Ho…
L'itérabilité de la poésie topographique à Hong Kong
La démolition par un gouvernement technocratique et développementaliste de deux embarcadères historiques à Hong Kong en 2006-2007 a déclenché, parmi d'autres réactions, la production d'un nouveau type de poésie inscrit dans l'espace urbain. Définissant une poétique oppositionnelle axée sur la prise de conscience et sur l'action, souvent récités ou mis en espace sur les lieux concernés, les poèmes de Uncle Hung et de Liu Wai-tong ont pour ambition…
Hong Kong and Taiwan Politics (6 works) · Art (5 works) · china (3 works) · Motion pictures (3 works) · Criticism and interpretation (2 works) · History (2 works) · History and criticism (2 works) · hong kong (2 works) · Humanities (2 works) · Motion picture producers and directors (2 works)