Hong Kong Screenscapes
From the New Wave to the Digital Frontier
Bibliographic Data
| ID | 20032388 |
|---|---|
| Authors | Esther M K Cheung, Gina Marchetti (0000-0002-1371-6556), Tan See Kam (0000-0002-5717-7152) |
| Year | 2010 |
| Pages | 296 |
| Publication date | 2010-11-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Hong Kong screenscapes (SOURCE_BOOK) |
| Publisher | Hong Kong University Press (PUBLISHER) |
| OpenAlex | W2617977248 |
| Open Library | OL24866279M |
| ISBN | 9789888028566 |
| Language | EN |
This volume focuses on film clubs of the 1950s, 60s, and 70s, as well as new waves since that have both refreshed and ruptured Hong Kong screenscapes. Energized by transnational image and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood
Archaeology · Frontier · Geography · Telecommunications · Computer Science · Hong Kong and Taiwan Politics · china · Criticism and interpretation · History · hong kong · Interviews · Motion picture industry · Motion picture producers and directors · Motion pictures
| Citation velocity | historical |
|---|---|
| Highly cited | No |